Atom Egoyan, the director of Chloe is well aware that the strength of any such stories is in the nuances at first hand and "Chloe" is all built on them. It is not important what exactly happens, but how it is reflected on the people. Egoyan clearly shows how the complexes, fears, worries and speculations destroy subjective reality. Main power "Chloe" is in this reticence not even in focus on the main character: the movie switches from one character to another for several times. That is not an accident that the film has a woman's name - the final impression of it is about the same as that from a meeting with a pretty mysterious stranger. Perhaps, as a result it is not turned into something much bigger and important than the conversation of exquisite sexually charged flirtation - but that's a little dangerous feeling of rocking intoxication, mild viciousness and willingness to lose all control is stored, perhaps are even the better things.

An old tradition, Jumping the Broom refers to a couple who jump over a broomstick at the end of their wedding ceremony to complete their "togetherness". It's a UK and African tradition that was brought back and popularized after airing of the miniseries Roots. But when two totally different socioeconomic families get together for a wedding on Martha's Vineyard the sparks will fly because one side wishes to hang on to traditional values while the other want a more modern ceremony.Starring Angela Bassett (What's Love Got To Do With It?) as mother of the bride, Paula Patton (Precious) is the bride, Laz Alonzo (Avatar, Fast & Furious) is the groom, and Loretta Devine (Grey's Anatomy, Waiting to Exhale) portraying the groom's mother this comedy is well casted and extremely funny. The social differences in the two families brought together by love and marriage cause sparks to fly while seeking to find common ground for the sake of the kids. A great movie that shows blacks can be educated, smart, and classy. A welcome change from the stereotypical type casting of blacks we usually see."

Sex and the City 2 is the door from "Being John Malkovich" straight into the female brain. Heroines' trip to the UAE may be seen in the wildest hallucinogenic ravings only, because half the movie has no relation to reality. Everything you can see, just the cinematic incarnation of women's dreams, not repressed neither the budget (compared to the previous film, he rose half as much), or by considerations of propriety… there is no common sense. Before you bare the mechanism: how and what every woman secretly dreams. "Sex and the City 2" took the old cynical tone, and began to dissect the theme, surrounded by silence or enthusiastic piety, while main characters defend personal, non-conventional happiness again.

Remember Me became the first film with Robert Pattison after the "New Moon". It is a brief and very New York style story to get off the vampire obsession to prove that wistful look not the only one of his skills. The proof turned out to be week and Pattison fate is still uncertain. So, Remember Me movie is notable by something that don't relies on Pattison, but just because of its uncommon asperity. To be clear it is what for every critic hated this film: the second-rate ideas, coupled with the willingness to borrow everything from the classical movies. There are three things to indulgent this movie: Pattison is handsome, Emilie de Ravin is still the same smart and Pierce Brosnan gives meaning and value for every scene he appears…

Sitting on the 15th place in The Greatest Directors of All Time list, Woody Allen is a talented writer, who has got more Oscars than fingers on both of your hands. And his next masterpiece To Rome with Love is likely to bring him another one (an Oscar, of course, not a finger). The events of the movie, that seem to be unconnected at the first blush, are masterfully intertwined with each other, mostly not physically, but spiritually, which is an Allen's bonanza anyway. The first story follows a famous NY architect, Jack (Jesse Eisenberg: 30 Minutes or Less, The Social Network) who is nothing more than a younger "reflection" of John (Alec Baldwin: The Good Shepherd, The Departed), who is trying to go back in the past to his youth. Another story is Antonio (Alessandro Tiberi) and Milly's (Alessandra Mastronardi) amorous drama which they are going through separately. This story also involves an Italian prostitute Anna (Penélope Cruz: Broken Embraces, Vicky Cristina Barcelona), and Italian cinema celebrity Luca Salta (Antonio Albanese). There are two other stories (or vignettes) that seem to be separated and unconnected but all of them are nothing more than beads on a curved string of life. By the way, Woody Allen has refuted the assumption of vignette intersection, leaving the audience an opportunity to decide what unites the stories.

Letters to Juliet is an unbeatable summer melodrama about the simple fact: love is not a sausage – it has not expiry date. It is a kind of conceptual sequel to "From 13 to 30" of the same Gary Winick. In the film, 13-year-old girl trapped in the body of the Thirty Years' coquette, but here in "Letters to Juliet" it seems, there has been movement in the opposite direction - from 70 to 13. Mature sagacity lady returned to the age of the great dreams of stainless love, which has no expiration date and is happy to wait at least half a century, only to flare up with a new, triple the force. On the other hand, it is nice that the boundaries are shifted. Previously, it was necessary to have the certain courage to say: in 40 years, life has just begun. "Letters to Juliet" cheerfully join it: even in 70 it not ends there… neither directly nor figuratively.