Beastly" movie follows a good looking and conceited young man, Kyle Kingson, played by Alex Pettyfer. He feels the results of a curse that morphs him into the very things he hates the most in this yarn spun on the heels of Beauty and the Beast. The stereotypical rich teenage boy that has everything his heart could desire gets his kicks by tormenting and mocking those less fortunate (both financially and genetically) than himself. When he asks the odd, eccentric gothic girl Kendra, played by Mary-Kate Olsen, to a school rally and then spurns her, Kendra casts a spell on Kyle that turns him into something truly beastly. Now instead of being the envy of the school, he is feared and mocked. His only hope of returning to his former physical appearance is to find someone who will love him as he is. Kyle's father, played by Peter Krause, sends him away to Brooklyn where Kyle becomes friends with the housekeeper, played by Lisa Gay Hamilton and his sight impaired private tutor, played by Neil Patrick Harris. Kyle then intervenes in a drug deal gone bad and becomes the protector of the addict so long as he sends his daughter, Lindy, played by Vanessa Hudges, to live with the beastly Kyle. You can guess where the movie goes from there.

An old tradition, Jumping the Broom refers to a couple who jump over a broomstick at the end of their wedding ceremony to complete their "togetherness". It's a UK and African tradition that was brought back and popularized after airing of the miniseries Roots. But when two totally different socioeconomic families get together for a wedding on Martha's Vineyard the sparks will fly because one side wishes to hang on to traditional values while the other want a more modern ceremony.Starring Angela Bassett (What's Love Got To Do With It?) as mother of the bride, Paula Patton (Precious) is the bride, Laz Alonzo (Avatar, Fast & Furious) is the groom, and Loretta Devine (Grey's Anatomy, Waiting to Exhale) portraying the groom's mother this comedy is well casted and extremely funny. The social differences in the two families brought together by love and marriage cause sparks to fly while seeking to find common ground for the sake of the kids. A great movie that shows blacks can be educated, smart, and classy. A welcome change from the stereotypical type casting of blacks we usually see."

Imagine a world where mankind has not yet learned to lie. People have work, home and family; they run a normal life, but they are telling the truth only. In this world there is no deceit, flattery, hypocrisy and deceit; everybody speaks only what he thinks. Sometimes the truth is harsh and cruel, but nothing can be done about it, they used to live in that way. And even here, in this seemingly perfect world are the poor and the rich, prosperous and unfortunate. In some city, there is a loser, Mark, who lives his normal live of unremarkable middle-aged man. He is fat to his 40-odd years, he has not made any financial achievements. He enjoys a quiet family life and works as a script writer at the film studio; he is forced to eke out his existence, being hopelessly in love with the beautiful Anna. One day, he is fired from his job, an apartment owner, gives him one day to either pay rent or move out. Once on the brink of the bottom, to Mark plants in the head his first lie.

Safe Haven of 2013 is loosely based on the Nicholas Sparks' best-selling novel of 2011 with same name. The movie's storyline winds around private life of Katie Feldman and her past's dark secrets. Movie starts with scenes where we see Katie - she is settling in a small touristic town Southport, located near Cape Fear (North Carolina). Being a gorgeous, lighthearted young woman, she works as a waitress in one of the local restaurants. Everything looks fine and her life is passing in calm and friendly neighborhood, but as soon as film scenes go, we notice that Katie has to cope with some problems originating from her shady past. It comes absolutely clear that something was wrong in her "previous life" when a local store owner Alex Wheatley tries to build relationships with her. Katie withdraws into herself, although it becomes clear that she has similar feeling towards Alex. Why she keep her heart locked for a new love? It's a question that could be answered by some mysterious events living in Katie's past. The situation becomes more unstable when another man, Jo with enters her live with that sort of feelings. Now, Katie is faced some though choice, a widowed ex-army-mayor, Alex, a local dreamboat, Jo, and staying alone one-on-one with her past. Mostly targeted in woman audience, Safe Haven features not only typical Sparks' signature plot, but quite a decent ensemble cast: Katie Feldman is played by cute Julianne Hough (Sherrie Christian from Rock of Ages , Ariel from Footloose, and Georgia Burlesque), while Josh Duhamel portrays Alex Wheatley. We know Josh for his roles of Jeremy Coleman in Fire with Fire and Captain William Lennox in Transformers franchise.

A film by Robert Schwentke is not even trying to step into the territory of melodrama: the protagonist played by Rachel McAdams is so in love with that there are no other characteristics can be found in her person. Her partner, Eric Bana plays just a handsome man, imbued with positive as with chloroform, next to whom dreamy lonely woman wished to be. Of course, Bana is not shining, as Patrick Swayze, while parting with Demi Moore, but it crumbles in the arms McAdams, like sand in the sandglass tears. Confrontation and the unity of love and time was already fully embodied on the screen by Darren Aronofsky (The Fountain), and for this pathos it was actually destroyed by the critics in Venice and the audience at the box office. Schwentke choked with the same feelings, but he also significantly reduced the degree of expressiveness.

Letters to Juliet is an unbeatable summer melodrama about the simple fact: love is not a sausage – it has not expiry date. It is a kind of conceptual sequel to "From 13 to 30" of the same Gary Winick. In the film, 13-year-old girl trapped in the body of the Thirty Years' coquette, but here in "Letters to Juliet" it seems, there has been movement in the opposite direction - from 70 to 13. Mature sagacity lady returned to the age of the great dreams of stainless love, which has no expiration date and is happy to wait at least half a century, only to flare up with a new, triple the force. On the other hand, it is nice that the boundaries are shifted. Previously, it was necessary to have the certain courage to say: in 40 years, life has just begun. "Letters to Juliet" cheerfully join it: even in 70 it not ends there… neither directly nor figuratively.