In a more sophisticated "golden age" when American public schools actually taught people to read, Hollywood made movies from literature—Grapes of Wrath, for example, or To Have and Have Not. According to Oliver Stone, in the 1990s, film became the literature of the age. In 2011, driven by a fetish for "CG integration," Hollywood adopted the comic book as its model of choice. Not "the graphic novel," which has a slightly more elevated ring to it. No. The comic book. "Comic book novices may have difficulty differentiating their Green super-heroes: The Green Lantern does not attract The Green Hornet as moth to flame. Green Lantern may, however, attract almost as many teen girls as teen geeks, because it features Ryan Reynolds, People Magazine's sexiest man, archetype of "obscenely cut" abs. Critics already have remarked and documented strong similarities between Green Lantern and the IronMan series. Given its comic book origins, you know how Green Lantern goes: Cocky gonna-be super-hero must grow into and take responsibility for his super-powers. He becomes part of an inter-galactic super-squadron charged to protect and serve the universe. Of course, hard-rockin' soundtrack and jaw-droppingly attractive women, both good and evil, accompany him wherever he goes. "After summer's spate of cartoon movies, literate viewers may wax nostalgic for Hemingway in collaboration with Bogart and Steinbeck inspiring Henry Fonda.

Sucker Punch movie makes five girls the somewhat reluctant heroines of an epic action fantasy drawn from the main character's imagination. Baby-Doll has been wrongly confined in a mental institution, but she uses her powers of mind to escape her grim circumstances. When her dreams and fantasies no longer console her, Baby-Doll persuades four other girls to join in her attempt to escape captivity. Emily Browning stars as Baby-Doll; Jena Malone, Vanessa Hudgens, Jamie Chung, and Abbie Cornish complete the well-chosen ensemble cast. The five of them leave no doubt about the meaning of "girl power.""Director Zack Snyder describes Sucker Punch as "Alice in Wonderland with machine guns." In the course of their adventures, the girls engage everything from samurais to serpents in fantastic warfare, drawing from a robust virtual arsenal. The five sisters-in-arms face difficult choices about how much feel willing to sacrifice in order to stay alive. Wiseman, however, gives sage guidance, always suggesting that if the girls survive, their journey will set them free. Co-director Deborah Snyder brings the flight of fantasy back down to earth, saying, "In the end, it's about this girl's survival and what she needs to do to be able to cope."

Faster is about an ex-convict named Driver (Dwayne Johnson) that is dead set on getting revenge on everyone who back stabbed him. Driver sets out on a mission with his kill list in hand to soon find out he is also being hunted, by a soon to be retired cop and a crazy hitman. He must do his best to stay alive while completing his task, but will he make it to the end or will they get to him first. Faster takes you on a ride to the finish line that will keep you wondering all the way to the end.

Starting defiantly with an amateur stamp from the scene of creative clutter in the apartment of the protagonist, "Repo Men", however, are firmly stitched comic fighter, and quite wild, to become a cult movie. Miguel Sapochnik, plays the fool with all his might, but lively intelligence is difficult to conceal. Very soon, pulsating on the screen cyberpunk shows us a director, who with the same warmth loves "RoboCop," Tarkovsky and Pak Chan Wook. Climactic confrontation between good and evil is almost literally copied from the famous scene with the hammer of the "Oldboy"; with the only difference Sapochnik has money for various other small tools, but apparently lacks the skill neither to film it with one big plan nor to cut massacre of hundreds of different plans. It's disappointing, but not disastrous: in the end, the "Repo Men" has lots of other goods.

"Cobra" is a 1986 American action film starring Sylvester Stallone as a Los Angeles police officer named Marion Cobretti, nicknamed "Cobra". The movie follows Cobretti as he tries to protect a young model, Ingrid, who has witnessed a brutal murder committed by a gang of killers known as the New Order.

"Paparazzi" is a thriller movie released in 2004, directed by Paul Abascal. The movie follows Bo Laramie, a successful actor who becomes the target of an aggressive group of paparazzi. The paparazzi stalk Bo and his family, invading their privacy and causing dangerous accidents in pursuit of the perfect shot.