Metropolitan is a 1990 American comedy-drama film written and directed by Whit Stillman. The film follows a group of young socialites in Manhattan's Upper East Side as they navigate the social scene during debutante season. The main character, Tom, is a newcomer to the group who is initially hesitant to participate in their elitist lifestyle but ultimately finds a sense of belonging among his new friends.

Hangover immediately knocks down by the hurricane humor. Is not always this sense of humor is bontone, but almost always successful. Hangover is a movie with a very clever composition and structure: there are amazing flash backing vocals, and the action that evolves backwards-ahead, there are a lot of plot quirks that did not tangle, but for sure amaze you. From the standpoint of the movie formal construction of the picture it's just brilliant. There is a very clear role differentiation: each character is an expression of a prejudice, a walking stereotype, which manifests itself in different situations so predictable and therefore all the film looks like parody.

Dinner for Schmucks movie follows the common office "rat" Tim (Paul Rudd), who gives his boss promising business idea in timely manner. Boss, commending the zeal offers a guy to go to the big league managerial, but first Tim has to pass a little test and to invite some eccentric nerd to the private corporate dinner. It is a challenge: whose idiot would be the most ridiculous, that one gets the encouragement and recognition. Tim was lucky, by his Porsche he knocked Steve Carell, which is not that just looks like an idiot almost in every way, but enjoys taxidermy and collecting of dead mice dioramas compounding with them some sentimental scenes. As a result, mental stupidity, of course, wins managerial cynicism that is predictable. Dinner for Schmucks movie in some amarican manner landed and vulgarized comedy of 1998, filmed by one of the best French comedians of Francis Veber ("Toy", "Daddy", "Unlucky")…

It's the 80's in Los Angeles and life seems good. Plenty of cocaine and cash keep the younger set in a party mood and Take Me Home Tonight is what everybody seems to want. Matt Franklin (Topher Grace), a grad from MIT, decides his high paying job is not enough to satisfy and instead takes a job working in a video store as a clerk. Now his parents think he has "flipped out" for sure. He wants his dream girl, Teresa (Tori Frederking) to notice him and things take on a decidedly explosive twist in one night of excessive festivity at a Labor Day party weekend. Matt's best friend, Barry, has been fired and Wendy, his sister, has plans to marry a boring boyfriend named Kyle but all this only makes his own personal crisis seem larger since his beloved Teresa is back in his sights. It all comes to a head when too many excesses prove to have explosive results. Depicting heavy drug use, though common in the 80's, nearly kept Take Me Home Tonight from completion with moral standards of today but Brian Grazer and Ron Howard (Imagine Entertainment) saved the day and many of the cut scenes.

"A Storybook Ending" is a short film produced by HBO. The story follows a young Black man who accidentally kills an undercover police officer and sets off a chain of events involving deceit, blackmail, and murder. The film explores themes such as race, justice, and the consequences of one's actions.

The Hangover numbers among those very few movies that can lay legitimate claim to the title "instant classic." As contrived, convoluted, twisted, silly, and slapstick as something woven from the three stooges meeting the Marx brothers, "The Hangover" nevertheless maintained its sincerity and inspired audiences' sympathy for the poor slobs they were watching screw-up at every available opportunity. We call that "comic genius.""Can The Hangover Part II possibly reprise the genius and do justice to the original? As the movie went into post-production, Hangover star Bradley Cooper shared his worries, telling The Los Angeles Times, "I'd be lying if I said I wasn't trepidatious." The el dos, the original characters travel to Bangkok, which Cooper characterized as "Las Vegas on steroids." Stu once again is scheduled for nuptials, and he has pre-empted a bachelor party rerun by scheduling a proper, safe, conservative pre-wedding brunch. Of course, the words "yeah, right" come to mind. The studio says, "What happens in Vegas may stay in Vegas, but what happens in Bangkok can't even be imagined.""Cooper assuages his own and the audience's trepidations, claiming, ": "The script was better than the first one. The scope is larger. [Shooting it] went smoother than it did the first time in terms of letting spontaneous moments happen." Devoted fans have their fingers tightly crossed.