Directed by Louis Leterrier and filmed on screenplay written by Ed Solomon, Boaz Yakinand Edward Ricourt, Now You See Me follows a strange sequence of events centered on weird show group of magicians named The Four Horsemen. Their show features neither rabbits out of top hat nor playing cards out of sleeves. There is something much more valued by audience in modern world than these old fashioned tricks, and The Four Horsemen have a proposition for this demand. Meet their tricks: a real bank robbery, a million dollars heist, a white collar blackmailing. How it's possible to be real? The question that demands some non-magic answers, at least such question has FBI – and these guys will play hard to get an answer. The stakes are raising when magic hunters get to know that weird magicians have some plan to shock the audience with their next incredibly risky yet audacious robbery has ever happened in the history of FBI, the robbery that probably will occupy number one in The Hall of Fame of Robberies, if such ever existed. Unfortunately, the attempts of FBI agents to discover what are really standing behind the magic tricks break on their suspiciousness to each other. Finally, as the day X comes closer they decide to ask for help from world most known magic mythbusters, with ambiguous reputation Thaddeus (played by Morgan Freeman). The greatest crime of the century is about to happen, however neither FBI agents, not Thaddeus are approached a step closer to unlock the puzzle of The Four Horsemen's riddle. What is this- a double-cross of one agent, Thaddeus' betrayal or … real magic? Besides the twisted plot we have great pleasure to watch an unparalleled play of actors. Besides abovementioned Morgan Freeman, Now You See Me stars some truly superior actors: Dave Franco (Warm Bodies, 21 Jump Street, Fright Night), Isla Fisher (Desperados, The Great Gatsby, Rise of the Guardians, Bachelorette) and Jesse Eisenberg (To Rome with Love, 30 Minutes or Less, The Social Network.)

High level of realism and plausible scenes of true life of the street gangs and the cops being in state of permanent war with each other are the bold line that is piercing the dramatic plot of End of Watch. The story about friendship between two police officers Taylor and Zavala. Officer Taylor is portrayed by Jake Gyllenhaal, whose identity has not necessarily to introduce. Everybody is familiar with him performing the leading roles in Source Code, Love and Other Drugs and Prince of Persia: The Sands of Time. Officer Zavala is played by Michael Peña, who may be less know to the mass audience, but you could distinctly remember him playing the second plan roles in such movies as The Lincoln Lawyer (Jesus Martinez), Tower Heist (Enrique Dev'Reaux) and 30:Minutes or Less (Chango). Although it's pertinent to say here that Michael was participating in some serious projects at the moment when End of Watch are coming the big screens: Tom Gianas's and Ross Shuman's animated comedy Hell & Back, David Soren's Turbo (animated, too) and biographical Chavez by Diego Luna. oing back to the movie storyline: both the plot and filming present the outlandish combination of frightening realism (all the footage was made by the handheld HD cameras and the street surveillance cameras) with courage of two brave cops patrolling the most dangerous places of the city.

Jason Statham now impersonates Parker, a professional thief with Robin Hood habits. His credo: not to steal from poor people and not to hurt innocent ones. And as it often happens in real life, goodness is punishable, especially when you are a thief (even if the best one). Parker's abettors start playing unclean game against him, finally stealing his heist and leaving Parker for dead. But something was wrong with these guys. May be they did know nothing about Jason Statham and his obsession for sophisticated revenge? It was miserable fault on their part. Parker has resurrected as rich Texan accompanied by his "canceled" victim, Leslie, both eager to spread fear, destruction and devastation around. It is a time to rue for Parker's ex friends. If an astonishing play of Jason Statham isn't enough reason to watch the movie, here is a surprise to change your mind: gorgeous Jennifer Lopez plays Leslie, and this couple Statham plus Lopez may be the only thing making the film worth to watch despite the Transporter-like plot.

"The Public Enemy" is a 1931 American pre-Code crime film directed by William A. Wellman. The movie follows the rise and fall of Tom Powers, a young man who becomes involved in organized crime during the Prohibition era. Set in Chicago, the film explores the gritty underworld of bootlegging, violence, and criminal activities.

The star of such exciting action packed films as The Expendables, The Mechanic, and Killer Elite knows how to mesmerize audiences who come to see plenty of action! In Safe we find he is now an ex cop who had been working on becoming a serious fighter and has only succeeded in becoming a second rate one in the mixed martial arts MMA leagues. Surprising to find him playing a former member of law enforcement but the brawls, guns that never seem to run out of bullets, and seemingly painless jumps through windows are all there just like previous roles he's played. This time around he needs to rescue a Chinese girl who has been kidnapped.long with Statham are Chris Sarandon (The Chosen One, The Dead Will Tell), Robert Burke (Miracle at St. Anna, Good Night and Good Luck), and Catherine Chen (Chez N'Ham). Between the crooked New York City policemen and both the Russian and Chinese mafias there is plenty of reason to fear for the 12 year old girl everybody seems to be after. It's up to Jason Statham's character to rescue the girl and save the day.

Another psychedelic masterpiece from Danny Boyle, Trance (2013) is good enough to stand in one row with his other mind blowing movies: The Beach, Trainspotting and Shallow Grave. There are no doubts in brilliant actors play when it comes to James McAvoy, Rosario Dawson and Vincent Cassel. The story of Danny Boyle's Trance begins when young professional art auctioneer Frank (Vincent Cassel) comes to his hypnotherapist to remember where he hid a precious painting. Session by session the truth reveals: the painting was stolen by Frank himself and hidden in unknown place. Furthermore, Frank has been mixed up with group of criminals, the international work of art thieves. That's why Frank has to remember where he lost a painting as soon as possible – his life is at stake.