Crime & Thriller

Tracker is CBS's hit procedural drama starring Justin Hartley as Colter Shaw, a lone-wolf survivalist and expert tracker who travels the country in his Airstream trailer taking rewards for finding missing persons and solving cases that local law enforcement has been unable to crack. Based on Jeffery Deaver's novel The Never Game, the show blends the classic American road narrative with a character-driven procedural format, using each episode's new location and new case to reveal something about Colter's complicated past — a family shaped by a brilliant, paranoid father and a childhood spent learning to survive in the wilderness, skills that have made him extraordinarily capable and deeply reluctant to form lasting attachments.

Justin Hartley, best known to audiences from This Is Us, brings a relaxed physical confidence to Colter that makes the character's near-superhuman competence feel earned rather than fantastical. Hartley's charm is crucial — Tracker asks its lead to carry most episodes almost alone through its first half, navigating new communities and new crises with limited backup — and he delivers consistently, finding the humor and the sadness in a man who has built a life out of movement precisely because stillness frightens him.

Tracker became one of the highest-rated new dramas of the 2023-24 television season, proving that CBS audiences still respond enthusiastically to well-executed standalone procedural storytelling built around a compelling central character. The show's success reflects a genuine craft in its writing and production: each episode is a complete story, but the serialized backstory of Colter's family accumulates across the season to deliver something more emotionally substantial than the format typically promises. Available on Paramount+ with live TV or as catch-up streaming.

Cross is Amazon Prime Video's long-awaited live-action adaptation of James Patterson's beloved detective franchise, starring Aldis Hodge as Dr. Alex Cross — the Washington D.C. forensic psychologist and former FBI agent whose ability to get inside criminal minds has made him one of the most enduring figures in American crime fiction. The series adaptation follows Cross as he is pulled back into active investigation after a series of murders appear connected to a case that cost him something deeply personal, working alongside his grandmother Nana Mama (Juanita Jennings) and his partner John Sampson (Isaiah Mustafa) while navigating the political pressures of D.C. law enforcement and his own complicated relationship with violence and justice.

Aldis Hodge brings an intelligence and physicality to Cross that previous film adaptations — most memorably Morgan Freeman's three-film run in the role — captured differently but less urgently. Hodge's Cross is younger, angrier, more physically dangerous, and more emotionally raw, a man whose professional gifts are inseparable from the trauma that produced them. The show's D.C. setting is rendered with atmospheric density — the neighborhoods, the political machinery, the layered hierarchies of race and class and institutional power that shape every investigation — giving the procedural elements a grounded social texture.

Cross arrives as one of Prime Video's most commercially ambitious genre series, drawing on Patterson's most famous character and an established readership of millions. The first season establishes the show's tonal range — from intimate psychological thriller to large-scale action set pieces — and positions Hodge as a leading man capable of carrying a franchise. Available exclusively on Prime Video.

Dark Winds is one of the finest crime dramas of the streaming era — an AMC production that takes the form of a classic procedural and transforms it through the specificity of its setting, the depth of its character work, and the seriousness with which it engages with Navajo history, culture, and sovereignty. Based on Tony Hillerman's beloved Leaphorn and Chee mystery novels, the show is set in the early 1970s on the Navajo Nation reservation in New Mexico and Arizona, and follows Tribal Police Lieutenant Joe Leaphorn (Zahn McClarnon) and his new deputy Jim Chee (Kiowa Gordon) as they investigate a series of crimes that draw them into a web of violence, buried secrets, and confrontations with forces that see the reservation and its people as obstacles rather than sovereign citizens.

What distinguishes Dark Winds from a conventional procedural is its relationship to place and community. The Navajo Nation is not a backdrop — it is the protagonist in its own right, and the show is shaped by the perspectives, protocols, and values of the community it depicts. The writing room included Native American writers throughout, and the production sought extensive consultation with Navajo cultural authorities. Zahn McClarnon's Leaphorn is one of the finest characters in contemporary television drama: a man shaped by profound loss, driven by a fierce sense of justice, and navigating the impossible space between the sovereign Navajo legal system and the encroaching power of the federal government.

Dark Winds has built an intensely loyal audience precisely because it trusts its viewers to be interested in something genuinely different — a Native American-centered story that refuses to simplify its world for outside consumption. It has been renewed for multiple seasons, each adding complexity and ambition to what has become one of the most distinctive crime series on American television, available on AMC and AMC+.

Eric is a gripping and emotionally devastating six-part limited series from Netflix, starring Benedict Cumberbatch as Vincent Anderson, a volatile and brilliant puppeteer whose nine-year-old son Edgar goes missing in 1980s New York City. As the police investigation unfolds — led by the detective played by McKinley Belcher III — Vincent's already-fragile grip on reality begins to disintegrate, and he becomes convinced that his salvation lies in bringing to life a giant, shaggy monster puppet he calls Eric, a character Edgar had sketched as a friend he desperately wanted to see on television.

Created by Abi Morgan, the series weaves together several distinct narrative strands: the immediate thriller of the missing child; the portrait of a marriage under extreme strain; an exploration of the policing of New York's underground communities of homeless people and gay men during the AIDS crisis; and a surrealist interior drama as Vincent's psyche begins to fragment and Eric himself becomes an on-screen presence visible only to Vincent. Cumberbatch's performance is extraordinary — physically committed, emotionally raw, and willing to be profoundly unsympathetic without ever losing the audience's complicated investment.

Eric is a series that trusts its audience to hold complexity — to see how one person's unraveling connects to larger social failures, how grief and guilt can warp a mind beyond recognition, and how a city's most vulnerable people are too often erased by the systems meant to protect them. It is haunting, beautifully shot, and driven by performances of the highest order. For viewers willing to embrace its demanding emotional register, it stands as one of the finest limited series of 2024.

Tulsa King offers a deceptively simple premise — aging New York mafia boss exiled to Tulsa, Oklahoma — and spins it into something far richer than its elevator pitch suggests. Taylor Sheridan, the architect of Yellowstone's neo-Western empire, created the series as a vehicle for Sylvester Stallone, whose performance as Dwight "The General" Manfredi is the most charming, lived-in work of the actor's late career. After serving 25 years in prison without informing on his bosses, Dwight is rewarded with banishment to Tulsa to establish a new criminal enterprise in territory about as foreign to him as the moon.

What Tulsa King understands that many fish-out-of-water stories miss is that displacement is only interesting when the fish is genuinely interesting himself. Stallone's Dwight is a man who operated by codes that the world has moved on from, confronting a Midwest that runs on entirely different rules, speeds, and assumptions. His bewilderment is played with genuine vulnerability and extraordinary comic timing — Stallone has rarely been funnier, and his scenes with the local ensemble generate the kind of chemistry that makes network television feel quaint.

The show isn't shy about its genre pleasures — the slow accumulation of Dwight's Tulsa operation, the comedy of mafia protocols applied to a baffled heartland, the violence when it arrives — but it earns its most memorable moments from character. By the end of the first season, Tulsa has genuinely become Dwight's home, and the audience feels that transition as keenly as he does. Subsequent seasons deepen the mythology while keeping Stallone's magnetic presence firmly at the center of everything.

Poker Face is a 2023 Peacock original mystery series created by Rian Johnson, the filmmaker behind Knives Out and its sequels. The show stars Natasha Lyonne as Charlie Cale, a woman with an extraordinary gift: she can always tell when someone is lying. After a confrontation with a dangerous casino boss forces her to go on the run, Charlie drifts across America in a battered Plymouth Barracuda, stumbling into a different murder case every week and using her supernatural instincts to uncover the truth.

The series is a loving, expertly crafted homage to the classic American detective shows of the 1970s and 1980s, particularly Columbo. Each episode opens with the murder itself, showing the audience precisely what happened and who did it, before Charlie arrives and slowly, charmingly pieces it together. This inverted mystery format puts all the dramatic tension on how rather than who, and Lyonne's performance is so magnetic and lived-in that the show works even when it isn't trying to surprise anyone. The guest cast across the season is exceptional, featuring names like Adrien Brody, Joseph Gordon-Levitt, Chloë Sevigny, and Stephanie Hsu.

Poker Face became one of the most acclaimed television series of 2023, earning Natasha Lyonne a Golden Globe nomination and near-universal praise from critics who called it the most purely entertaining show of the year. Johnson's sharp direction across multiple episodes and Benjamin Millepied's retro-inflected score give the show a consistent identity that holds it together across its standalone episode structure. A second season is in production.

The Gentlemen is Guy Ritchie's return to the stylish, fast-talking criminal underworld he popularized in films like Lock, Stock and Two Smoking Barrels and Snatch. The Netflix series follows Eddie Horniman, a young British aristocrat who discovers that his recently deceased father has been secretly leasing the family estate's underground tunnels to one of England's most powerful cannabis empires. Suddenly thrust into a world of gangsters, aristocrats, and violent power struggles, Eddie must navigate a criminal landscape where charm and cunning matter more than brute force.

The ensemble cast is uniformly excellent, with Theo James delivering a breakout performance as the out-of-depth Eddie, and Kaya Scodelario shining as his fiercely intelligent wife Susie. Giancarlo Esposito brings his signature menacing magnetism to the role of the American crime boss overseeing the whole operation, while Ray Winstone, Joely Richardson, and Daniel Ings round out a gallery of vivid supporting characters. Ritchie's trademark snappy dialogue and baroque plotting are on full display, resulting in a show that never slows down or loses its sardonic wit.

Over eight episodes, The Gentlemen builds an intricately layered world where loyalty is currency and no alliance can be fully trusted. The series succeeds not just as a crime thriller but as a sharp comedy of manners, contrasting old English money with new criminal wealth in ways that feel both timely and deliciously absurd. For fans of Ritchie's film work or anyone who enjoys prestige crime television that crackles with energy, The Gentlemen is essential streaming.