The comedy troupe "Asperger's Are Us" is a group of four performers on the autism spectrum. They met at a summer camp for kids with Asperger's Syndrome and discovered a shared love of comedy. Now they tour the country, performing live shows and releasing videos online.
The group's performances are often unconventional, with skits that involve absurdist humor and unexpected twists. They also incorporate their unique perspectives on life and their experiences with Asperger's into their comedy. Their goal is to challenge the idea that people with autism are not capable of being funny or entertaining.
Touring can be challenging for the group due to the sensory overload of new environments and the need for routine. But they have found ways to cope, such as sticking to a strict schedule and practicing mindfulness. Their success as comedians with Asperger's has helped to break down barriers and promote understanding of neurodiversity in the entertainment industry.
Fox's latest venture into the dysfunctional family sitcom is Raising Hope. It features young adult man, Jimmy Chance (Lucas Neff). The shiftless Jimmy works as a pool boy and commensurate with the stereotype, has a one-night stand with Lucy (Bijou Phillips). He finds out later she is a wanted felon and has had their baby while in jail. Jimmy is given custody of the baby and takes her home to his "˜family'. If grandmother, "Maw Maw" (Cloris Leachman) is an off-the-rocker type who lives with Jimmy, his mother Virginia (Martha Plimpton), father Burt (Garret Dillahunt), and his coz Mike (Skyler Stone). With a family that knows nothing about good parenting or how to take care of a baby the comic zaniness of caring for the baby, Hope, begins. As the family struggles thorough the difficulties of "Raising Hope", they learn about themselves and each other, with plenty of laughs thrown into the mix.
With a controversial plot and an exceptionally talented cast of young actors, "SKINS" is a top quality television program to watch and be entertained by. Residing in Bristol in South West England we observe a group of teenagers as they explore modern issues including mental illness, dysfunctional family life, death, drugs, sexual identity crisis, and eating disorders. The amateur actors along with some youthful writers pull together a thoroughly enjoyable program that is often hard hitting and relevant to everyday life. Season one finds Nicholas Hoult (Tony Stonem) to be a popular, intelligent boy. An attractive young man, he finds it easy to manipulate those around him into doing what he wishes and this makes him entertaining just to see what he can get away with next. He has a best friend Mike Bailey (Sid Jenkins), who is entirely opposite him personality wise. Tony also has a girl friend that gets upset with him and his self centered ways but can't seem to stay angry with him. Another young girl has an eating disorder she hides and parents with a new baby that seems to take over her parent's attention completely. Thoroughly entertaining story and music make SKINS a winner.
"Bored to Death" seems so completely and consummately the work of Larry David it ought to come with some kind of designer label. Its characters show the same seen-it-all New York brusqueness that distinguished the most memorable characters on "Seinfeld," and the characters sleep-walk through their lives with the same un-self-consciousness as their cousins on "Curb Your Enthusiasm." Not surprisingly, therefore, David scored a prestigious nomination for a 2010 Writers' Guild Award. Based on a delectably quirky premise, "Bored to Death" stars Jason Schwartzman as Jonathan, a writer in search of meaning, adventure, and consolation has he struggles through a pretty routine midlife crisis. When his long-time girlfriend dumps him, walking roughshod all over his delicate ego, Jonathan becomes a Craig's List private detective. The New York Times explains, "One of the charms of "Bored to Death" is that the hero, a pothead and screw-up, secretly moonlights as a man of action" at least as much action as missing skateboards and cheating boyfriends can trigger. Ted Danson co-stars as George, a profligate publisher and socialite, who encourages Jonathan's new endeavor. Not surprisingly, Danson shows a marked tendency to steal all the scenes in which he appears. Mid-life man's marginalization probably is the well-spring of Larry David's most exquisite ironies.
Returning to television as the star of ABC's "Mr. Sunshine," Matthew Perry faces two formidable challenges: First, he must out-grow, live-down, or crawl out of his intimate association with Chandler, his legendary "Friends" persona. Second, Perry and co-star Allison Janney must inspire their audience to forget "Mr. Sunshine" replaces Courtney Cox's hit "Cougar Town." Perry and Jenny benefit from writers' and producers' wonderfully quirky visions of their characters and unusual situation. Perry plays Ben, a character potentially as memorable as Chandler but with far greater depth and much richer melancholy mid-life undertones. Operations Manager of The Sunshine Center, a run-down San Diego arena, home of the circus and lingerie football, Ben learns on his fortieth birthday that his girlfriend is leaving him because he is so thoroughly self-involved he has no love left over for anyone else. Jenny plays Crystal, the arena's pill-popping owner who could become America's next favourite villain on the strength of her thinly veiled racism and despise of children, except that Jenny's consummate skill as an actress redeems her. One Los Angeles reviewer wisely concludes, "["Mr. Sunshine"] isn't perfect; and it won't change the landscape of comedic television right away, even though it's part of a game-changing three-hour comedy block for ABC. But it is taking all of the important steps in the right direction." If "Mr. Sunshine" seems a little wobbly at first, viewers should remember "Cougar Town's" first-episode identity crisis, allowing lots of latitude for Perry's and "Mr. Sunshine's" rapid evolution.
Regular viewers of ABC's Wednesday night comedy hit "Cougar Town" will feel their lips curl into wry smiles when they read pre-premiere summaries of the show: The producers and writers originally conceived "Cougar Town" as the life and times of a forty-something divorcee intrepidly devoted to seducing younger men in a small Florida town. The early promos stress the small town's obsession with its high school football team, ironically The Cougars. The football theme arrived still-born, and the entire show might have hit the airwaves DOA except that Courteney Cox and "Scrubs"-creator Bill Lawrence had vision and courage to work a few miracle revisions. The whole "Cougar Town" crew rapidly realized, like Jules surveying a bar-full of mini-skirted matrons, "I know I'm one of them. I just don't feel like one of them." They wisely helped Jules morph into her authentic self. The younger boyfriend disappeared from "Cougar Town" after just a few episodes, and stories coalesced around Cox's character Jules, her teen-aged son Travis, and Jules's extended family"”her neighbours on the cul-de-sac, her co-workers in her real estate office, and her profligate ex-husband. While "Cougar Town" struggled to resolve its identity crisis, Lawrence's innuendo-rich dialogue and Cox's increasingly sophisticated delivery sustained the show. By the end of "Cougar Town's" first season, ratings alone offered ample testimony to "Cougar Town's" radical improvement as it held audiences in the half-hour after "Modern Family"; but the Hollywood Foreign Press sealed the deal, nominating Cox for a 2010 Golden Globe as Best Actress in a Comedy.
On HBO's critically acclaimed "Entourage," Jeremy Piven plays Ari Gold so convincingly that real Hollywood agents feel their skin crawl, experiencing the odd sensation the show is dramatizing their biographies. The sultans of Sunset Boulevard insist "Entourage" gives the most frighteningly real representation of high-powered talent agents since Tom Cruise revealed all the nooks and crannies in Jerry McGuire's character. "Entourage" producer Doug Ellin recently explained, "We always try to write the show starting with 'What's real?' not 'What's funny?,' " but the two questions may be opposite sides of the same coin, because uninitiated audiences find it belly-laugh-out-loud hilarious. "When you're on the inside like we are, good water-cooler television is hard to find," said Jay Sures, a partner at the United Talent Agency. "Entourage" compels the real Hollywood "ten-percenters" to engage in spirited discussions of the show's characters and situations, treating the fictions as if they were real colleagues and clients, because the work-a-day professionals willingly have suspended disbelief and taken Ari Gold into the fold. For the average cable subscriber, then, "Entourage" is the entre to life as a Hollywood insider.
Scheduled as a mid-season replacement for "The Defenders" on CBS, "Chaos" is scheduled to premier on April 1, 2011"”just in time for spring sweepstakes. The producers describe "Chaos" with the oxymoron "comedic drama," which can translate to brilliant satire and much wry laughter, or which can degenerate into serious genre-confusion and disaster. A veteran small-screen cast and an eight o'clock time-slot give hope to producers and CBS programming execs. In "Chaos," a group of CIA renegades combat serious threats to national security under the auspices of "Clandestine Administration and Oversight Services," a hint the writers coined the acronym before filling-in the words. The group includes a young, ingenuous-looking super-sleuth, a psychologist turned spy with a gift for tactics and motivation from severe paranoia. "CAOS" also includes a disgruntled former employee of the British Secret Service, and a seasoned CIA veteran with the capacity to morph into a human weapon. The collection sounds like a sure-fire formula for chaos, and the "Chaos" ensemble has potential to wring big laughs from total incompetence, but they remain vulnerable to looking like the farm team for TNT's "Leverage."
