"Tom and Jerry" is an American animated series that has been entertaining audiences since 1940. The show follows the adventures of a cat named Tom and a mouse named Jerry, who engage in an ongoing game of cat and mouse. The series is known for its slapstick humor, fast-paced action, and inventive gags.

Adventure Time is a cartoon series that follows the adventures of a boy named Finn and his best friend, a shape-shifting dog named Jake, in the post-apocalyptic Land of Ooo. The show is known for its offbeat humor, surreal imagery, and creative storytelling. Each episode features Finn and Jake exploring different parts of their fantastical world and facing various challenges and obstacles.

Clarence is an American animated television series that aired on Cartoon Network from 2014 to 2018. The show follows the life of a young boy named Clarence and his friends as they navigate childhood and their daily adventures. The series was created by Skyler Page and produced by Cartoon Network Studios.

"Boruto: Naruto Next Generations" is a Japanese manga and anime series created by Ukyo Kodachi and Mikio Ikemoto, and it is a spin-off and sequel to the original "Naruto" series. The story follows the adventures of Boruto Uzumaki, the son of Naruto Uzumaki, as he navigates the world of ninja training and battles powerful enemies.

Ben 10: Alien Force is an animated TV series created by the Man of Action team and produced by Cartoon Network Studios. It is a darker follow-up to the original Ben 10 series and takes place five years later. The show premiered in the US on April 18, 2008, and ended on March 26, 2010, after three seasons and forty-six episodes. It was nominated for four Emmy Awards, winning one for Outstanding Sound Mixing.

Either the CIA is just not that cool and relevant anymore, or Seth Macfarlane and associates are still mining the mother lode of 1970s humour as they develop episodes of "American Dad!" for Sunday nights on Fox. Television historians claim animated series have replaced sit-coms as television's principal source of informed social commentary; and "The Simpsons" have replaced "All in the Family" as the nation's premier satire, the weekly litmus test of American values and expectations. "American Dad!" shows little sign of aspiring to that lofty standing. Most episodes set the standard simply at "amusing." CIA agent and uber-patriot Stan Smith, the "American Dad!" anchors a predictably diverse, dysfunctional just-beyond-the-beltway family. Francine, his wife, appears to atone for her wild youth by remaining vacant, mostly boring in contemporary life. Hayley, Stan's college-aged radical daughter, naturally acts-out all the standard forms of late adolescent rebellion and family insurgency. And Steve, not surprisingly, enters puberty eager to live-up to Dad's expectations but congenitally incapable of coming even close. Holding its own in Fox's Sunday night animated line-up, "American Dad!" has improved in its several seasons on the air. Translation: "American Dad!" has evolved from "mediocre" to "not bad" as it has outgrown its abject dependence on cliches and stereotypes, freshened its subject matter and treatment, and drawn sharper edges on its characters. Still, the premises for "American Dad!" showed promise in 1973; in the new millennium, they seem a little tired.