If bad guys forced you to choose only two programs for viewing during a long captivity, you wisely and happily might choose USA's new series "Fairly Legal." Engaging, engrossing, elegant, and electric, "Fairly Legal" is one of those shows you wish would go on and on and on. If only USA had made more than eight episodes. Sparkly, sassy, stylish, and seductive, Sarah Shahi plays Kate Reed, a once-upon-a-time lawyer who officially has resigned from the professional ranks to become a full-time mediator"”hence the two elements in the title, "legal" and "fair." Kate's goal: avoid costly and ugly litigation by finding settlements that meet everybody's needs. Kate's favourite phrase: "Win-Win." Of course, the show has sexual t4ension between Kate and her ex-husband, a district attorney; it has family tension between Kate and her newly widowed young step-mother; and it has just enough ongoing mystery and suspense in the sub-plot to sustain it from episode to episode. Having San Francisco as the setting doesn't hurt either. No one at "Law and Order" need feel threatened, though, because "Fairly Legal" is far too flirty and fun to harbour any criminal intent.

By some miracle, everybody in America knows all about "30 Rock," and everybody loves Tina Fey, the show's creator and star, but relatively few viewers tune-in every week. During its first season, "30 Rock" toted-up a record twenty-two Emmy nominations, but its ratings ranked 102nd of 142 primetime shows. NBC stayed with the project on the assumption that Fey's popularity and the intense critical buzz eventually would translate to ratings; and the gamble paid off as viewership steadily rose over the comedy's first six seasons. Based on Fey's experiences as head writer for "Saturday Night Live," the show satirizes life behind the scenes of a network comedy, trapping co-star Alec Baldwin in corporate intrigues as the writers and actors endure the trials and tribulations of producing a live weekly broadcast. Strong characters and brilliant badinage distinguish "30 Rock" from the standard sitcom fare, and the thirteen-member ensemble cast puts the plausibility in improbably characters.

"Sex and the City" is an American television show that aired on HBO from 1998 to 2004. The series is based on the book of the same name by Candace Bushnell and follows the lives of four women living in New York City. The show explores their romantic and sexual escapades, careers, and friendships.

First, it was a curiosity. Then, it was popular; and, then, it was a hit. And, then, within the course of just a few weeks and a handful of episodes "Glee TV show" became a television sensation and a cultural phenomenon. Ryan Murphy's genius creation revolves around the glee club at William McKinley in Lima, Ohio"”in other words, the archetypal anytown USA. The eternal struggle between McKinley's dorks and its perennially popular football players and cheerleaders drives the show's plots; the stories, however, get permanent turbo-charge from the built-in irony that the dorks, nerds, and geeks sing and dance better than your average six-pack of rock stars. Jane Lynch plays Sue Sylvester, rough-tough and quick-tongued cheerleading coach whose life's mission is to destroy Mr. Schuester, glee club alum and now coach. Matthew Morrison stars as "Mr. Shue," brilliantly supported and often up-staged by a perfectly chosen ensemble cast: Lea Michelle stars as Rachael, powerhouse soprano with pretentions to prima dona; and Diana Agron portrays Quinn, the head cheerleader who doubles as the perfect foil to Rachel. Singles and albums from "Glee's" most popular episodes have dominated the Billboard charts, shattering popularity and longevity records with each new release. The music, unfortunately, sometimes drowns out the brilliant dialogue. Critics feel hard pressed to name even one current show that rivals the quality of the writing on "Glee."

Terriers TV Show, a detective comedy, tells the story about an ex-cop Hank Dolworth, (Donal Logue) and how he deals with divorce, getting fired and getting sober. Hank pairs up with his best friend Britt Pollack (Michael Raymond James), a reformed small time crook to form an unlicensed Private Investigation Agency in San Diego. Together they set out hoping to solve crimes while trying to stay as far from danger as possible while assuming little to no responsibility. Terriers show you how one man's pursuit to a fresh start can be more difficult than planned. So follow this unlikely duo and learn why it is no surprise that they feel they resemble terriers...

"Castle" is the crime drama series premiered in the U.S. March 9, 2009 on ABC channel. "Castle" TV show follows the process of murder investigation conducted by Detective Kate Beckett (Stana Katic). Unexpectedly she notes the similarity of the crime scene with the same one described by the famous detective writer Richard Castle (Nathan Fillion). Castle becomes a suspect, but upon the investigation completion he proved to be innocent. Using his friendships with some powerful people in the city, he gets the opportunity to attend all investigations conducted by Detective Beckett until he gets enough material for his next book. Detective Kate Beckett (Stana Katic) got the reputation of detective who prefers an unusual cases. She joined the police after her mother was murdered, whose case was never solved. She spent a semester studying in Kiev, where she learned the Russian language. Their sometimes uneasy relationships with the Castle are often ridiculed by other TV show's character: Javier Esposito (Jon Huertas), the Detective and the another member of Beckett's team. He and detective Kevin Ryan (Seamus Dever) constantly mock Beckett, but in fact they are protecting her and treat Beckett as a very crucial part of the team . Next TV show's character is Lani Parish (Tamala Jones), medical examiner, a friend of Beckett, with whom she can talk heart to heart; advises Beckett to develop her relationship with the Castle. "Castle" TV show also features Roy Montgomery (Ruben Santiago-Hudson), Beckett's Boss. He likes Beckett's manner of investigation and her attention to details, but he always keeps his eye close on Beckett activity. He amuses with Beckett and Castle relationship, but he understands that they work well together. Another character is Alexis Rogers (Molly Quinn), teenage daughter of Castle, which much easier communicates with adults than with her peers and often behaves more conscious than her father and March Rogers (Susan Sullivan), Castle's mother, and the former Broadway actress, who dying to find a wealthy unmarried man.