Like fine red wines, pate de foie gras, and escargot, Criminal Minds probably is an acquired taste: The crime drama psychoanalyzes the psychoanalysts, definitely building tense drama, but ironically downplaying the crimes. The New York Times has described Criminal Minds as "cerebral," a euphemism for "nerds with guns." Brilliant writing and compelling characters, however, make it work. The stories represent an elite team of specialists"”the FBI's "Behavioral Analysis Unit" "” who, in just forty-four minutes, can deconstruct a crime, profile a criminal, and bring everything to a profound resolution complete with quotation from literature. Naturally, the feds encounter resistance from local enforcers eager to protect their turf. Just as naturally, many of the stories spark viewers' recognition, because they are "ripped from the headlines." Two features sustain viewers' interest in this sometimes too-heady-for-primetime series: First, every audience loves a good hunt for a psychotic serial killer; and, second, in Criminal Minds, many of the good guys are almost as twisted as the bad guys.

"Power" is an American television series that aired from 2014 to 2020. The show follows James "Ghost" St. Patrick, a nightclub owner in New York City who leads a double life as a drug kingpin. The series explores themes of power, corruption, and redemption, as Ghost tries to balance his criminal empire with his desire to go legitimate and leave his criminal past behind.

Wild Crime is a TV series that follows the investigations of the little-known law enforcement teams tasked with solving these crimes. America's national and state parks attract hundreds of millions of visitors every year. Unfortunately, crimes can also happen in these natural settings.

Murdoch Mysteries is a Canadian television series set in Toronto in the late 19th and early 20th centuries. The show follows Detective William Murdoch of the Toronto Constabulary as he solves various crimes using innovative investigative techniques and gadgets, such as fingerprinting and x-rays. Along with his colleagues, including his boss Inspector Brackenreid and his wife Dr. Julia Ogden, Murdoch navigates the complexities of turn-of-the-century society to solve mysteries and bring criminals to justice.

"The Chicago Code" has nothing to do with deep-dish pizzas or the cruelly cursed Cubbies. "The Chicago Code" openly, unabashedly, plain and simple, is all about good versus evil. The good guys following "The Chicago Code" are very very good, and the bad guys breaking the code are very very bad. The windy city itself, definitely a critical element in the drama's development, lives somewhere in-between. Chicago may be "the second city," but it stands out as America's number one oxymoron. "Hog-butcher to the world," Chicago also brought us Hemingway and Frank Lloyd Wright. Home to Picasso's breathtaking artistic monument, Chicago also has been home to some monumental con artists: Rod Blagojevich comes immediately to mind. "Blaggo" is to Chicago scams as the Picasso is to the city's art and architecture. More to the point of "The Chicago Code," in just over thirty years, thirty-one second city aldermen have been convicted of violent crimes or corruption. In Chicago, graft greases the wheels and gets your streets ploughed. Although corruption may be common as camel-hair coats on the Magnificent Mile, Chicago cops still want to collar the bad guys. "The Chicago Code" attempts to dramatize how and why they do it, and it packs a pretty good punch for a network production. Critics and home-grown Chicago viewers strongly suspect "The Chicago Code" would achieve its completely gritty potential on cable, but it's hard to complain about Jennifer Beals, still fit and fabulous all these years after Flashdance, going balls-to-the-wall against the bad guys in Monday night primetime.

Intriguingly balancing on the edge of documentary crime-storytelling and emotional movie-styled eye witnessing, Final Witness leaves weird feelings after the first watching. In the first hand we see, professionally gathered facts and witnesses about real life crimes combined in the proper timeline manner: the circumstances which have lead to criminal act, the actual criminal act itself, consequences of this perpetration and effects caused by it on victims entourage. On the other hand, the scenes are assembled in the movie-like way rising emotional essence to the high levels of hysteria; complementing the horrifying scenario by murdered victim's narration from the first person. Although, all the described events really took place in the American cities from New Orleans to San Francisco, there is a kind of strange feeling originated from the series too emotional background, the feeling making unbelievable these rapes, murders and homicide acts are the real life events.