"And Just Like That..." is a TV series that follows the lives of three women in their 50s living in New York City. It is a spin-off of the popular show "Sex and the City", which aired from 1998 to 2004. The show focuses on the challenges and changes the characters face as they navigate through midlife.

"Will & Grace" is an American television sitcom that originally aired from 1998 to 2006. The show follows the lives of two best friends, Will Truman, a gay lawyer, and Grace Adler, a straight interior designer, who live together in New York City. The series also features their eccentric friends, Karen Walker and Jack McFarland.

NBC's Last Call with Carson Daly features musical performers, interviews with well known celebrities, plus some topical documentary style programming, all within a half hour format. It has been delegated to super late night (actually early early morning viewing) and follows after a strong lineup which includes The Tonight Show with Jay Leno and Late Night with Jimmy Fallon. This is Daly's 11th season of late night entertainment and some recent guests include Make Believe The Black Angels, Adam Blackstone, Adam Pally, and Ben Schwartz. While Leno and O'Brien have switched their time slots Carson Daly has been solidly in place and earning even more ratings points thanks to discourse between other late night hosts. The documentary segments take Daly out of the studio and on the road to places like Tom Green's home in the Hollywood Hills or on a motorcycle road trip along historic Route 66. Musically and documentary style is a visit to the famous Whiskey Bar and visit with Kings of Leon (Grammy award winning band).

First, it was a curiosity. Then, it was popular; and, then, it was a hit. And, then, within the course of just a few weeks and a handful of episodes "Glee TV show" became a television sensation and a cultural phenomenon. Ryan Murphy's genius creation revolves around the glee club at William McKinley in Lima, Ohio"”in other words, the archetypal anytown USA. The eternal struggle between McKinley's dorks and its perennially popular football players and cheerleaders drives the show's plots; the stories, however, get permanent turbo-charge from the built-in irony that the dorks, nerds, and geeks sing and dance better than your average six-pack of rock stars. Jane Lynch plays Sue Sylvester, rough-tough and quick-tongued cheerleading coach whose life's mission is to destroy Mr. Schuester, glee club alum and now coach. Matthew Morrison stars as "Mr. Shue," brilliantly supported and often up-staged by a perfectly chosen ensemble cast: Lea Michelle stars as Rachael, powerhouse soprano with pretentions to prima dona; and Diana Agron portrays Quinn, the head cheerleader who doubles as the perfect foil to Rachel. Singles and albums from "Glee's" most popular episodes have dominated the Billboard charts, shattering popularity and longevity records with each new release. The music, unfortunately, sometimes drowns out the brilliant dialogue. Critics feel hard pressed to name even one current show that rivals the quality of the writing on "Glee."

There are plenty of "cop" shows on television currently but one truly stands out as being totally entertaining and that one is Memphis Beat. Comedy, action, and some really good acting as well as scripts that stand out from the rest make for an hour's worth of enjoyment every week. Memphis Beat stars Jason Lee (My Name is Earl, Clerks II) as Memphis PD detective Dwight Hendricks, the self proclaimed "keeper of Memphis". He has several women in his life including his mother Paula Hendricks who is played by Celia Weston (Knight and Day, Modern Family), Memphis PD lieutenant Tanya Rice (Alfre Woodard from Desperate Housewives, Star Trek: First Contact), and an ex-wife Alex (played by Sunny Mabrey from Mad Men, Rules of Engagement) who shows up now and then. He has his hands full with each of these three women but his job seems to be a relief from personal life. Memphis Beat shows the southern charm and easy way of life of the south and even brings in some Elvis Presley music along the way. George Clooney is executive producer.

At the time "Rules of Engagement" premiered on CBS, the network's average viewer was fifty-three years old and more devoted to "60 Minutes" than sexy badinage. Although committed to The Eye's Monday night youth movement, a few programming executives worried that David Spade's first-episode proclamation, "I do what I want. I date who I want. And I sleep with whoever will let me," would tank the new sit-com before it found its legs and voice. Instead, "Rules of Engagement" became a Monday night mainstay, a natural complement to "Two-and-a-Half Men" and "How I Met Your Mother." According to one pundit, "Rules of Engagement" shows "the three stages of sit-com love," comparing and contrasting a scoundrelly, scamming bachelor with both a love-struck, starry-eyed newly engaged couple and a jaded, open-eyed, realistic couple married to one another approximately forever. Although plots generally center on the fiancees, Jeff and Audrey, veterans of marriage, often save the show from life-threatening boredom. Patrick Warburton, poker-faced and intoning his lines in a deliciously monotone bass, makes the perfect foil to Russell, the bachelor's manic sex machine and Adam's ingenuousness.