Very self absorbed, as are many surgeons, Dr. Michael Holt begins to question just what his purpose in life actually is when he starts "seeing" his wife again. The problem is that she is deceased. The degree of self confidence found in Holt and many other surgeons is a necessary part of the talent they must possess but the good doctor now doubts his sanity when the spirit of his ex-wife, who recently died in a car accident, begins appearing to him. Anna returns to convince Dr. Holt to keep a free clinic running. She had been the director of that clinic and was involved with many poverty level patients. Michael Holt however, is not so sure he can deal with the poorer patients as he's not used to that type of people. But there is no room for snobbishness in the medical field and the spirit of his diseased wife is there to see he learns that. Anna's sister Christina is a believer in supernatural events and is happy that her sister is back in Holt's life because she feels the doctor was a better person when his dead was with him. Patrick Wilson (The A-Team, Insidious) plays Dr. Michael Holt, Jennifer Ehle (Contagion, The King's Speech) is Anna Holt, and Christina is played by Julie Benz (Saw V, Punisher: War Zone).

It was good while it lasted. Launched with much fanfare and intense audience interest, "FlashForward" brilliantly recreated the mysterious, fascinating, are-they-prophetic? two minutes and seventeen seconds on October 6, 2009, when almost everyone on Earth lost consciousness of their ordinary surroundings and caught glimpses of their lives on April 29, 2010. An ambitious attempt at transposing Robert J. Sawyer's "high-concept" novel from the printed page to the small screen, "FlashForward" focused on the team of FBI investigators charged with determining what had happened. One of the FBI agents enjoyed the special privilege of seeing his team crack the case in his vision of the future; all he has to do is recreate the six months of investigative work that yield the break-through. Meanwhile, the principal characters attempt to cope with the consequences of their visions for their lives in the present, because they have seen broken marriages, lives lost, and great portrayals on their horizons. Most viewers and critics sadly agreed "FlashForward" unfortunately juxtaposed a brilliant high-tech crime drama on some pathetically ordinary people and lives.

Hawaii Five-0 is an American drama series produced by CBS productions which features a law enforcement run unit headed by Detective Steve McGarrett. One of the longest running crime shows in TV history stars Richard Boone and other top stars. It was accredited with 12 Emmy nominations during its run with CBS.

It's one thing to be a member of a large traditional "cop" family but when one joins up with the Internal Affairs division of their Chicago Police Department things can become a bit unstable. Rachael Carpani (seen on TV's The Glades & True Blue) is Abby Kowalski, who moved over to IAD when a job offer to move upward in the department came about. She has designs on eventually becoming a detective. Her father is Don Kowalski (Treat Williams from 127 Hours, A Little Bit of Heaven) a sergeant with CPD who absolutely hates the idea of his little girl joining the IAD. Kathy Baker (Last Chance Harvey, Boston Public) is Sheila Kowalski, wife of Don and mother to Abby, Richie, Steve, and Donnie Kowalski. Abby Kowalski and her family squabble over the fact she has joined the IAD, seeing her as a spy and turncoat. This makes family gatherings difficult and the usual football games become a battlefield in their yard. But Abby is a dedicated police officer and still chooses to solve crimes whenever possible. This show is fast paced and has some good writing to keep it moving each week.

What you'll get if you mix up together Melrose Place and How I Met Your Mother? Yes, the witty, funny and spontaneous The L.A. Complex, a TV show about vicissitudes of lives happening with group of buoyant young people living in the same apartment complex called The Luxe. Perfectly mixed scandal, drama and romance keep the audience intrigued as it should be expected taking in consideration the fact that The L.A. Complex was created by makers of the most realistic teenagers' television series of early "˜10s, Degrassi: The Next Generation. But the professional creators aren't the main cornerstone of The L.A. Complex success, the perfectly selected and combined cast is the crucial piece in TV show's popularity. Just imagine Jewel Staite (Supernatural, Warehouse 13) playing along with Cassie Steele (mentioned before Degrassi: The Next Generation and My Babysitter's a Vampire), Joe Dinicol (Scott Pilgrim vs. the World, Flashpoint, Haven) and sexy Chelan Simmons playing Alicia, a sweet , cute and innocent "¦ strip-dancer - certainly a necessary character to attract some share of male audience, which is undoubtedly kind of smart step taken by the series' plot creators.

Using state-of-the-art technology and amazing skill with make-up and costuming, Chance, the main character, becomes literally a human target. In each episode of "Human Target," Chance assumes the identity and everyday life of a prominent person in danger. Describing himself as an "extreme bodyguard," Chance uses his wits, skills, and wise-cracking bravado to turn serious danger into a trap for the villains. The sinister evil-doers plot kidnapping, blackmail, extortion, and especially death; the "human target" plots capture. Not the kind of thing for which an ordinary guy usually would volunteer. "Human Target" TV show was praised by the critics and audiences for the quality of the acting"”especially the performances by Earl Haley, Jr., which make a somewhat implausible premise absolutely believable and compelling. Because "Human Target," a decidedly out-of-the-box crime drama, is loosely based on the DC comic series of the same name, the creators have no shortage of bad guys, nor do they struggle to find quirky characters for Chance to impersonate. Critics and audiences agree that the actors playing the three main characters go a long way toward redeeming the show's average, sometimes genuinely awkward writing. They wonder, though, will the actors be able to hold the viewers' attention and loyalty long enough for the writing to fulfill the promise in the premise?