Anyone who has ever been diagnosed with cancer knows there is little funny about the subject. And to be a young suburban housewife and a mother as well is, well let's say downright depressing to talk about such a burden. But Cathy Jamison manages to bring a lighter aspect to the Big C even as she deals with her immature husband. Laura Linney (Mystic River, Love Actually) plays Catherine Jamison who is a high school teacher diagnosed with melanoma. Not one to simply lie down and die Cathy infuses plenty of humor, sometimes dark humor, into her life and bolsters her family's outlook as well. Her husband Paul, played by Oliver Platt (Year One, Frost/Nixon) apparently has a child like vision of his life and approaches the situation with his wife as if it simply does not exist. Cathy also has a son and a brother with whom she tries to improve relationships with, not knowing if she will be around much longer. Humor is found in the rocky relationships between family and friends who handle her serious illness in different manners and the last thing Cathy needs is squabbling relatives when she has her own worries. It's all handled with a lightness that the writers find even in trying times.

The Watchful Eye is a bronze sculpture located in the Canadian city of Ottawa. It was created by artist David Clendining and installed in 1992. The statue is a representation of an owl, with its wings spread and its eyes wide open. It stands atop a tall stone pedestal in the middle of a fountain.

Arguably the best medical drama in television history, House thrives on genius writing and equally brilliant acting. Set in a teaching hospital at Princeton University, the show builds its plots around complicated, complex, elusive, credulity-straining diseases and a team of diagnosticians willing to move heaven and earth to find their causes and treatments. Long-time House fans eventually demystify the show’s dramatic formula, which devotes the first third to diagnosis and discovery, the middle third to trial and which seem to lead to a cure, and then the climactic ending which undoes all the drama of the first two thirds, curing the disease by revealing The Truth. Hugh Laurie plays Dr. Gregory House to perfection, sustaining the tension and contradiction between House’s arrogance and his irresistible compulsion to save people from their illnesses and often from themselves. One Los Angeles television writer sums-up, “A vicodin-popping, wise-cracking, gimp-guy who walks with his cane on the wrong side while he demystifies illnesses so bizarre they almost defy imagining—what’s not to like?”

Ever wonder how many cops & soldiers TV series are succeeding on CBS in 2011-2012 season? OK, we'll give you a hint: six out twenty top television shows are cop or army related on this network. So, if you are tired and bored by numerous CSI /NCIS you should try this new one "“ NYC 22. Despite all the cons (we should count in an outdated flat and glossy picture that still is CBS's "signature" bobble) of another one police investigation drama, NYC 22 features some pros as well. Let's start with Robert De Niro as an executive producer, who brought in lots of diverse and twisted scenario turns and some decent cast: you'll unlikely see elsewhere on conservative CBS a romance escalating between a handsome black ex-basketball professional player Jayson "Jackpot" Toney portrayed by Harold House Moore (whose filmography includes Single Ladies, Necessary Roughness, Lie to Me and House of Payne) and Jennifer, a cute blonde white rookie nicknamed "White Horse", played by gorgeous Leelee Sobieski "“ you may know her as Lolita from The Elder Son or Chloe in Night Train and the most attentive would probably notice her in Public Enemy with Johnny Depp.

An American crime drama, The Killing is based on a Danish television program titled Forbrydelsen which means The Crime. American writers say they used the original as a "blue print" but gave it a distinctly Americanized flair with characters that will be more appealing to the viewing audience. The setting for The Killing is Seattle, Washington and the show revolves around police investigators and their daily work load. Each episode will center on one day of an investigation into the homicide of a small girl and follows along with the investigating officers as they track down clues and work to solve the case before the trail runs cold. A dark show, The Killing is brutally honest in many respects regarding the why's and how's of a murder. The police deal with brutality and mayhem but never get used to it entirely. Cast members include Mireille Enos as detective Sarah Linden, Billy Campbell as politician running for Mayor of Seattle Darren Richmond, Michelle Forbes portrays Mitch Larsen (mother of the murdered girl Rosie), Brent Sexton as Stan Larsen (father of Rosie), and Joel Kinnaman who plays the part of Stephen Holder, Sarah Linden's partner and fellow detective

One critic characterized "Breaking Bad's" dark humor as "Thelma and Louise as seen by Dostoyevsky" and that was one of the perkier, more optimistic descriptions. A seven-part AMC series, "Breaking Bad" TV show tells the story of Walt White, high school chemistry teacher turned methamphetamine cooker and dealer. Of course, as Glenn Frye crooned, "The lure of easy money has a very strong appeal," but "Breaking Bad" does not allow for even a split-second of sunshine through the abysmal darkness. In this corner of the universe, crime never-ever pays. Walt, expertly portrayed by Bryan Cranston of "Malcolm in the Middle" fame, is neck-deep in problems, complications, and flat-out ugliness from the minute he lights the Bunsen burner. Although the writers have woven-in some amazingly ironic lines, known in the trade as "comic relief," the characters deliberately deliver their quips in such a super-slow, slack-jawed drawl they seem more tragic than funny. Of course, "Breaking Bad" TV series make some pretense toward allegory of the American middle class struggling through the throes of deep recession, and it scores some hard hits. Most of all, though, "Breaking Bad" shows that even when fine writers, directors, and actors can find humor and pathos in displaced white-collar workers' undignified struggle for dignity, it still looks awfully damned dreary and ugly.