"My Name Is Earl" is an American sitcom that aired on NBC from 2005 to 2009. The show is centered around the life of Earl Hickey, a petty criminal who realizes he needs to make amends for all the wrongs he's done in his life. Earl creates a list of all the people he has wronged and begins to make up for his past mistakes one by one. Along the way, he is joined by his dim-witted brother, Randy, and his ex-wife, Joy.

Dave is a comedy television series that premiered on FX in 2020. The show stars Dave Burd, a rapper and comedian who goes by the stage name Lil Dicky. The series is loosely based on Burd's own experiences in the music industry and his journey to become a successful rapper.

As he championed "the new journalism" in the late sixties, Tom Wolfe suggested no one ever would write anything truly compelling"”fact or fiction"”about the suburbs; he asserted, "There is no life there." During the New Depression, however, the suburbs have gone ghetto, suddenly teeming with life and depravity; and television writers are producing all kinds of compelling stuff about what they have discovered beyond the white picket fences. Witness Showtime's smash-hit "Weeds," the life and times of a "proper" suburban widow keeping-up appearances while she deals more dope than a six-pack of Mexican cartels. As in "The Office," the basic premise for "Weeds" is an import from Great Britain, adapted from the British film Saving Grace which showed a widow and her gardener conspiring to maintain the widow's lifestyle by supplying the locals with their favorite herbal refreshment. Critics frequently compare "Weeds" with American Beauty for its exploitation of the idea "Normal is the face we wear to cover how f***ed-up we are." By contrast with "Desperate Housewives," Nancy Botwin, our entrepreneurial heroine, has far more good reason for desperation than her difficulty achieving orgasm; she has a house, a mortgage, two sons, and a reputation. Since Bonfire of the Vanities tanked and "Weeds" flourished, Tom Wolfe may have to consider the distinct possibility that there is no life in Manhattan.

From the 8th of March, 1993 until the 28th of November, 1997 a "socially awkward" yet somehow lovable duo with the unlikely names of Beavis and Butthead ruled the MTV airwaves. The pair loved heavy metal rock and roll and hailed from the fictionalized town of Highland, Texas where they grew up with no apparent adult supervision (think Charlie Brown, Lucy, and Linus). Highland High School teachers didn't quite know how to deal with the rather dim-witted pair"¦ that is when the two even bothered to attend school. This may be simply a lesson in how not to survive the teen years or perhaps a cautionary tale of how to be obnoxious and perverted while giving commentary on popular music videos. In any case those around Beavis and Butthead tend to get in harms way while the "boys" skate free. As in the time Butthead fired a rifle that resulted in hitting an airliner (a Boeing 747). With part time jobs at the local Burger World, among others, and still wearing their AC/DC t-shirts they manage to survive as they provide bawdy comments for today's reality TV shows like Teen Cribs, UFC fights, and Jersey Shore.

As Larry David developed "Seinfeld," he openly and unabashedly acknowledged it was "a show about nothing." Now, "Curb Your Enthusiasm," Larry David's show about Larry David similarly is a show dedicated to complete dramatization of practically nothing. Somehow, it manages to be funny anyway. Larry David stars as Larry David, who is a fictionalized version of Larry David. No narcissism in that set-up. The coincidences persist through the rest of the cast: Cheryl Himes plays Cheryl, Jeff Garlin plays Jeff, and Susie Eastman plays Susie, making it much easier to play along on the home version. A semi-retired television writer, David has trouble adapting to the social conventions in Los Angeles, and he devotes a great deal of time and energy to correcting or making-up for his mistakes"¦except when he correcting other people's rude or outrageous behaviour. In its way, "Curb Your Enthusiasm" testifies to David's and the cast's comic genius, because he outlines the plot for each episode, but the actors improvise all of the dialogue, keeping their own enthusiasm well under control.

By some miracle, everybody in America knows all about "30 Rock," and everybody loves Tina Fey, the show's creator and star, but relatively few viewers tune-in every week. During its first season, "30 Rock" toted-up a record twenty-two Emmy nominations, but its ratings ranked 102nd of 142 primetime shows. NBC stayed with the project on the assumption that Fey's popularity and the intense critical buzz eventually would translate to ratings; and the gamble paid off as viewership steadily rose over the comedy's first six seasons. Based on Fey's experiences as head writer for "Saturday Night Live," the show satirizes life behind the scenes of a network comedy, trapping co-star Alec Baldwin in corporate intrigues as the writers and actors endure the trials and tribulations of producing a live weekly broadcast. Strong characters and brilliant badinage distinguish "30 Rock" from the standard sitcom fare, and the thirteen-member ensemble cast puts the plausibility in improbably characters.