Television snobs maintain the American version of "The Office" TV series pales by comparison with its British forerunner. Their sneers, however, have done nothing to diminish "The Office's" standing as America's premier sitcom. Audiences and critics wholeheartedly agree the Dunder Mufflin office follies restored NBC as network television's pre-eminent purveyor of great half-hour comedies. Filmed as a "mockumentary," the American "Office" TV show remains faithful to the British example of perfectly deadpan delivery, and the producers wisely add neither laugh-tracks nor musical cues. Of course, brilliant one-liners punctuate the show, but they are subtle and ironic rather than snappy. For example, in characteristically clueless style, Scranton office manager Michael Scott tells his staff, "As Abe Lincoln once said: If you are a racist, we will attack you from the North." Steve Carrell leads a well-chosen ensemble cast who portray a sales force the New York Times aptly characterized as "uniformly unattractive, wan and dull" characteristics which, of course, make them deliciously funny.

Sketches are a comics best format for television and Nick Swardson has a show that's loaded with them. Each episode displays some sort of rank and raunchy humorous ingredients that will make 7th graders giggle and adults cover their heads. But along the way some of it is actually funny even if rather dark. Skits about cats in wheelchairs, snipers who masturbate, and incestual dreams involving the Nightmare on Elm Street movies are unusual fare for family television nights and when the show's main character sits and tells us about what we are about to see we begin to wonder what world this is. Nick's dead cat, Fitzgerald, is fair game for another episode as are a fatherly bucket list for a dying son, urine powered cars, and even a Gay Robot. Never one to be short on "off the wall" ideas, Nick Swardson's Pretend Time will give viewers a peek into a rather weird place, the mind of Swardson. Imagine, if you will, recovering a time capsule full of sex objects, or following Gay Robot as he buys airplane tickets to visit the alien probe site (area 51 come to mind?), or maybe learn how a forest ranger steps in to break up intimate moments between homosexuals. All this and more can be found on the Nick Swardson's Pretend Time show.

Previewing "Breaking In" for the press, star Brett Harrison suggested, "If you like "The A-Team", you'll like "Breaking In". If you like "The Office",'you'll like "Breaking In". And if you like breaking-in, you will like "Breaking In!". Harrison's observation proved strangely prophetic in at least two ways: First, the new Fox comedy does combine comic elements from "The Office" with "The A-Team's" dark, sarcastic point of view. Office humor"”there's just no such thing as too much. Second, the weak attempt at humor in Harrison's last line is sadly characteristic of the writing for "Breaking-In." Apparently, the B&E crowd lobbied for its own version of appointment viewing. Who knew? Although it's becoming this season's standard"”bad guys gone good, the premise nevertheless has promise. Five exceptionally skilled and highly specialized burglars team-up to operate Contra Security, a consulting firm that tests companies' security systems by breaking into them. Borrowing liberally from "Leverage" and "Breakout Kings," this wickedly bland team includes a hacker, a bad girl who can pick any lock, a semi-skilled con man, and a mysterious boss. First episode ratings may prophecy the sitcom's fate. Scheduled right after a big-big episode of "American Idol", "Breaking In" carried approximately 19 million viewers into its time-slot; by the end of its half-hour, 12 million of them had tuned-in elsewhere.

Scheduled as a mid-season replacement for "The Defenders" on CBS, "Chaos" is scheduled to premier on April 1, 2011"”just in time for spring sweepstakes. The producers describe "Chaos" with the oxymoron "comedic drama," which can translate to brilliant satire and much wry laughter, or which can degenerate into serious genre-confusion and disaster. A veteran small-screen cast and an eight o'clock time-slot give hope to producers and CBS programming execs. In "Chaos," a group of CIA renegades combat serious threats to national security under the auspices of "Clandestine Administration and Oversight Services," a hint the writers coined the acronym before filling-in the words. The group includes a young, ingenuous-looking super-sleuth, a psychologist turned spy with a gift for tactics and motivation from severe paranoia. "CAOS" also includes a disgruntled former employee of the British Secret Service, and a seasoned CIA veteran with the capacity to morph into a human weapon. The collection sounds like a sure-fire formula for chaos, and the "Chaos" ensemble has potential to wring big laughs from total incompetence, but they remain vulnerable to looking like the farm team for TNT's "Leverage."

Yet another reality show for television? Now that's seems to be getting to be a pretty old concept until you figure in the producer of this hot television industry based program who just happens to be Kim Kardashian herself! The show is centered around Hollywood and the ins and outs of getting on the A list or being invited to red carpet events. It's all about knowing who to befriend and who to simply ignore. The Spin Crowd is paparazzi at its low down dirtiest and often that's what it takes to make it in tinsel town. Ms Kardashian herself has been sometimes victim and often target of much hype and deception brought her way by those who make their living off "celebrityism" and even though she is behind the cameras for this show, she knows who to ask for help when it comes to getting that head shot seen by the important people in Hollywood. The Spin Crowd shows the viewers how difficult it is to get ahead in the celebrity industry, and talent often has little to do with winning.

The Bernie Mac Show was an American television sitcom that aired from 2001 to 2006. It followed the story of Bernie Mac, a comedian, and actor, who takes in his sister's three children after she enters rehab. The show was based on Bernie Mac's stand-up comedy and personal experiences with his own family.