If you liked Thelma & Louise, Mad Money and Divine Secrets of the Ya-Ya Sisterhood, then you are probably a fan of award-winning screenwriter Callie Khouri. Her talented writing had secured ABC's new television series Nashville positions as a huge hit of 2012-2013 seasons. The TV show depicts life and struggle of country music star Rayna James to get back on the big stage. Her last chance is her next promo tour, which she has no chances to fail, just because if she fails, her future career as country music star will be very questionable if possible at all. To make chances higher, Rayna takes in her tour, a young starlet Juliette Barnes, whose young sexy power is expected to be in some help to make Rayna's promotion more effective. There are no doubts that both singers are pursuing their own goals. If, the first one wants not to fade away from stardom, the second one wants to take her place in the stage. The next problem is that Rayna's father, Lamar Wyatt, who is powerful politician and a wealthy man of Nashville, seems to be disapproved in Ryana's abilities to regain her stardom glory. As a controlling patriarch he's betting on Rayna's husband, Teddy Conrad, who was living on Rayna's revenues, and now is trying to make a career as mayor of Nashville (thanks to help of a father-in-law). Such a twisted plot is accompanied by masterfully selected and combined ensemble cast: Ryana James is played by Connie Britton (a Vivien Harmon in American Horror Story and Diane Huxley in 24 television series), while the young teenage music star Juliette Barnes, is played by Hayden Panettiere (Kirby Reed in Scream franchise.)

Haven't we all wondered if we had perhaps been switched at birth when we disagreed with our parents? Now how about if it turns out that the hospital actually did switch babies, purely by accident? And the families don't find out until the children are teenagers. Bay Kennish (played by Vanessa Marano from Without a Trace and the Gilmore Girls) has a high school project that includes learning about blood types and she inadvertently finds out her parents blood types do no match hers, showing she absolutely cannot be related to either of them. The family has their DNA tested and confirms the results Bay has come up with in school. Finding that the hospital made a huge error by mixing up the babies, they find the other child and discover how different her life is. Lea Thompson (Back to the Future Trilogy) is Bay's stay at home mom Kathryn and her father, John is played by D.W. Moffett (Friday Night Lights). Bay's new found sister is Daphne (Katie Leclerc from Veronica Mars) who unfortunately suffered deafness due to a case of meningitis as a young child. Daphne, her mother, and grandmother have a hard life and soon the Kennishes invite them to live in their guest house. Deaf actress Marlee Matlin also stars as friend of Daphne's mom, Regina.

"Wu-Tang: An American Saga" is a television drama series that premiered on Hulu in 2019. The show is based on the true story of the formation of the Wu-Tang Clan, a group of rappers who rose to fame in the 1990s. It explores the lives of the nine members of the group and how they came together to create a new sound in hip-hop.

DMZ is a miniseries based on the comic book of the same name, created by Brian Wood and Riccardo Burchielli. The show is set in a near-future America, where a second civil war has torn the country apart. Manhattan has become a demilitarized zone (DMZ) between the two sides, with the government and rebels fighting for control of the island.

The global Netflix phenomenon: debt-ridden contestants compete in deadly versions of Korean children's games for a life-changing prize. The most-watched Netflix original series in history.

One critic characterized "Breaking Bad's" dark humor as "Thelma and Louise as seen by Dostoyevsky" and that was one of the perkier, more optimistic descriptions. A seven-part AMC series, "Breaking Bad" TV show tells the story of Walt White, high school chemistry teacher turned methamphetamine cooker and dealer. Of course, as Glenn Frye crooned, "The lure of easy money has a very strong appeal," but "Breaking Bad" does not allow for even a split-second of sunshine through the abysmal darkness. In this corner of the universe, crime never-ever pays. Walt, expertly portrayed by Bryan Cranston of "Malcolm in the Middle" fame, is neck-deep in problems, complications, and flat-out ugliness from the minute he lights the Bunsen burner. Although the writers have woven-in some amazingly ironic lines, known in the trade as "comic relief," the characters deliberately deliver their quips in such a super-slow, slack-jawed drawl they seem more tragic than funny. Of course, "Breaking Bad" TV series make some pretense toward allegory of the American middle class struggling through the throes of deep recession, and it scores some hard hits. Most of all, though, "Breaking Bad" shows that even when fine writers, directors, and actors can find humor and pathos in displaced white-collar workers' undignified struggle for dignity, it still looks awfully damned dreary and ugly.