Oh Hell is a TV series that follows the story of Helene, a 24-year-old woman who is going through a quarter-life crisis. Helene, who is also known as "Hell," is struggling to figure out who she is and what she wants in life.

"The Alienist" is a television series that premiered on TNT in 2018. It is based on the novel of the same name by Caleb Carr and is set in 1896 in New York City. The show follows a team of experts, including a psychologist or "alienist," a newspaper illustrator, and a police secretary, as they investigate a series of gruesome murders of young male prostitutes.

For several years, "Law and Order: SVU TV show" has reigned as the most popular title in the "Law and Order" franchise. As the opening intones, In New York's war on crime, sexually-based offenses are considered especially heinous.," and the Special Victims Unit works round the clock on the city's most gut-wrenching cases. "SVU" has held onto its legions of loyal viewers by delivering hard-hitting, compelling and complicated plots week after week. Over the years, the characters have evolved, but the core cast has remained constant. The consistency and continuity undoubtedly contribute to viewers' dedication to Detectives Elliott Stabler (Christopher Meloni) and Olivia Benson (Mariska Hargitay). "Law and Order: SVU TV show" also attracts high-powered stars for special appearances in every episode, and it challenges the guests to step well outside their comfort zones, demanding they play parts radically different from roles that made them famous. In recent years, Julie Bowen and Luke Perry co-starred in an episode that told the story of a woman who unwittingly married the man who raped her. Cynthia Nixon of "Sex and the City" fame played a woman with multiple personality disorder; and superstar Sharon Stone has done a stint as Deputy District Attorney. "SVU's" combination of an exceptionally strong core cast plus great guest stars plus intriguing, engaging, labyrinthine plots often "ripped from the headlines" takes viewers on a weekly thrill ride, keeping it riding high in the ratings.

Using state-of-the-art technology and amazing skill with make-up and costuming, Chance, the main character, becomes literally a human target. In each episode of "Human Target," Chance assumes the identity and everyday life of a prominent person in danger. Describing himself as an "extreme bodyguard," Chance uses his wits, skills, and wise-cracking bravado to turn serious danger into a trap for the villains. The sinister evil-doers plot kidnapping, blackmail, extortion, and especially death; the "human target" plots capture. Not the kind of thing for which an ordinary guy usually would volunteer. "Human Target" TV show was praised by the critics and audiences for the quality of the acting"”especially the performances by Earl Haley, Jr., which make a somewhat implausible premise absolutely believable and compelling. Because "Human Target," a decidedly out-of-the-box crime drama, is loosely based on the DC comic series of the same name, the creators have no shortage of bad guys, nor do they struggle to find quirky characters for Chance to impersonate. Critics and audiences agree that the actors playing the three main characters go a long way toward redeeming the show's average, sometimes genuinely awkward writing. They wonder, though, will the actors be able to hold the viewers' attention and loyalty long enough for the writing to fulfill the promise in the premise?

Intensely cerebral, narrated more or less in the style of a Latin American magic-realist novel which shows the conclusion before the story begins, "Damages" TV show strangely fulfills the immanent promise in cable television programming, appealing very strongly to what the poet Milton called "fit audience though few." "Damages" series'unmistakable style, sophistication, and subtle sizzle are spellbinding, and the writers have crafted heroes you love to love and villains you love to hate with a team of attorneys working both sides of the continental divide between good and evil. Unabashedly stealing its premise from the Bernie Madoff case, "Damages" asks and answers, "What if you were Madoff's antagonist?" Glenn Close plays Patty Hewes, the high-powered and equally high-priced attorney determined to bring down ponzi-schemer Louis Tobin, portrayed by Len Cariou. The word "perfect" appears in most critics' discussions of their performances. A New York Times reviewer aptly summarized, "It's impossible to overestimate how delicious Ms. Close is as this fiercely driven, mercurial and manipulative woman. " In a stroke of casting genius, the producers chose Lily Tomlin to quicken the character of Mrs. Tobin, long-suffering wife of the arch-villain; the audience remains in suspense about her true colors and motives, suspecting she may be "Damages'" answer to Lady Macbeth. Martin Short also stars as Tobin's family attorney.

The Scribner authors who rose to 1930s and 1940s prominence under Max Perkins's skilled tutelage understood the best way to change the world is to represent it precisely--in minute detail and in all its grim, unforgiving, and frightening ugliness. MTV's "16 and Pregnant" brings the same principle to television, accurately and unblinkingly showing the lives of four expectant teen-agers, mercilessly exploiting every ugly stereotype of life on the perilous edge of poverty and powerlessness. The New York Times suggests, "The implicit message at the center of ["16 and Pregnant's] class prejudice tells us that if you're not setting out for Berkeley or Wesleyan, then raising a child when you ought to be working on the yearbook is as good a road to character development as any." The Times unfortunately mistakes power and poignancy for "prejudice." After viewing even one episode of "16 and Pregnant," any observant sophomore will make a headlong dash for Planned Parenthood, the glee club, and an SAT prep course.