"Tom and Jerry in New York" is a new animated TV series created by Warner Bros. Animation. It follows the classic cat-and-mouse duo as they navigate their way through the bustling streets of New York City. The show features a modern and updated take on the characters and their dynamic, while still staying true to the original comedic style.

"Chowder" is an animated television series that aired on Cartoon Network from 2007 to 2010. The show follows the adventures of a young apprentice chef named Chowder, who lives in the fictional city of Marzipan with his mentor, Mung Daal, and a variety of other eccentric characters.

Superjail! is an American animated television series that follows the surreal and often violent adventures of the inmates and staff of Superjail, a massive, complex, and bizarre prison located in a volcano. The show features a cast of eccentric and colorful characters, including the ruthless Warden, his loyal assistant, the sadistic Alice, and the flamboyant, cross-dressing Doctor. The series is known for its surreal and dark humor, as well as its graphic violence and sexual content.

Aquaman is an animated television series produced by Filmation Associates, based on the DC Comics superhero of the same name. The show follows the adventures of Aquaman, the King of Atlantis, as he defends his underwater kingdom and the surface world from various threats.

Batwheels is an upcoming American animated series created by Michael G. Stern, produced by Warner Bros. Animation and DC Entertainment. The series follows a team of sentient vehicles in Gotham City who work alongside Batman and his allies to fight crime. The show is aimed at a younger audience and will feature lighter themes and comedic elements.

Either the CIA is just not that cool and relevant anymore, or Seth Macfarlane and associates are still mining the mother lode of 1970s humour as they develop episodes of "American Dad!" for Sunday nights on Fox. Television historians claim animated series have replaced sit-coms as television's principal source of informed social commentary; and "The Simpsons" have replaced "All in the Family" as the nation's premier satire, the weekly litmus test of American values and expectations. "American Dad!" shows little sign of aspiring to that lofty standing. Most episodes set the standard simply at "amusing." CIA agent and uber-patriot Stan Smith, the "American Dad!" anchors a predictably diverse, dysfunctional just-beyond-the-beltway family. Francine, his wife, appears to atone for her wild youth by remaining vacant, mostly boring in contemporary life. Hayley, Stan's college-aged radical daughter, naturally acts-out all the standard forms of late adolescent rebellion and family insurgency. And Steve, not surprisingly, enters puberty eager to live-up to Dad's expectations but congenitally incapable of coming even close. Holding its own in Fox's Sunday night animated line-up, "American Dad!" has improved in its several seasons on the air. Translation: "American Dad!" has evolved from "mediocre" to "not bad" as it has outgrown its abject dependence on cliches and stereotypes, freshened its subject matter and treatment, and drawn sharper edges on its characters. Still, the premises for "American Dad!" showed promise in 1973; in the new millennium, they seem a little tired.