"Sharp Objects" is a limited television series that first aired in 2018. It is based on a novel of the same name by author Gillian Flynn. The show follows Camille Preaker, a troubled journalist who returns to her hometown to cover a story about two murdered girls. As she investigates, Camille is forced to confront her own demons and unravel the secrets of her past.

Ozark is Netflix's acclaimed crime drama following a financial advisor who moves his family to Missouri to launder money for a Mexican drug cartel. Starring Jason Bateman and Laura Linney — stream all four seasons on Netflix.

Law & Order: Los Angeles TV Show is one of the many branches of the Law & Order franchise that give you an in depth look at the work and lives of the LAPD's Robbery Homicide Division. Detectives Rex Winters and TJ Jarusalski lead the search uncovering the answers to LA's biggest crimes with the backup of District Attorney Morales who is force to be reckoned with in the courtroom. Law & Order: Los Angeles TV Show is a crime drama that shows the beginning to end process of locking up the bad guys, from showing up at the scene to the investigation to the courtroom. It is sure to keep you interested!

Kevin Williamson's soapy Netflix crime drama follows a North Carolina fishing dynasty pulled back into drug smuggling to save their empire. Streaming on Netflix.

Godfather of Harlem is a television series that premiered in 2019. The show is set in the 1960s and tells the story of Bumpy Johnson, a notorious Harlem crime boss who returns to New York City after serving a ten-year prison sentence. As he tries to regain control of his territory, he has to navigate the changing political and social landscape of the time.

"The Chicago Code" has nothing to do with deep-dish pizzas or the cruelly cursed Cubbies. "The Chicago Code" openly, unabashedly, plain and simple, is all about good versus evil. The good guys following "The Chicago Code" are very very good, and the bad guys breaking the code are very very bad. The windy city itself, definitely a critical element in the drama's development, lives somewhere in-between. Chicago may be "the second city," but it stands out as America's number one oxymoron. "Hog-butcher to the world," Chicago also brought us Hemingway and Frank Lloyd Wright. Home to Picasso's breathtaking artistic monument, Chicago also has been home to some monumental con artists: Rod Blagojevich comes immediately to mind. "Blaggo" is to Chicago scams as the Picasso is to the city's art and architecture. More to the point of "The Chicago Code," in just over thirty years, thirty-one second city aldermen have been convicted of violent crimes or corruption. In Chicago, graft greases the wheels and gets your streets ploughed. Although corruption may be common as camel-hair coats on the Magnificent Mile, Chicago cops still want to collar the bad guys. "The Chicago Code" attempts to dramatize how and why they do it, and it packs a pretty good punch for a network production. Critics and home-grown Chicago viewers strongly suspect "The Chicago Code" would achieve its completely gritty potential on cable, but it's hard to complain about Jennifer Beals, still fit and fabulous all these years after Flashdance, going balls-to-the-wall against the bad guys in Monday night primetime.