Intriguingly balancing on the edge of documentary crime-storytelling and emotional movie-styled eye witnessing, Final Witness leaves weird feelings after the first watching. In the first hand we see, professionally gathered facts and witnesses about real life crimes combined in the proper timeline manner: the circumstances which have lead to criminal act, the actual criminal act itself, consequences of this perpetration and effects caused by it on victims entourage. On the other hand, the scenes are assembled in the movie-like way rising emotional essence to the high levels of hysteria; complementing the horrifying scenario by murdered victim's narration from the first person. Although, all the described events really took place in the American cities from New Orleans to San Francisco, there is a kind of strange feeling originated from the series too emotional background, the feeling making unbelievable these rapes, murders and homicide acts are the real life events.

When billionaire software guru known simply as Mr. Finch develops a software program for computers that helps identify someone who potentially will become involved with violent crime he intended the program to help locate terrorists in our midst and prevent another disaster such as happened on September 11, 2001. As they work with the software it is soon learned there are other uses for it. The program can be set to detect those who run the risk of being involved in some sort of violent crime but cannot tell if those involved will become victims or perpetrator or simply witnesses to the crime. While crimes cannot be stopped before happening they do find it helpful in solving and making arrests. Helping Mr. Finch (Michael Emerson from Lost, The Practice) solve these crimes is John Reese (Jim Caviezel of Outlander, The Prisoner), formerly with the CIA and now presumed to be dead. Mr. Finch is also thought to be deceased and the two have worked out a plan to locate those singled out by the software program by use of their social security numbers.

Mob Wives is called a "documentary soap opera" with good reason. It is a story about people who don't exist because there is no such thing as the Mob or Cosa Nostra or Mafia! But there are those living among us who know better. The housewives, parents, and children of mob and criminal related individuals are shadowy figures who live in the background of their powerful husbands and fathers until the bad guys get caught and must spend time behind bars. Then these formerly quiet and reserves ladies capably take matters in their own hands and go about their lives. The four Mob Wives include a group of friends who support each other while their men are away and it's no easy task to attempt to maintain a lifestyle they've become used to when the main bread winner of the family is away incarcerated. James Molinaro, who is President of the Borough of Staten Island in New York has declared the show is a disgrace because it portrays not only Italian Americans but also Staten Island itself as being lowlife and detrimental.

"Fargo" is a television series created by Noah Hawley that premiered in 2014 on the FX network. The show is loosely based on the Coen Brothers' 1996 film of the same name, but instead of directly adapting the story, it presents a new tale set in the same universe. Each season tells a different story with different characters, but all take place in and around the titular city of Fargo, North Dakota.

"The Chicago Code" has nothing to do with deep-dish pizzas or the cruelly cursed Cubbies. "The Chicago Code" openly, unabashedly, plain and simple, is all about good versus evil. The good guys following "The Chicago Code" are very very good, and the bad guys breaking the code are very very bad. The windy city itself, definitely a critical element in the drama's development, lives somewhere in-between. Chicago may be "the second city," but it stands out as America's number one oxymoron. "Hog-butcher to the world," Chicago also brought us Hemingway and Frank Lloyd Wright. Home to Picasso's breathtaking artistic monument, Chicago also has been home to some monumental con artists: Rod Blagojevich comes immediately to mind. "Blaggo" is to Chicago scams as the Picasso is to the city's art and architecture. More to the point of "The Chicago Code," in just over thirty years, thirty-one second city aldermen have been convicted of violent crimes or corruption. In Chicago, graft greases the wheels and gets your streets ploughed. Although corruption may be common as camel-hair coats on the Magnificent Mile, Chicago cops still want to collar the bad guys. "The Chicago Code" attempts to dramatize how and why they do it, and it packs a pretty good punch for a network production. Critics and home-grown Chicago viewers strongly suspect "The Chicago Code" would achieve its completely gritty potential on cable, but it's hard to complain about Jennifer Beals, still fit and fabulous all these years after Flashdance, going balls-to-the-wall against the bad guys in Monday night primetime.

"La Jauria" (The Pack) is a TV show that tells the story of a young girl who disappears after attending a feminist protest. The show is set in Chile and follows a group of female detectives who are trying to find the missing girl. As they investigate, they uncover a web of secrets and corruption that implicates powerful people in the community.