The next big thing in ABC family repertoire, a parenting comedy Baby Daddy, from the very first episode looks like Rising Hope and Three men and a Baby, mixed and stirred. If you are 18-34 years old women your chances to find this comedy entertaining are very high. Otherwise, if you are not belong to this target audience, we recommend you to not waste your time. Although the baby-girl (Emma) in Baby Daddy is very cute, this doubtfully compensates the flatness of acting and primitiveness of hijinks, all of them are revolving about unexpected pregnancy and baby's bodily functions. The background of the story is getting us from the very first episode. An aimless dude, Ben with his friend Tucker finds an infant at doorsteps of their small apartment which they share with Tucker's hockey-player brother Danny. The baby comes with the short note form Ben's former one-night-stand girlfriend. Ben decides to take a care of the child, hoping that his friends, Tucker and Danny alongside with his overbearing mother Bonnie (Melissa Peterman) and his school-friend Riley (Chelsea Kane) will help him with parenting functions. The main storyline is shadowed in some funny way by undercover intrigues taking a place between friends: Riley has a crush on Ben since the school-times, and Danny seems to be on the opposite apex of this love triangle.

By some miracle, everybody in America knows all about "30 Rock," and everybody loves Tina Fey, the show's creator and star, but relatively few viewers tune-in every week. During its first season, "30 Rock" toted-up a record twenty-two Emmy nominations, but its ratings ranked 102nd of 142 primetime shows. NBC stayed with the project on the assumption that Fey's popularity and the intense critical buzz eventually would translate to ratings; and the gamble paid off as viewership steadily rose over the comedy's first six seasons. Based on Fey's experiences as head writer for "Saturday Night Live," the show satirizes life behind the scenes of a network comedy, trapping co-star Alec Baldwin in corporate intrigues as the writers and actors endure the trials and tribulations of producing a live weekly broadcast. Strong characters and brilliant badinage distinguish "30 Rock" from the standard sitcom fare, and the thirteen-member ensemble cast puts the plausibility in improbably characters.

The fact that some time travel is involved in the show, Being Erica, makes it necessary to employ at least one other actress to play the part of Erica Strange. She is sometimes seen as a twelve year old girl and that would be difficult for actress Erin Karpluk to accomplish. Erica is thirty two, Jewish, and still single. Although well educated she appears to be an underachiever who is in therapy and has been for years. Erica's therapist, Dr. Tom Wexlar (portrayed by Michael Riley) works with her though often irritating her with mixed quotations that don't really help her. Erica's friends include Julianne (played by Reagan Pasternak) editor at the publishing company where Erica is most currently employed. The two eventually form a publishing company as co-owners and partners. Forth grade teacher and best friend, Ethan Wakefield, (played by Tyron Leitso) have been close since college. When he moves next door to Erica they become more than just best friends, resulting in his divorce, and complicating the friendship. Gary Strange (John Boylan) is Erica's father, now a rabbi, but formerly a marijuana using hippie. Mom Barbara (Kathleen Laskey) who adds depth and a serious note to the program when she develops breast cancer.

Stars Hank Azaria, Kathryn Hahn, Natasha Leggero, and Al Madrigal apparently are having fun with the US version of a British hit titled Free Agents. The PR firm of CMA is the scene for much of the frivolity and even though the employees are there to assist their clientele it seems as if they can barely handle their own personal interests let alone be of assistance to any customers. Sitcoms that deal with workplace romance and banter have been popular for a long time (The Mary Tyler Moore Show, News Radio, Scrubs, Mad Men, The Office). There may be little in the way of plot line but plenty of humor, particularly of the dark and borderline mean variety. But the cast handles it all and even succeed in making the audience like them, well most of them. Sleazy and kinky yet charismatic boss Stephen (Anthony Head of Merlin and Buffy The Vampire Slayer) makes each day difficult for his staff. In the first episode we find two of the workers have committed the "cardinal" sin of employees sleeping together. Alex, played by Hank Azaria (does several voices on The Simpsons) and Helen (Kathryn Hahn of Crossing Jordan) get wasted and spend time in bed together, waking the next morning with more than just a hangover. At work other employees drill them for details and Alex nearly becomes a stalker trying to convince Helen to let him move in.

On HBO's critically acclaimed "Entourage," Jeremy Piven plays Ari Gold so convincingly that real Hollywood agents feel their skin crawl, experiencing the odd sensation the show is dramatizing their biographies. The sultans of Sunset Boulevard insist "Entourage" gives the most frighteningly real representation of high-powered talent agents since Tom Cruise revealed all the nooks and crannies in Jerry McGuire's character. "Entourage" producer Doug Ellin recently explained, "We always try to write the show starting with 'What's real?' not 'What's funny?,' " but the two questions may be opposite sides of the same coin, because uninitiated audiences find it belly-laugh-out-loud hilarious. "When you're on the inside like we are, good water-cooler television is hard to find," said Jay Sures, a partner at the United Talent Agency. "Entourage" compels the real Hollywood "ten-percenters" to engage in spirited discussions of the show's characters and situations, treating the fictions as if they were real colleagues and clients, because the work-a-day professionals willingly have suspended disbelief and taken Ari Gold into the fold. For the average cable subscriber, then, "Entourage" is the entre to life as a Hollywood insider.

Drunk History is a comedy series that airs on Comedy Central. It was created by Derek Waters and Jeremy Konner and first premiered in 2007. In the show, guest comedians and actors get drunk and then recount an event from history while the story is reenacted by other actors. The result is a hilarious retelling of history that often features slurred speech, rambling tangents, and off-color humor.