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Desperate Housewives

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Desperate Housewives

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According to the series' creator Marc Cherry, "Desperate Housewives TV show" recreates the suburban malaise of the hit movie American Beuaty, substituting irony for melancholy. Cherry reportedly conceived the show after watching news reports about Andrea Yates. When he first pitched the show, Cherry called it a "parody" of soap operas; when ABC picked-up the show, executives told Cherry to focus on the soap opera and the parody would take care of itself. They were right. Up and down Wisteria Lane, four women wage love and sustain family life, cleverly concealing all kinds of insidious plots, illicit affairs, and the occasional felony. Teri Hatcher, Felicity Huffman, Marcia Cross, and Eva Longoria Parker have imprinted their styles on their characters, collecting armloads of Emmys, Golden Globe Awards, and Screen Actors' Guild Awards along the way. In April, 2007, ratings experts reported "Desperate Housewives" was the most popular tv show in its global demographic, boasting more 120 million worldwide viewers. Behind the scenes, a little bit of the show's history reveals how Disney executives can overdose on their own sugary snacks. Shortly after programmers Lloyd Braun and Susan Lyne gave the go-ahead for "Desperate Housewives," the suits fired them, because they simultaneously had approved an extremely "risky" TV show called "Lost."

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Author
Anna Miko

Anna Miko enjoys writing more than reading books. But most of all she likes to write movie and series reviews. Being fond of classic cinema, she nevertheless is the author of many research works on contemporary visual arts. She also writes short essays on new movies and series helping others to navigate the world of modern cinema.

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Weeds

2021
Comedy & Humor
As he championed "the new journalism" in the late sixties, Tom Wolfe suggested no one ever would write anything truly compelling"”fact or fiction"”about the suburbs; he asserted, "There is no life there." During the New Depression, however, the suburbs have gone ghetto, suddenly teeming with life and depravity; and television writers are producing all kinds of compelling stuff about what they have discovered beyond the white picket fences. Witness Showtime's smash-hit "Weeds," the life and times of a "proper" suburban widow keeping-up appearances while she deals more dope than a six-pack of Mexican cartels. As in "The Office," the basic premise for "Weeds" is an import from Great Britain, adapted from the British film Saving Grace which showed a widow and her gardener conspiring to maintain the widow's lifestyle by supplying the locals with their favorite herbal refreshment. Critics frequently compare "Weeds" with American Beauty for its exploitation of the idea "Normal is the face we wear to cover how f***ed-up we are." By contrast with "Desperate Housewives," Nancy Botwin, our entrepreneurial heroine, has far more good reason for desperation than her difficulty achieving orgasm; she has a house, a mortgage, two sons, and a reputation. Since Bonfire of the Vanities tanked and "Weeds" flourished, Tom Wolfe may have to consider the distinct possibility that there is no life in Manhattan.