Up Here is a musical romantic comedy show that premiered on Hulu in March 2023. It was developed by Steven Levenson, Kristen Anderson-Lopez, Robert Lopez, and Danielle Sanchez-Witzel. The show centers around a group of people in New York City who are searching for love and connection.

"Dollface" is an American television series that premiered on Hulu on November 15, 2019. The show was created by Jordan Weiss, who also serves as an executive producer. The series stars Kat Dennings as Jules, a young woman who must reconnect with her former female friends after her boyfriend breaks up with her. The show also stars Brenda Song, Shay Mitchell, and Esther Povitsky in main roles. The show explores themes of friendship, relationships, and self-discovery. It received mixed reviews from critics, with some praising its comedic elements and performances, while others criticized its lack of originality. The show was created by Jordan Weiss, who also served as an executive producer alongside Stephanie Laing, Margot Robbie, Brett Hedblom, Bryan Unkeless, Scott Morgan, Nicole King, and Kat Dennings. In addition to producing, Laing was also set to direct the pilot episode. Production companies involved with the series included LuckyChap Entertainment and Clubhouse Pictures. On November 2, 2018, Hulu ordered a first season consisting of ten episodes and additional executive producers were reported to include Ira Ungerleider, Tom Ackerley, and Matt Spicer. Ungerleider was also set to serve as the series' showrunner and Spicer as the director of the first episode. The series premiered on November 15, 2019. The series was renewed for a second season on January 17, 2020. "Dollface" received mixed reviews from critics. The first season holds an approval rating of 59% on Rotten Tomatoes, with an average rating of 5.8/10. The site's consensus reads that the show has "all of the right parts: a talented cast, a promising premise, and plenty of surreal intrigue—if only its shallow vision of feminism didn't undermine them." On Metacritic, it has a weighted average score of 54 out of 100 based on reviews from 13 critics. The second season of the show has an approval rating of 56% on Rotten Tomatoes, with an average rating of 4.8/10. On Metacritic, it has a weighted average score of 49 out of 100 based on reviews from 4 critics, indicating "mixed or average reviews".

The sit-com opens up with three men, each in their own home, playing online video games and discussing their life goals. Sandwiched in between a new hit comedy starring Tim Allen "Last Man Standing" and the elimination night for "Dancing with the Stars", how can this new one lose? ABC has long had a strong line up on Tuesday evenings, particularly in the area of the situation comedy genre. Starring Dan Fogler (Mars Needs Moms, Take Me Home Tonight), playing Kenny Hayden who sees his ex-wife out with a much better looking man. Kenny's ex is played by Amanda Detmer (Necessary Roughness, The Vampire Diaries). She got fed up with being married to a child who could not, or would not grow up. Christopher Moynihan (House, M.D., Psyche) is Craig Griffith, the sensitive yet manly type who still carries a flame for his ex from the college years. And Will Keen is played by Mather Zickel from TV shows Dislocated and The Cape. Will's wife Theresa, ably played by Teri Polo (Medium, Monk) is gorgeous and makes Will constantly wonder why she married him. Satisfying comedy that perhaps needs some time to find its purpose.

The next big thing in ABC family repertoire, a parenting comedy Baby Daddy, from the very first episode looks like Rising Hope and Three men and a Baby, mixed and stirred. If you are 18-34 years old women your chances to find this comedy entertaining are very high. Otherwise, if you are not belong to this target audience, we recommend you to not waste your time. Although the baby-girl (Emma) in Baby Daddy is very cute, this doubtfully compensates the flatness of acting and primitiveness of hijinks, all of them are revolving about unexpected pregnancy and baby's bodily functions. The background of the story is getting us from the very first episode. An aimless dude, Ben with his friend Tucker finds an infant at doorsteps of their small apartment which they share with Tucker's hockey-player brother Danny. The baby comes with the short note form Ben's former one-night-stand girlfriend. Ben decides to take a care of the child, hoping that his friends, Tucker and Danny alongside with his overbearing mother Bonnie (Melissa Peterman) and his school-friend Riley (Chelsea Kane) will help him with parenting functions. The main storyline is shadowed in some funny way by undercover intrigues taking a place between friends: Riley has a crush on Ben since the school-times, and Danny seems to be on the opposite apex of this love triangle.

When a British couple find success with Lyman's Boys, a sitcom they have written for the BBC, they are encouraged to take it to Hollywood in the US. When they remake the show to suit an American audience they run into problems leading them to hire Matt LeBlanc as a cast member. But LeBlanc ends up damaging the show and the Lincoln's reputation as well. With their marriage on the line Beverly and Sean Lincoln need to make some change not only in their scripts but in their lives as well. Matt LeBlanc is brought in to replace the lead and he brings along a laundry list of wants few actors would dare request. Further problems are seen when Merc Lapidus (Hollywood network big shot) decides to make some changes to the hit show Episodes. Conflicts and cultural differences are displayed in a humorous way and even though the Lincolns are worried that their success will end in the US they struggle to keep creative control. Wonderful acting and a delightful chemistry between each make this show one to look for every week.

Scheduled as a mid-season replacement for "The Defenders" on CBS, "Chaos" is scheduled to premier on April 1, 2011"”just in time for spring sweepstakes. The producers describe "Chaos" with the oxymoron "comedic drama," which can translate to brilliant satire and much wry laughter, or which can degenerate into serious genre-confusion and disaster. A veteran small-screen cast and an eight o'clock time-slot give hope to producers and CBS programming execs. In "Chaos," a group of CIA renegades combat serious threats to national security under the auspices of "Clandestine Administration and Oversight Services," a hint the writers coined the acronym before filling-in the words. The group includes a young, ingenuous-looking super-sleuth, a psychologist turned spy with a gift for tactics and motivation from severe paranoia. "CAOS" also includes a disgruntled former employee of the British Secret Service, and a seasoned CIA veteran with the capacity to morph into a human weapon. The collection sounds like a sure-fire formula for chaos, and the "Chaos" ensemble has potential to wring big laughs from total incompetence, but they remain vulnerable to looking like the farm team for TNT's "Leverage."