Search Party is a television series that first premiered on TBS in 2016. The show revolves around a group of self-absorbed millennials living in New York City who become entangled in a missing persons case. Dory, the main character, becomes obsessed with finding a former college acquaintance who has gone missing and enlists the help of her friends to track down the truth. Along the way, they encounter a range of eccentric characters and unexpected twists and turns.

"Crashing" is a TV series created by Pete Holmes that aired on HBO from 2017 to 2019. The show follows the life of a fictionalized version of Holmes, who is a struggling comedian trying to make a name for himself in the New York City stand-up comedy scene.

"Insecure" is a comedy-drama television series that premiered on HBO in 2016. The show follows the lives of two best friends, Issa Dee and Molly Carter, as they navigate their personal and professional lives in Los Angeles. The series explores themes such as race, relationships, and career struggles, with a particular focus on the experiences of Black women.

When a British couple find success with Lyman's Boys, a sitcom they have written for the BBC, they are encouraged to take it to Hollywood in the US. When they remake the show to suit an American audience they run into problems leading them to hire Matt LeBlanc as a cast member. But LeBlanc ends up damaging the show and the Lincoln's reputation as well. With their marriage on the line Beverly and Sean Lincoln need to make some change not only in their scripts but in their lives as well. Matt LeBlanc is brought in to replace the lead and he brings along a laundry list of wants few actors would dare request. Further problems are seen when Merc Lapidus (Hollywood network big shot) decides to make some changes to the hit show Episodes. Conflicts and cultural differences are displayed in a humorous way and even though the Lincolns are worried that their success will end in the US they struggle to keep creative control. Wonderful acting and a delightful chemistry between each make this show one to look for every week.

Previewing "Breaking In" for the press, star Brett Harrison suggested, "If you like "The A-Team", you'll like "Breaking In". If you like "The Office",'you'll like "Breaking In". And if you like breaking-in, you will like "Breaking In!". Harrison's observation proved strangely prophetic in at least two ways: First, the new Fox comedy does combine comic elements from "The Office" with "The A-Team's" dark, sarcastic point of view. Office humor"”there's just no such thing as too much. Second, the weak attempt at humor in Harrison's last line is sadly characteristic of the writing for "Breaking-In." Apparently, the B&E crowd lobbied for its own version of appointment viewing. Who knew? Although it's becoming this season's standard"”bad guys gone good, the premise nevertheless has promise. Five exceptionally skilled and highly specialized burglars team-up to operate Contra Security, a consulting firm that tests companies' security systems by breaking into them. Borrowing liberally from "Leverage" and "Breakout Kings," this wickedly bland team includes a hacker, a bad girl who can pick any lock, a semi-skilled con man, and a mysterious boss. First episode ratings may prophecy the sitcom's fate. Scheduled right after a big-big episode of "American Idol", "Breaking In" carried approximately 19 million viewers into its time-slot; by the end of its half-hour, 12 million of them had tuned-in elsewhere.

Legendary bad-boy and all-around ace philanderer Charlie Sheen stars in CBS's hit sitcom "Two-and-a-Half Men," inspiring most loyal viewers to wonder how much the show and its situation actually challenge the million-dollar jokester really to act. Sheen plays, just coincidentally, of course, Charlie, a profligate composer living comfortably on the beach in Malibu thanks to his singular gift for making-up catchy commercial jingles. Charlie's steadfast devotion to "The Playboy Philosophy" meets serious challenges when his frighteningly repressed, skin-crawlingly anxious, and obnoxiously too-preppy chiropractor brother moves into the beach house, bringing his adolescent son with him"”both refugees from a Southern California tract-house divorce. Perfectly cast for his role in "Two-and-a-Half Men," John Cryer brilliantly recreates Alan's tics, quirks, and peccadilloes; and Angus T. Jones, television's consummate anti-Disney superstar, makes puberty and cluelessness look (almost) vaguely adorable. Brilliant, insightful, incisive, snarky and sardonic, frequently edgy, deliciously allusive writing keeps the show fresh and relevant"”lots of running jokes and familiar motifs have developed, but nothing ever seems even vaguely old"¦least of all, Charlie Sheen.