"Arthur's Law" is a German dark comedy TV series about a man named Arthur Ahnepol who is unhappy with his life and wants to start over. He decides to rob a bank, but things go wrong, and he ends up in jail. While in jail, he meets a man who tells him about "Arthur's Law," which states that if something can go wrong, it will go wrong. Arthur begins to believe in this theory, and when he is released from jail, he puts it to the test.

Search Party is a television series that first premiered on TBS in 2016. The show revolves around a group of self-absorbed millennials living in New York City who become entangled in a missing persons case. Dory, the main character, becomes obsessed with finding a former college acquaintance who has gone missing and enlists the help of her friends to track down the truth. Along the way, they encounter a range of eccentric characters and unexpected twists and turns.

DreamWorks TV and producer Steven Spielberg are hoping their latest entry into prime time television lives up to its name. Smash is about the making of a Broadway musical play which involves the life of Marilyn Monroe. But personal conflicts among the cast members prove to be difficult to work with as they deal with the everyday demands of theater life and this musical in particular. Debra Messing stars as Julia Houston who is the co-writer as well as lyrist and song writer on Smash. Messing, formerly seen on Will & Grace, is an award winner with a musical background. Angelica Huston (Prizzi's Honor, The Adams Family) plays Eileen Rand the musical's producer who has to juggle handling a messy divorce along with the difficulty that goes with producing a Broadway musical. Frank Huston, Julia's husband is played by Brian d'Arcy James (Broadway's Dirty Rotten Scoundrels) is jealous of Tom Levett (Christian Borle from Broadway's Jesus Christ Superstar), Julia's partner and co-writer of Smash. The actress who finally gets the role of Marilyn is Ivy Lynn played by Megan Hilty from the Broadway production of 9 to 5: The Musical. Plenty of behind the scenes back biting helps keep this production on a bumpy road.

"The Comeback" is a television series that aired on HBO in 2005 and 2014. It follows the story of Valerie Cherish, a washed-up actress who tries to revive her career by starring in a reality show. The show is shot in a mockumentary style, with the cameras following Valerie around as she navigates the ups and downs of her life.

If your family drama cannot be "Modern Family" or "Brothers and Sisters," then what can it be? It almost inevitably will be NBC's "Parenthood," a mid-season, post-Olympic experiment boldly launched in February, 2010. The "Parenthood" experiment tests the hypothesis that good writers and actors can find the middle ground between "Modern Family's" understated but outrageous satire and "Brothers and Sisters'" intensity. Producers Ron Howard and Brian Grazer are re-working the basic premise of Parenthood, the 1989 movie starring Steve Martin as a frazzled father trying with all his might to do the right thing for everyone he loves. The New York Times accurately observes, "'Parenthood,' with its polished scripts and beautifully shot exteriors, seems like a last gasp of television past," big-big production values and a cast of small-screen all-stars including Craig T. Nelson, Bonnie Bedelia, and Lauren Graham. "Parenthood's" plots and dialogue exploit the irony in everyday family life, winning empathetic laughs and wry smiles where other teams might push too hard for punchlines. Some of the dialogue has the same brilliant serrated edge that distinguished "Gilmore Girls," but, as Lauren Graham points out, "I do not have to talk so fast." Like all good comedy, the teasing and quirkiness are fundamentally good-natured, and every episode features at least one weep-worthy segment. Because "Parenthood" is not "Modern Family" or "Brothers and Sisters," it has become the rarest of rare productions at NBC"”a hit.

"Black-ish" is a popular American sitcom that premiered in 2014 and is still running. The show is centered around an African-American family, the Johnsons, who live in the wealthy and predominantly white neighborhood of Los Angeles. The series explores issues of race, class, and identity in a comedic way, while also touching on more serious topics.