The Hangover numbers among those very few movies that can lay legitimate claim to the title "instant classic." As contrived, convoluted, twisted, silly, and slapstick as something woven from the three stooges meeting the Marx brothers, "The Hangover" nevertheless maintained its sincerity and inspired audiences' sympathy for the poor slobs they were watching screw-up at every available opportunity. We call that "comic genius.""Can The Hangover Part II possibly reprise the genius and do justice to the original? As the movie went into post-production, Hangover star Bradley Cooper shared his worries, telling The Los Angeles Times, "I'd be lying if I said I wasn't trepidatious." The el dos, the original characters travel to Bangkok, which Cooper characterized as "Las Vegas on steroids." Stu once again is scheduled for nuptials, and he has pre-empted a bachelor party rerun by scheduling a proper, safe, conservative pre-wedding brunch. Of course, the words "yeah, right" come to mind. The studio says, "What happens in Vegas may stay in Vegas, but what happens in Bangkok can't even be imagined.""Cooper assuages his own and the audience's trepidations, claiming, ": "The script was better than the first one. The scope is larger. [Shooting it] went smoother than it did the first time in terms of letting spontaneous moments happen." Devoted fans have their fingers tightly crossed.

A Serious Man is probably the best Coen brothers' movie. It is a hilarious parable disguised as anti-Jewish satire. The being Jewish, for authors, is not so much the subject as an occasion for much more interesting and witty conversation. The object of their ridicule is certainly neither the American Tzadik not the Jewish community as a whole, and certainly not God-seeking, but in itself painful mistrust inherent Semites. In general, it seems that anyone with the words "Bar Mitzvah" and "Dibbuk" aches nostalgic parts of the brain, "A Serious Man" will become perhaps the most hilarious film of the year, and this is the important detail in the case with Cohen's. In essence, "A Serious Man," this is "The Simpsons Movie" translated into the universal language of cinema as an everyday way of perceiving the infinite series of pleasant wonders.

The super-smart but tragically nerdy kids go to Harvard; the wise-ass geniuses go to Yale. Natalie Portman went to Yale. Therefore, no one should feel at all surprised that Portman can follow a brilliant and breathtaking performance in Black Swan with a charming and lighthearted romp through No Strings Attached. The bitter and brutal ballet movie showed critics and audiences just how smart, sensitive, and psychotic Portman can become when a role demands manic intensity. One critic commented, "She always has been good, but now we know the woman actually can act—except she is so good we forget she is acting." No Strings Attached proves Portman's range, and it satisfies her concern that Hollywood produces far too few "vulgar" comedies for women by women and starring women."No Strings Attached gained director Ivan Reitman's attention when it qualified for the 2009 "Hollywood Blacklist," a studio executive's annual collection of the best scripts that have failed to make the cut at every major studio. The writers pitched No Strings Attached in a single sentence: "A guy and a girl struggle to have an exclusively sexual relationship as they both come to realize they want much more." Although the plot seems painfully thin, irony, sentiment, and humor alloy the script. Natalie Portman and Ashton Kutcher punctuate and pixelate the post-modern era's answer to Doris Day and Rock Hudson, delivering a sweetly satisfying Valentine's Day confection. Apparently, at Yale, students learn never to take themselves or their obvious brilliance too seriously.

Fool's Gold is a 2008 romantic comedy film directed by Andy Tennant. The movie stars Matthew McConaughey and Kate Hudson as a divorced couple who reunite in pursuit of a sunken treasure. The film takes place in the Caribbean and follows the couple as they navigate their complicated relationship while facing dangerous obstacles and rival treasure hunters.

There is no unique conflict in Did You Hear About the Morgans? movie and rather expected gags: Hugh Grant is trying to chop wood, Parker is trying to milk the cow, together they shoot a gun, etc. Nevertheless, the golden rule of romantic comedy - that Hugh Grant will pull out any film in this genre continues to operate, despite his imminent fiftieth anniversary. And with fresh American female partners with whom Hugh seems to work best: Sarah Jessica Parker, the one who was missing in a row with Andie MacDowell, Sandra Bullock, Renee Zellweger and others. There is no chemistry between the actors, but there is no need in this, that's another story…

Led by Natalie Portman, who recently complained to Vogue, "Women…are generally not allowed to be beautiful and funny, and certainly not vulgar," makers of films for women and women film-makers have launched an intensely iconoclastic initiative toward genuinely funny feminine films. Bridesmaids has potential to become a landmark in that initiative, primarily because it is genuinely funny—as in genuinely, authentically, undeniably, unequivocally, unashamedly, and unabashedly laugh-out-loud funny."Led by Kristen Wiig of "SNL" fame and featuring "a veritable herd of hilarious women," Bridesmaids bravely ventures into an admittedly over-worked premise, marking the latest reprise of the whole high-end wedding and frustrated bridesmaid fiasco; but it comes out with something genuinely fresh. Instead of thinking Bridemaids is a little weak on plot, think of it as "episodic" and focused on its principal theme—shenanigans. With co-conspirators Ellie Kemper, Maya Rudolph, Melissa McCarthy, and Rose Byrne fuelling the funny, the movie-makers refuse to go sappy rom-com. Instead, Bridemaids delivers all the guy-stuff staples redone for girls, including an unruly bunch of puppies, a car chase, a tennis ball to a delicate body-spot, and a party-planning summit gone terribly wrong.