Airplane! is a 1980 American parody film directed by Jim Abrahams, David Zucker, and Jerry Zucker. It is a parody of the disaster film genre, particularly the 1957 film Zero Hour!, from which it borrows the plot and characterizations. The film stars Robert Hays and Julie Hagerty and features Leslie Nielsen, Robert Stack, Lloyd Bridges, Peter Graves, and Kareem Abdul-Jabbar in supporting roles.

Cooties is a 2014 horror-comedy film directed by Jonathan Milott and Cary Murnion. The movie follows a group of teachers who must band together to survive after a virus transforms the children in their elementary school into savage, flesh-eating monsters. The teachers must navigate the chaos and danger while also confronting their own personal demons.

"Pee-wee's Big Adventure" is a 1985 comedy film directed by Tim Burton and starring Paul Reubens as the titular character, Pee-wee Herman. The movie follows Pee-wee as he embarks on a cross-country adventure to recover his stolen bicycle, encountering a variety of quirky characters and strange situations along the way.

Mister Roberts is a 1955 American comedy-drama film directed by John Ford and Mervyn LeRoy. It is based on the 1946 play of the same name by Thomas Heggen and Joshua Logan. The movie follows the misadventures of the crew of a cargo ship during World War II. The titular character, Lieutenant Roberts, is a charismatic officer who chafes under the tyrannical rule of his commanding officer, Captain Morton. Roberts dreams of being transferred to a combat ship, but is stuck on the cargo vessel due to his popularity among the crew.

Mermaids is a 1990 American comedy-drama film directed by Richard Benjamin. The film stars Cher as Rachel Flax, a single mother who moves with her two daughters, played by Winona Ryder and Christina Ricci, to a new town in Massachusetts in the early 1960s. The film follows the family as they navigate the challenges of growing up and coming of age.

The super-smart but tragically nerdy kids go to Harvard; the wise-ass geniuses go to Yale. Natalie Portman went to Yale. Therefore, no one should feel at all surprised that Portman can follow a brilliant and breathtaking performance in Black Swan with a charming and lighthearted romp through No Strings Attached. The bitter and brutal ballet movie showed critics and audiences just how smart, sensitive, and psychotic Portman can become when a role demands manic intensity. One critic commented, "She always has been good, but now we know the woman actually can act—except she is so good we forget she is acting." No Strings Attached proves Portman's range, and it satisfies her concern that Hollywood produces far too few "vulgar" comedies for women by women and starring women."No Strings Attached gained director Ivan Reitman's attention when it qualified for the 2009 "Hollywood Blacklist," a studio executive's annual collection of the best scripts that have failed to make the cut at every major studio. The writers pitched No Strings Attached in a single sentence: "A guy and a girl struggle to have an exclusively sexual relationship as they both come to realize they want much more." Although the plot seems painfully thin, irony, sentiment, and humor alloy the script. Natalie Portman and Ashton Kutcher punctuate and pixelate the post-modern era's answer to Doris Day and Rock Hudson, delivering a sweetly satisfying Valentine's Day confection. Apparently, at Yale, students learn never to take themselves or their obvious brilliance too seriously.