The Peacock film's main protagonist is John Skillpa, who lives in the small town of Peacock, Nebraska. After the death of his domineering and cruel mother, he begins to change into her clothes, and wear a wig. The image of women John live much easier, she - sociable and charming, and he - is closed in itself and does not see the meaning of life. So flows the everyday life of, until near his home is no railway accident: in his court enters a train off the rails. People who have run away to see if everything is OK, and finding it in a dress. His old girlfriend, Maggie reads about this case reads in the newspaper and comes to John, asking to help her with money. In the course of the film turns out that Maggie and John met three years ago, thanks to his mother, who saw the Maggie's need of money, and asked her to meet with his son, and paid for it. John finally gets tangled in his own life, and decides to fake his own death…

Law Abiding Citizen leaves a pleasant impression. The plot is clearly teetering on the brink between a protracted legal thriller and a frightening story about the cunning maniac who is not led by the hedge, and which cleverly uses a loophole in the system of American Justice. There is no satire in Law Abiding Citizen's plot. Despite the presence of mayor, many lawyers and lots of advocates in the the F. Gary Gray movie., it is just a fascinating story about a man who put the personality over the system. Put and won.

"Year of the Dragon" is a 1985 crime thriller film directed by Michael Cimino. The story follows Stanley White, a New York City police detective assigned to combat the growing influence of Chinese organized crime in Chinatown. As he delves deeper into the criminal underworld, he becomes entangled in a dangerous game of power, corruption, and cultural clashes.

Tenderness tells a story of Eric Komenko, who just released from juvenile prison. He murdered his parents in a state of affect; and now goes on a journey, seeking the new adventures. Laura, the quaint girl who felt in love with Eric, unexpectedly appears in his car, becoming an uninvited fellow traveler. A retired Lt. Cristofuoro, convinced of his guilt and the propensity to murder follows Eric Komenko. What awaits them all at the endpoint of the path? One of them runs away from pain, but who is chasing a new pleasure?

Directed by Louis Leterrier and filmed on screenplay written by Ed Solomon, Boaz Yakinand Edward Ricourt, Now You See Me follows a strange sequence of events centered on weird show group of magicians named The Four Horsemen. Their show features neither rabbits out of top hat nor playing cards out of sleeves. There is something much more valued by audience in modern world than these old fashioned tricks, and The Four Horsemen have a proposition for this demand. Meet their tricks: a real bank robbery, a million dollars heist, a white collar blackmailing. How it's possible to be real? The question that demands some non-magic answers, at least such question has FBI – and these guys will play hard to get an answer. The stakes are raising when magic hunters get to know that weird magicians have some plan to shock the audience with their next incredibly risky yet audacious robbery has ever happened in the history of FBI, the robbery that probably will occupy number one in The Hall of Fame of Robberies, if such ever existed. Unfortunately, the attempts of FBI agents to discover what are really standing behind the magic tricks break on their suspiciousness to each other. Finally, as the day X comes closer they decide to ask for help from world most known magic mythbusters, with ambiguous reputation Thaddeus (played by Morgan Freeman). The greatest crime of the century is about to happen, however neither FBI agents, not Thaddeus are approached a step closer to unlock the puzzle of The Four Horsemen's riddle. What is this- a double-cross of one agent, Thaddeus' betrayal or … real magic? Besides the twisted plot we have great pleasure to watch an unparalleled play of actors. Besides abovementioned Morgan Freeman, Now You See Me stars some truly superior actors: Dave Franco (Warm Bodies, 21 Jump Street, Fright Night), Isla Fisher (Desperados, The Great Gatsby, Rise of the Guardians, Bachelorette) and Jesse Eisenberg (To Rome with Love, 30 Minutes or Less, The Social Network.)

Werner Herzog's Bad Lieutenant: Port of Call New Orleans is a hymn to the absurd and total irrationality of everything. You can feel itwhen you are on the way of your own self-destruction, when the moral imperatives are thrown in the trash, and the place occupied by sleeping rational naughty and daring instincts. It is paradoxical but true: it is Herzog managed to break Nicolas Cage's (with rare perseverance ruin their once-glorious career) familiar mask of grief and sorrow. In fact, this local success is a mirror image of director's methods of the maestro.