Brothers is a film of halftones, notes on the margins, where the beauty is in the Details. But, like many other such intricate work, the film seemed not over: cut off in mid-sentence. The brothers conflict ends with the simple phrase. Sam's internal conflict, the break of conscience after capture in Afghanistan is just honesty. From this point of view Brothers are perceived only a demonstration of acting, the spectacular, of course, but still remaining essentially "the casting". Psychological observations, the reliability of the details and fine texture of the characters are the wonderful elements of the movie, but really outstanding masterpieces are crowned with the point, not the dots.

In the year of 1939, the King and Queen of United Kingdom, George VI and Elizabeth Bowes-Lyon are visiting New York to seek the help from America in a forthcoming War with Germany. The success of their voyage is totally dependent on negotiation with the President of the United States, Franklin Delano Roosevelt who has invited the Royals to his residence - Hyde Park on Hudson. Meanwhile, FDR himself is experiencing hard times with domestic policy and low ratings of trust. The situation is even getting worse when Margaret Suckley, a Roosevelt's mistress and distant cousin joins him alongside with his wife and children to ensure the pleasant stay of royal couple during the weekend. This crucial parley is going to turn out to be the fateful pivot point both of the world history and FDR and Margaret relationships. Few people know ins and outs of this historical meeting and Roger Michell's movie, Hyde Park on Hudson, unfolds the truth about it. It showcases lots of funny moments (just imagine facial expression of Royals, when Margaret announces hot dogs as main dish of the lunch), misapprehensions at the edge of fouls and lots of other objectionable situations FDR and Margaret masterly get out from. The right chemistry between the perfectly selected actors and actress make this movie definitely delicious and easy to watch. Franklin D. Roosevelt is portrayed by Bill Murray. Laura Linney plays Margaret Suckley while Olivia Williams plays Eleanor Roosevelt, FRD's wife. The Royal couple is played by Olivia Colman as Queen Elizabeth and Samuel West as King George VI.

A Streetcar Named Desire is a 1951 film adaptation of Tennessee Williams' play of the same name. Directed by Elia Kazan, the film stars Marlon Brando, Vivien Leigh, and Kim Hunter, who all reprised their roles from the Broadway production. The film tells the story of Blanche DuBois, a former schoolteacher who moves to New Orleans to live with her sister and brother-in-law. Blanche's fragile mental state and troubled past clash with the harsh realities of her sister's working-class life, ultimately leading to tragedy.

Making it into somewhat of a Hatfields vs the McCoys story told Albanian style is The Forgiveness of Blood. Territorial rights along with family honor are long traditions of many nations and in this film we find that conflicts over land owned by families for generations never seem to become resolved, resulting in violence and a blood feud may be the result. Joshua Marston and Albanian Andamion Murataj weave a tale that is absorbing and honest, comparing old fashioned laws and rules against the younger generation's more modern approach to those age old traditions.ark, played by Refet Abazi (The Berlin Project) is a bread delivery man who uses a horse and cart on his daily route. When he is killed because he trespasses on land as he travels his daily route, the daughter Rudina, played by newcomer Sindi Lacej, must set aside her high school life and take over the route which is the family livelihood. An age old tale of property dispute and family traditions, The Forgiveness of Blood is an absorbing story of old verses new ways of life in Albania.

"Oliver Twist" is a British drama movie released in 1948, directed by David Lean. The movie is based on the classic novel by Charles Dickens and tells the story of a young orphan named Oliver Twist who falls in with a group of thieves and criminals in 19th century London. The movie explores themes of poverty, social injustice, and the struggle for survival in a harsh and unforgiving world.

Enter the Void movie features an awesome special cinematographic experiment. From the start of the film we are looking at the world through the eyes of its protagonist Oscar (Nathaniel Brown). When he blinks, the picture disappears. His thoughts, we hear his voice-overs. The story begins in a small, cramped Tokyo apartment. The balcony shows us a view at the busy street. A bright sign «ENTER» is on the other side of the road. Oscar calls Linda (his sister) and pointing to a flying airplane in the sky, said that he would like to see Tokyo from a height. She replied that she would be scared. He asks her: "What are you afraid?". She says: "Death, I suppose. Falling into the void. " Then the hero picks up a book and we see the Tibetan Book of the Dead closeup. He says he gave it to honor his friend Alex. His sister is skeptical, calling him "upright". Then she says goodbye and leaves. Left alone, Oscar takes a dose of DMT. The next five minutes we are enjoying special effects, revealing the visions of the hero. Of the trip he takes a phone call. His friend Victor calls. He wants Oscar to bring him his stuff and says that awaits him at the Void title bar. Oscar hardly wakes up and there suddenly comes Alex. The meantime, he asked about the Book of the Dead, to which Oscar replied that he reads it and likes. Alex in the conversation makes it clear that he likes the sister of Oscar. They leave the apartment and sent into the Void. On the way Alex tells Oscar his own version of the Tibetan Book of the Dead story. Then he advises Oscar to stop selling drugs and get a job. When they are reached the Void title sign, Alex refuses to enter there and promises to wait for an Oscar in the street. The attempt to sell the drugs to Victor ends with Oscar's death, but we are still looking thru his eyes… and there movie begins.