Few of us know that "Olympus" is the Secret Service code for White House. Nevertheless it reveals the base of the plot of Antoine Fuqua's Olympus Has Fallen, the movie about a terrorist attack on most significant government building of America. As terrorists secured their mission and kidnap the President, National Security Team engages with effort to save his life and avert much bigger disaster. Their success depends of Mike Banning's insider knowledge about how security organized around the President and White House. The problem is that Banning was fired some time ago and now is out of the trust. Also few of us know that the same plot was used in Sony Pictures, who was filming White House Down directed by Roland Emmerich in the same time. In this competition of two quite similar films Antoine Fuqua has some advantage expressed in brilliant actors cast. The main hero Mike Banning is played Gerard Butler. You may know him as George in Playing for Keeps or Frosty Hesson in Chasing Mavericks. Another remarkable movie Gerard Butler starred at is Coriolanus. Some of us may remember 300 where Gerard Butler played King Leonidas. As for President Benjamin Asher, Aaron Eckhart (Rabbit Hole, Love Happens, The Dark Knight) secured this role in 2012. Morgan Freeman also stars in the movie as Speaker Trumbull, a man behind the curtain, who took the power when the President was kidnapped.

Starting defiantly with an amateur stamp from the scene of creative clutter in the apartment of the protagonist, "Repo Men", however, are firmly stitched comic fighter, and quite wild, to become a cult movie. Miguel Sapochnik, plays the fool with all his might, but lively intelligence is difficult to conceal. Very soon, pulsating on the screen cyberpunk shows us a director, who with the same warmth loves "RoboCop," Tarkovsky and Pak Chan Wook. Climactic confrontation between good and evil is almost literally copied from the famous scene with the hammer of the "Oldboy"; with the only difference Sapochnik has money for various other small tools, but apparently lacks the skill neither to film it with one big plan nor to cut massacre of hundreds of different plans. It's disappointing, but not disastrous: in the end, the "Repo Men" has lots of other goods.

Captain America: The First Avenger will not be just another one of those "ripped from the comics" movies that have become a 2011 Hollywood staple. No way. "Captain America himself looks remarkably fit for a super-hero who celebrated his seventieth birthday in 2011, and his box office prospects are remarkably sanguine, too. For all those years, Captain America consistently has ranked well-up the list of popular comic characters. Maybe not the sexiest man alive, but a perpetual contender, and always the consummate patriot. Therefore, producers, writers, directors, actors, cinematographers, all the grips, and even the craft services crew understand they have their hands full as they make Captain America: The First Avenger. Their main character is, after all, revered as the United States' bravest, noblest, most-selfless, and greatest hundred-and-one percent hero…ever. "Captain America: The First Avenger tells the story from the beginning. Our hero, Steve Rogers, is rejected for service in World War II—very highly motivated but sadly unfit physically. Determined to serve, Rogers volunteers for "Project: Rebirth," a super-secret project that gives him the ultimate make-over, making him a super-soldier. The brass dub him "Captain America" upon his completion of training. Teaming-up with intrepid sidekick Bucky Barnes, "The First Avenger" kicks some serious Nazi butt as he fights "Red Skull," director of advanced weaponry for the Reich. Well-funded, well cast, well-scripted, Captain America: The First Avenger promises to kick some serious box office butt in the summer of 2011, putting all those other comic movies to shame.

James Cameron returns to the sea, showing in three dimensions how a deep-sea cave-diving team descends into a previously unexplored cave system—the largest, most beautiful, most complex, and least accessible on Earth. There, explorers suddenly face the challenge to become survivors. Adapted from the real-life adventure of the screenplay's co-writer, Andrew Wight, Sanctum movie pays homage to the ocean's sublimity before it tears the mask off its monumental power. Richard Roxburgh, suitably daring and dashing, plays expedition leader Frank McGuire, who skillfully leads the team through months of exploration until a tropical storm cuts-off their exit, forcing them deeper into the caves in search of an escape. Struggling against raging water, short supplies, and inchoate terror, McGuire, his son Josh, and prominent financier Carl Hurley must make their way through a magnificent and menacing maze hoping against hope they will survive. Cameron had to work his magic on a relatively modest $30million budget, but director Alister Grierson and cinematographer Jules O'Loughlin bring out the best in the fine ensemble cast and make the most of Mother Nature's dramatic setting.

Straight out of the DC Comics we find that Batman is back for yet another installment of the series brought to us by Christopher Nolan, writer, producer, as well as director. This is the third and supposedly last in the series from Nolan. But Batman has been around a long long time and who can say it will ever end?his film concludes the story that began with Batman Begins followed up with The Dark Knight and finally The Dark Knight Rises. And they will tell us the villain will not be either the Riddler or Mr. Freeze. Brother to Christopher, Jonathan Nolan is involved with script writing this time around and between the two they have plenty of plot twists and turns to keep us thoroughly entertained once again.tarring Christian Bale (Batman Begins, The Dark Knight, Terminator Salvation) as Bruce Wayne/Batman, that billionaire socialite who deems it his priority to keep Gotham City free from crime. Also starring are Sir Michael Caine (Inception, Alfie) as Alfred Pennyworth Bruce Wayne's advisor and butler, Gary Oldman (Red Riding Hood, The Book of Eli) as Gotham City Commissioner of Police James Gordon. Included in the cast are Anne Hathaway and Morgan Freeman.

Nicholas Cage proves his special gift for keeping the paychecks coming, teaming up with the director of My Bloody Valentine for Drive Angry 3D, due in theaters early in February, 2011. The promotional materials seem a little ambivalent or ambiguous about the film's supernatural element: Cage supposedly has escaped from Hell to avenge his daughter's murder and rescue his infant grand-daughter from sacrifice at the hands of a devil-worshipping cult. Of course, "The Accountant," one of Satan's executive demons, pursues Cage as he drives angrily across a hostile landscape in hot pursuit of bad guys and redemption. Many of the synopses omit the demonic content, perhaps because it has very little impact on the characters, situations, or plot. Three classic American muscle cars actually star in Drive Angry 3D, exuding at least as much sex appeal as Charlotte Ross, who delivers a soon-to-be-legendary sex-and-violence vignette between Cage's angry driving sequences. What's not to love about a 1964 Buick Riviera, a 1969 Dodge Charger, and a 1971 Chevy Malibu all muscled-up and chromed for the occasion? Regardless of critics' and audiences' reaction to Drive Angry 3D, film historians may use the film as compelling evidence in support of their argument 3D definitely makes a film's imagery more vivid but does not automatically improve its content or redeem it as a work of art.