"Pearl Harbor" is a war drama movie released in 2001, directed by Michael Bay. The movie is based on the real-life events of the attack on Pearl Harbor during World War II. The story follows two childhood friends, Rafe McCawley and Danny Walker, who both fall in love with the same nurse, Evelyn Johnson. As they prepare to fight in the war, their friendship and love for Evelyn are tested.

Bullet to the Head is the next Sylvester Stallone's attempt to revive nostalgic feelings of steroid-action movies of 80'. Based on Alexis Nolent's graphic novel Du Plomb Dans La Tete (which could be translated from French exactly like "Bullet to the Head" or "Lead In The Head" as per Google Translator's version) movie's script was rewritten for several times (Sylvester Stallone's is one of the co-authors of storyline) until it was accepted by Warner Brothers. The film's cast is well-thought-out too; while Sylvester Stallone plays Jimmy Bobo a New Orleans hitman witnessed murdering of his partners, Sung Kang plays a cop Taylor Kwon, whose partners were killed too. Teamed up with each other in a kind of unnatural but tough alliance they seek vengeance for these deaths and finally discover a powerful MOB group well accreted in corrupted authority bodies of United States of America. If you've ever thought that 66 is the age closer to cemetery than to Hollywood, you have to take a look on Sylvester Stallone's body – he looks even more "in mood" than at the dawn of his fame. As for Sung Kang, you are probably familiar with most of his filmography which includes such well known films like Fast Five and Fast & Furious 4.

Captain America: The First Avenger will not be just another one of those "ripped from the comics" movies that have become a 2011 Hollywood staple. No way. "Captain America himself looks remarkably fit for a super-hero who celebrated his seventieth birthday in 2011, and his box office prospects are remarkably sanguine, too. For all those years, Captain America consistently has ranked well-up the list of popular comic characters. Maybe not the sexiest man alive, but a perpetual contender, and always the consummate patriot. Therefore, producers, writers, directors, actors, cinematographers, all the grips, and even the craft services crew understand they have their hands full as they make Captain America: The First Avenger. Their main character is, after all, revered as the United States' bravest, noblest, most-selfless, and greatest hundred-and-one percent hero…ever. "Captain America: The First Avenger tells the story from the beginning. Our hero, Steve Rogers, is rejected for service in World War II—very highly motivated but sadly unfit physically. Determined to serve, Rogers volunteers for "Project: Rebirth," a super-secret project that gives him the ultimate make-over, making him a super-soldier. The brass dub him "Captain America" upon his completion of training. Teaming-up with intrepid sidekick Bucky Barnes, "The First Avenger" kicks some serious Nazi butt as he fights "Red Skull," director of advanced weaponry for the Reich. Well-funded, well cast, well-scripted, Captain America: The First Avenger promises to kick some serious box office butt in the summer of 2011, putting all those other comic movies to shame.

Sucker Punch movie makes five girls the somewhat reluctant heroines of an epic action fantasy drawn from the main character's imagination. Baby-Doll has been wrongly confined in a mental institution, but she uses her powers of mind to escape her grim circumstances. When her dreams and fantasies no longer console her, Baby-Doll persuades four other girls to join in her attempt to escape captivity. Emily Browning stars as Baby-Doll; Jena Malone, Vanessa Hudgens, Jamie Chung, and Abbie Cornish complete the well-chosen ensemble cast. The five of them leave no doubt about the meaning of "girl power.""Director Zack Snyder describes Sucker Punch as "Alice in Wonderland with machine guns." In the course of their adventures, the girls engage everything from samurais to serpents in fantastic warfare, drawing from a robust virtual arsenal. The five sisters-in-arms face difficult choices about how much feel willing to sacrifice in order to stay alive. Wiseman, however, gives sage guidance, always suggesting that if the girls survive, their journey will set them free. Co-director Deborah Snyder brings the flight of fantasy back down to earth, saying, "In the end, it's about this girl's survival and what she needs to do to be able to cope."

A genuinely suspenseful thriller featuring accomplished actresses in uncharacteristic roles, Hanna combines the considerable talents of Saoirse Roana, notable for her compelling performance in The Lovely Bones, and Academy Award winner Cate Blanchett. No longer a long-suffering ingénue, Ms. Roana plays Hanna herself, "the perfect killing machine," and Ms. Blanchett plays a ruthless intelligence agent with clear family ties to Cruella DeVille, Ma Barker, Catherine Tramell, and other stellar sociopaths. "Please suspend disbelief for Hanna's fundamental premise: Hanna's father, formerly CIA and now resident of Finland's rugged frontier, has trained his daughter to become the consummate assassin. Whether or not you find it plausible, you must admit it's not a bad idea: Who ever would suspect the innocent abroad would be hell-bent on killing? Well, okay, who but Blanchett's character? As Hanna evades capture and approaches her ultimate target, she discovers a character attribute which feels and acts surprisingly like a conscience. Remember the time-honoured themes in modern literature—good versus evil, and character versus his or her own human nature? Hanna updates and intensifies those themes in a well-paced, white-knuckle post-modern, girl-power package.

Nicholas Cage proves his special gift for keeping the paychecks coming, teaming up with the director of My Bloody Valentine for Drive Angry 3D, due in theaters early in February, 2011. The promotional materials seem a little ambivalent or ambiguous about the film's supernatural element: Cage supposedly has escaped from Hell to avenge his daughter's murder and rescue his infant grand-daughter from sacrifice at the hands of a devil-worshipping cult. Of course, "The Accountant," one of Satan's executive demons, pursues Cage as he drives angrily across a hostile landscape in hot pursuit of bad guys and redemption. Many of the synopses omit the demonic content, perhaps because it has very little impact on the characters, situations, or plot. Three classic American muscle cars actually star in Drive Angry 3D, exuding at least as much sex appeal as Charlotte Ross, who delivers a soon-to-be-legendary sex-and-violence vignette between Cage's angry driving sequences. What's not to love about a 1964 Buick Riviera, a 1969 Dodge Charger, and a 1971 Chevy Malibu all muscled-up and chromed for the occasion? Regardless of critics' and audiences' reaction to Drive Angry 3D, film historians may use the film as compelling evidence in support of their argument 3D definitely makes a film's imagery more vivid but does not automatically improve its content or redeem it as a work of art.