If you ever thought that Scary Movie 5 is just a sequel of Scary Movie franchise, you may be wrong. Scary Movie 5 is more than a sequel, it's a more likely a reboot. Consider this: new director Malcolm D. Lee (Soul Men, Roll Bounce, Undercover Brother) and new writer, an iconic David Zucker (The Naked Gun, Airplane! – say "Hello!" to 80s' ). To complete the picture there is no less weird cast. Lindsay Lohan and Charlie Sheen stars as themselves while Ashley Tisdale and Simon Rex play main characters Jody and Den, a young married couple in the center of paranormal activity occurring around them. All you need to know about Ashley Tisdale is that she previously starred mostly in TV series: Phineas and Ferb, Hellcats, The Suite Life of Zack and Cody, Kim Possible and Still Standing. As for Simon Rex his filmography sounds more "impressing" besides Scary Movie 4 and 3 he played Rise, Hotel California Pledge This! and King of the Avenue. So, what about the plot, you may ask. There is no surprise, since "lost footage" and "home surveillance-cameras" styled filming became popular, Scary Movie 5 must be done in the similar way. The story begins when Den and Jody move in their new house with a newborn baby. Strange and frightening things begin to happen in the first night of their staying. Not being able to solve the problem, the couple decides to ask professionals for help. The professionals, personalized in Lindsay Lohan and Charlie Sheen arrive and … you may only imagine what a bizarre begins.

Metropolitan is a 1990 American comedy-drama film written and directed by Whit Stillman. The film follows a group of young socialites in Manhattan's Upper East Side as they navigate the social scene during debutante season. The main character, Tom, is a newcomer to the group who is initially hesitant to participate in their elitist lifestyle but ultimately finds a sense of belonging among his new friends.

It's the 80's in Los Angeles and life seems good. Plenty of cocaine and cash keep the younger set in a party mood and Take Me Home Tonight is what everybody seems to want. Matt Franklin (Topher Grace), a grad from MIT, decides his high paying job is not enough to satisfy and instead takes a job working in a video store as a clerk. Now his parents think he has "flipped out" for sure. He wants his dream girl, Teresa (Tori Frederking) to notice him and things take on a decidedly explosive twist in one night of excessive festivity at a Labor Day party weekend. Matt's best friend, Barry, has been fired and Wendy, his sister, has plans to marry a boring boyfriend named Kyle but all this only makes his own personal crisis seem larger since his beloved Teresa is back in his sights. It all comes to a head when too many excesses prove to have explosive results. Depicting heavy drug use, though common in the 80's, nearly kept Take Me Home Tonight from completion with moral standards of today but Brian Grazer and Ron Howard (Imagine Entertainment) saved the day and many of the cut scenes.

Wayne's World is a 1992 American comedy film directed by Penelope Spheeris and written by Mike Myers, based on his Saturday Night Live sketch of the same name. The film stars Myers in his feature film debut as Wayne Campbell and Dana Carvey as Garth Algar, a pair of rock fans who broadcast a public-access television show. The film also features Rob Lowe, Tia Carrere, Lara Flynn Boyle, Brian Doyle-Murray, Chris Farley, Ed O'Neill, Ione Skye, Meat Loaf, and Alice Cooper. The film was released in the United States on February 14, 1992, by Paramount Pictures.

My Big Fat Greek Wedding is a romantic comedy film that was released in 2002. The film was written by and stars Nia Vardalos and was directed by Joel Zwick. It tells the story of Toula Portokalos, a Greek-American woman who falls in love with a non-Greek man and must navigate the challenges of her traditional Greek family.

She's Having a Baby is a 1988 American romantic comedy film directed and written by John Hughes. The film follows the lives of newlyweds, Jake and Kristy Briggs, as they navigate the ups and downs of married life and face the pressure of starting a family. Jake, a struggling writer, and Kristy, an advertising executive, must deal with both their own doubts and the expectations of their families.