A Streetcar Named Desire is a 1951 film adaptation of Tennessee Williams' play of the same name. Directed by Elia Kazan, the film stars Marlon Brando, Vivien Leigh, and Kim Hunter, who all reprised their roles from the Broadway production. The film tells the story of Blanche DuBois, a former schoolteacher who moves to New Orleans to live with her sister and brother-in-law. Blanche's fragile mental state and troubled past clash with the harsh realities of her sister's working-class life, ultimately leading to tragedy.

It doesn't even matter if you've ever read the novel written by the greatest Russian novelist Leo Tolstoy, or, maybe, you doesn't even heard about Anna Karenina (what is unlikely.) Anyway, this awesome story deserves to be laid on film tape more and more times. And for those, who plans to get an Oscar in this year there are no better way to do it than to make a movie using the unparalleled Tolstoy's masterpiece. The whole plot of the novel has been left intact: the action unfolds in the 19th century Russia, where the social elite have its own rules and traditions, and where adultery is counting as the worst sin ever. In those classy times, the story follows a young woman Anna (Keira Knightley), who is happily married to top-echelon officer Alexei Karenin (Jude Law). She unexpectedly meets the man of her dreams, Count Vronsky (Aaron Johnson) and falls in love with him. Their mutual romantic relationship leads the cinematic adaptation's plot to the predictable dramatic end, where a train plays a crucial and a final role.

When a commercial airline pilot, Whip (Denzel Washington) saves hundreds of lives it seems like his future looks bright and glorious. He managed to land an airplane with both engines damaged. Although the landing was very hard, Whip has showed a virtuoso level of superior flight skills and have saved 98 out of 106 lives on board. After preventing this catastrophe Whip may feel himself like a hero as well as all the Americans treat him; but following investigation set a long row of inconvenient questions that are making Whip's perspectives looking not so bright. To tell the truth, his future seems like he has to be a prisoner who is serving the very long term in a jail rather than an American hero who is resting on its laurels. Furthermore, everything points on the fact that he knows why. Step by step, dialogue by dialogue, as we watch Flight, we learn more about this unfortunate flight and the night before it.

Darren Aronofsky took an almost perfect movie about art, madness and how it is sometimes difficult to distinguish from one another. The most stupid thing you can do with this film - is to try to accuse him of vulgarity or secondary. Black Swan is a movie that with equal success can be compared with the classic Red Shoes of 1948 and Red Shoe Diaries in Saturday's TV - and both will be true. Aronofsky, who after all the applauses has nothing to proof, managed to do something very important in the Black Swan: to return the immediacy for the art-cinema. You can watch Black Swan as an exciting thriller about madness and as a melodrama about hot dancers.

"Casualties of War" is a 1989 American war drama film based on the true story of a group of American soldiers who committed a heinous crime during the Vietnam War. The movie follows the story of Private First Class Max Eriksson, a young soldier who witnesses the abduction, rape, and murder of a Vietnamese girl by his comrades.

Successfully debuted at The Dallas International Film Festival, Liberal Arts is an American romantic-drama film directed by talented Josh Radnor, who not only written a screenplay for the movie by performed the leading role of the Jesse, a lonesome mid-aged university admissions officer who visits his old college in order to honor his ex-mentor. At this pivotal moment of his live he meets a girl, a 19 years old Zibby (the role performed by lovely Elizabeth Olsen, whose sole presence in the film makes it worthy to watch). Zibby and Jesse relationships develop in the way typical for 36-years old mature man and romantic 19-tears old girl, who know nothing about what this world is like. The only thing that makes their relations seemingly not icky is the Jesse serious take of this moral dilemma, which sometimes crossing the border between serious and funny. Especially in the scene when he calculated the deeps of his lapse from virtue: "When I was 19, she was 3; when I was 16 she was 0….hmmm…when I'll be 86, she will be 70" the last equation makes him sort of more easy looking on this hefty age difference (but he, and everyone in the move; and even we understand the point well).