When the Farrelly Brothers set out to make a movie they always go for the humorous and predictable male ego (they're so easy). Guys like Rick (Owen Wilson) and Fred (Jason Sudeikis) are easy to manipulate and their wives certainly know how to "push their buttons". So when these long time best friends, with lots in common, become restless and bored with their home life, it's up to their long suffering wives to find a method of recharging their interest in home life. Both Rick's wife, portrayed by Jenna Fischer, and Jason's wife, played by Christina Applegate know what's on their men's devious little minds and give them a Hall Pass to go out and do whatever they wish for one week. This offering is something the two restless married men find mighty attractive until they realize their wives have plans to do the same thing with their time away from the men in their lives.Soon enough each individual finds their expectations may be set too low. A romantic comedy with great writing and a superb cast make Hall Pass (2011) one to watch and perhaps learn something from the message."

The Perfect Score is a 2004 American teen heist comedy-drama film directed by Brian Robbins. The film follows a group of high school students who conspire to steal the answers to the SAT exam in order to achieve the perfect score. The group includes a diverse range of characters, each with their own motivations for wanting to succeed on the test.

The super-smart but tragically nerdy kids go to Harvard; the wise-ass geniuses go to Yale. Natalie Portman went to Yale. Therefore, no one should feel at all surprised that Portman can follow a brilliant and breathtaking performance in Black Swan with a charming and lighthearted romp through No Strings Attached. The bitter and brutal ballet movie showed critics and audiences just how smart, sensitive, and psychotic Portman can become when a role demands manic intensity. One critic commented, "She always has been good, but now we know the woman actually can act—except she is so good we forget she is acting." No Strings Attached proves Portman's range, and it satisfies her concern that Hollywood produces far too few "vulgar" comedies for women by women and starring women."No Strings Attached gained director Ivan Reitman's attention when it qualified for the 2009 "Hollywood Blacklist," a studio executive's annual collection of the best scripts that have failed to make the cut at every major studio. The writers pitched No Strings Attached in a single sentence: "A guy and a girl struggle to have an exclusively sexual relationship as they both come to realize they want much more." Although the plot seems painfully thin, irony, sentiment, and humor alloy the script. Natalie Portman and Ashton Kutcher punctuate and pixelate the post-modern era's answer to Doris Day and Rock Hudson, delivering a sweetly satisfying Valentine's Day confection. Apparently, at Yale, students learn never to take themselves or their obvious brilliance too seriously.

A Serious Man is probably the best Coen brothers' movie. It is a hilarious parable disguised as anti-Jewish satire. The being Jewish, for authors, is not so much the subject as an occasion for much more interesting and witty conversation. The object of their ridicule is certainly neither the American Tzadik not the Jewish community as a whole, and certainly not God-seeking, but in itself painful mistrust inherent Semites. In general, it seems that anyone with the words "Bar Mitzvah" and "Dibbuk" aches nostalgic parts of the brain, "A Serious Man" will become perhaps the most hilarious film of the year, and this is the important detail in the case with Cohen's. In essence, "A Serious Man," this is "The Simpsons Movie" translated into the universal language of cinema as an everyday way of perceiving the infinite series of pleasant wonders.

Hangover immediately knocks down by the hurricane humor. Is not always this sense of humor is bontone, but almost always successful. Hangover is a movie with a very clever composition and structure: there are amazing flash backing vocals, and the action that evolves backwards-ahead, there are a lot of plot quirks that did not tangle, but for sure amaze you. From the standpoint of the movie formal construction of the picture it's just brilliant. There is a very clear role differentiation: each character is an expression of a prejudice, a walking stereotype, which manifests itself in different situations so predictable and therefore all the film looks like parody.

The Stellar Cast of The Big Wedding needs to be written in capitals. See yourself: Robert De Niro, Diane Keaton, Katherine Heigl, Amanda Seyfried, Topher Grace, Robin Williams. They will not agree to act in bad film for sure, even for big monies (but how knows?). However it does not mean that Justin Zackham's The Big Wedding will take a honorable place in line alongside with The Matrix, Avatar and Titanic, but let us ensure you the movie is worth watching. A moderately twisted and indefinitely poignant plot tells us a story of family that unites for wedding and the problem is that mother and father of their adopted wedding child are not a married couple for a very long time. Faced to unexpected arrival of their son's biological mother they try to fake their relationships pretending of lovely and happy married couple to total amusement of their guests. But if you dare to believe that this "pretending" is most difficult task for them to complete - you are mistaken. There is much more infeasible mission: not to kill each other in the process…