Nanny McPhee Returns or "Nanny McPhee and the Big Bang" (as an UK title), is a comedy sequel movie, based on the novels by Christianna Brand. In the "Nanny McPhee Returns", Emma Thompson returns in the role of magical nanny that appears just when needed most. This is the second part of the fun and touching tale about captivated children all around the world. Since the events in the first film was about a hundred years ago, Nanny McPhee appears on the doorstep bewildered young mother Isabelle Greene, who tries to manage the family farm alone, without her husband, who went to war. Nurse learns that the children staged a war against their cousins, who had recently arrived from the city. Nanny McPhee will be using all of its terrible magic (flying bicycle, comes to life statue, elephant, etc.) to teach the kids gone too far, five new lessons…

Think of Prom as High School Musical with heavy doses of teen-aged angst. Summarizing Prom in frighteningly reductive terms, Disney says, "A group of teenagers get ready for their high school prom," and the producers list it simultaneously as "comedy" and "drama." If you read only that description, you easily could conclude Prom dramatizes debutantes' struggles with mascara and up-dos. To her everlasting credit, Aimee Teegarden, veteran of heavy high school drama in "Friday Night Lights," goes a long way toward redeeming Prom from its awkward identity crisis. With a properly delicate and ironic touch, Ms. Teegarden effectively captures every sophisticated senior's inchoate recognition that "valedictory" means farewell and "commencement" is a synonym for "see ya." "Nova, Ms. Teegarden's allegorically named character, recognizes her pet antagonist probably is the ideal prom date, heavy on the fun factor and devoted to keeping rented tuxedos and poofy dresses in perspective. The unlikely pair contrasts sharply with Mei and Tyler, swept-away sweethearts, who wrestle with conscience and logistics as they work to wring every last micro-gram of meaning and romance from "the biggest night of their lives.""Set for release the last weekend of April, 2011, Prom may or may not set the tone for the Class of 2011's dining and dancing extravaganzas, but it surely will provide invaluable fashion and etiquette tips.

Creators of Jennifer's Body, directed by Karen Kusama and screenwriter Diablo Cody is clearly remember what it means being a teenage girl. And their film is funny, witty, energetic, a bit bloody, first of inspired by their own experience. That is, performance in the genre of "Of What Girls Made" looks extremely convincing; plus this cheerful tone, dashing suspense and absolutely delightful secondary line of the local indie rock group, responsible for most Homeric-comic scene of the movie, and we will come to joyful conclusion: Diablo Cody succeeded again.

There is a Frank Oz film "Death at a Funeral" of 2007 which stills is one of the best comedies ever. And there is the Nile LaBute's remake "Death at a Funeral" of 2010 which as it turned out was not confounded the original, and at one point even outrides it. Screenwriter of both projects is the same Craig Dean, so you should not expect the different approach to story. Hence, a logical question: Why? Why was it necessary to do all the same, just change the white English actors on the better-known for global audience the black American stars, without even changing one of the key roles Peter Dinklage as a short blackmailer here and there?

My Life as a Dog is a 1985 Swedish drama film directed by Lasse Hallström. The film follows a young boy named Ingemar who is sent to live with his uncle and his family in a small town in Sweden while his mother is ill. The film explores themes of childhood, loss, and coming of age as Ingemar learns to cope with the challenges of his new life.

"To Be or Not to Be" is a 1983 comedy film directed by Alan Johnson and starring Mel Brooks and Anne Bancroft. The movie is a remake of a 1942 film of the same name and follows a group of actors in Nazi-occupied Warsaw who use their theater skills to deceive and outwit the occupying forces.