In a more sophisticated "golden age" when American public schools actually taught people to read, Hollywood made movies from literature—Grapes of Wrath, for example, or To Have and Have Not. According to Oliver Stone, in the 1990s, film became the literature of the age. In 2011, driven by a fetish for "CG integration," Hollywood adopted the comic book as its model of choice. Not "the graphic novel," which has a slightly more elevated ring to it. No. The comic book. "Comic book novices may have difficulty differentiating their Green super-heroes: The Green Lantern does not attract The Green Hornet as moth to flame. Green Lantern may, however, attract almost as many teen girls as teen geeks, because it features Ryan Reynolds, People Magazine's sexiest man, archetype of "obscenely cut" abs. Critics already have remarked and documented strong similarities between Green Lantern and the IronMan series. Given its comic book origins, you know how Green Lantern goes: Cocky gonna-be super-hero must grow into and take responsibility for his super-powers. He becomes part of an inter-galactic super-squadron charged to protect and serve the universe. Of course, hard-rockin' soundtrack and jaw-droppingly attractive women, both good and evil, accompany him wherever he goes. "After summer's spate of cartoon movies, literate viewers may wax nostalgic for Hemingway in collaboration with Bogart and Steinbeck inspiring Henry Fonda.

"The Transporter Refueled" is an action movie released in 2015, directed by Camille Delamarre. The movie follows Frank Martin, a former special-ops mercenary who now works as a driver-for-hire. He is hired by a group of women to help them rob a bank in order to take down a Russian kingpin who is responsible for their past grievances.

Ryan Gosling (The Notebook, Lars and the Real Girl) is the Driver who decides his day job as stunt driver in movies is not fulfilling enough decides to do some "moonlighting" while making use of his driving abilities. He becomes a wheelman for mobsters and when he learns there is a contract out on his own life must flee. he movie has many similarities to such top action flicks as Bullett (starring Steve McQueen), The Driver (starred Ryan O'Neal), and even Two Lane Blacktop (starring Warren Oats and James Taylor). hile the driver, Gosling, does not have much to say, he performs well when behind the wheel. His latest heist however went terribly wrong and now he needs to evade those who want him to pay for his mistakes. The movie is supposed to show a softer side of this "bad guy", and even thought there is limited dialog from him he presents himself as a shiny knight wanting only to do good. Drive also stars Carey Mulligan as Irene, Albert Brooks as Bernie Rose, and Ron Perlman as Nino.

James "Jim" (Patrick) Caviezel, Jr. adequately coped with the important mission, proving that may look quite organically in the struggles and, most importantly, clearly demonstrate the seasoned, indomitable will, indeed befitting the leader of the inhabitants of northern lands. In practice the Outlander turn to be Alien or Foreigner, arranging a highly desirable and even necessary earthquake for the creators of action packed movies who amicably believed in their inability to create something original, to surpass the existing standards of entertainment. Just as Old Norse language sounded firstly, adventure of the film was enriched by the fresh, young and hot blooded action. Howard McCain does not destroy the traditions he even fills it with vivifying force.

Starting defiantly with an amateur stamp from the scene of creative clutter in the apartment of the protagonist, "Repo Men", however, are firmly stitched comic fighter, and quite wild, to become a cult movie. Miguel Sapochnik, plays the fool with all his might, but lively intelligence is difficult to conceal. Very soon, pulsating on the screen cyberpunk shows us a director, who with the same warmth loves "RoboCop," Tarkovsky and Pak Chan Wook. Climactic confrontation between good and evil is almost literally copied from the famous scene with the hammer of the "Oldboy"; with the only difference Sapochnik has money for various other small tools, but apparently lacks the skill neither to film it with one big plan nor to cut massacre of hundreds of different plans. It's disappointing, but not disastrous: in the end, the "Repo Men" has lots of other goods.

After a Nuclear Apocalypse, the Earth lies in the ruins. Its major territory turned into radioactive desert inhabited by dangerous tribes of mutants. The only "civilized" live could be found in so-called Mega-Cities, where the rest of the humanity tries to survive in massacre fighting with each other for resources, money and drugs. Violent crime wars have achieved their apogee, when the new drug named SLO-MO was invented. This new dope heavily alters reality slowing everything around you in ten times. After taking a doze you can even notice slow motion of particles of smoke vibrating in the fume of your cigar. This happens because your mind and perception accelerates and runs in ten times faster making everything in front of you moving slowly, that's why the stuff was named SLO-MO. The woman standing behind the invention and distributing the drug, Ma-Ma (Lena Headey) is going to take control over the entire Mega-City One making the whole its population addicted to her new invention. In this near the state of war situation, two cops (or how they are called in future, Judges) one veteran Judge Dredd (Karl Urban) and one newbie Judge Anderson (Olivia Thirlby) tries to stop Ma-Ma before her dream to gain the control over the city population will come true. In post-apocalyptic future, where traditional principles of judgment are forceless, Judges are endowed with the power to capture, arrest, judge and execute any criminal they encounter. Sometimes all these actions take no more than a second between arrest and execution.