A murder ring, consisting of four Southern Australian men, were convicted of murdering at least twelve people between 1991 and 1999. They used knives, rope, as well as a double barreled shotgun to kill then sawed some bodies up, stuffed them into barrels and added acid to dissolve the evidence. It's difficult to imagine a more heinous group of humans who tortured and then killed others for their social security and pension money or simply because they didn't like their way of life. Some of the victims were apparently gay or obese or even drug users and were known by their murderers. Most of the bodies were stored in an old bank building in Snowtown and a few more were found buried in a Salibury North backyard. John Justin Bunting, a psychopathic killer, was the apparent leader of the group and has been sentenced to multiple life terms. The other members of the "death squad" include Robert Joe Wagner who allowed Bunting to talk him into participating in the murder spree. Also Mark Ray Haydon, who helped dispose of the bodies and James Spyridon Vlassakis who, along with his half brother and his mother, were found guilty of torturing and murdering several of the victims. The film is made even more gruesome by the fact it is based on fact!

Ghost Dog: The Way of the Samurai is a 1999 crime film directed by Jim Jarmusch. The movie tells the story of a hitman named Ghost Dog, who follows the ancient code of the samurai and is bound to his mafia boss, Louie. After a job goes wrong, Ghost Dog becomes a target and must fight for survival while staying true to his samurai principles.

"Nightcrawler" is a 2014 thriller film that tells the story of Lou Bloom, a desperate and ambitious young man who discovers the world of freelance crime journalism in Los Angeles. Using a police scanner and a video camera, Lou begins to capture footage of violent crimes and accidents, which he then sells to local news stations. As Lou's career takes off, he becomes increasingly ruthless and manipulative, crossing ethical boundaries and putting himself and others in danger.

Directed by Louis Leterrier and filmed on screenplay written by Ed Solomon, Boaz Yakinand Edward Ricourt, Now You See Me follows a strange sequence of events centered on weird show group of magicians named The Four Horsemen. Their show features neither rabbits out of top hat nor playing cards out of sleeves. There is something much more valued by audience in modern world than these old fashioned tricks, and The Four Horsemen have a proposition for this demand. Meet their tricks: a real bank robbery, a million dollars heist, a white collar blackmailing. How it's possible to be real? The question that demands some non-magic answers, at least such question has FBI – and these guys will play hard to get an answer. The stakes are raising when magic hunters get to know that weird magicians have some plan to shock the audience with their next incredibly risky yet audacious robbery has ever happened in the history of FBI, the robbery that probably will occupy number one in The Hall of Fame of Robberies, if such ever existed. Unfortunately, the attempts of FBI agents to discover what are really standing behind the magic tricks break on their suspiciousness to each other. Finally, as the day X comes closer they decide to ask for help from world most known magic mythbusters, with ambiguous reputation Thaddeus (played by Morgan Freeman). The greatest crime of the century is about to happen, however neither FBI agents, not Thaddeus are approached a step closer to unlock the puzzle of The Four Horsemen's riddle. What is this- a double-cross of one agent, Thaddeus' betrayal or … real magic? Besides the twisted plot we have great pleasure to watch an unparalleled play of actors. Besides abovementioned Morgan Freeman, Now You See Me stars some truly superior actors: Dave Franco (Warm Bodies, 21 Jump Street, Fright Night), Isla Fisher (Desperados, The Great Gatsby, Rise of the Guardians, Bachelorette) and Jesse Eisenberg (To Rome with Love, 30 Minutes or Less, The Social Network.)

Premiered on the Sundance Film Festival in 2012, Brian Klugman's and Lee Sternthal's The Words stars the pleiad of brilliant actors: Olivia Wilde, Zoe Saldana, Bradley Cooper, Dennis Quaid and Jeremy Irons. And even if you are not an admirer of Olivia and Zoe beauty nor fan of Bradley and Denis play, you will be definitely vanquished by outstanding screenplay of this movie. Although it was a directorial debut of Klugman and Sternthal, the film has gained mostly positive reviews from critics. Three stories nested on in one as Russian Matrioshka, each with separate narration and distinctive filming style fascinate you with an extraordinary tightly knitted plot about thievery of novel, a common plagiarism that encounters on every corner of the world. And as it often happens in a true life, this stealing never leads to a happier life. In The Words, a stagnating writer Rory Jansen, who has totally surrounded to a life of boredom without any glimpse of inspiration, suddenly finds a mysterious manuscript which turns to be an unbelievable exciting novel. Rory decides to publish this novel as his own thanks to the fact the manuscript was not signed by author. Years later, basking in the rays of glory, he meets The Old Man, who apparently turns to be the novel's creator. From that moment Rory gradually understands what price he has to pay for his false success.

Antoine Fuqua's new movie Brooklyn's Finest represents lots of similarities with his own previous creations. This is quite understandable. It's pointless to deviate from things were used to achieve a fairly good success. And now, after 3 years after the last work there, meet Brooklyn's Finest. The film tells the stories of three very different policemen, exposing the problems of each of them, and then moving from the private narrative to a more mass perception.