"Kindergarten" is a TV show that first aired in 2001 on HBO Family's Jam morning block. The show is a documentary that follows the lives of 23 kindergarten students at Upper Nyack Elementary School in New York. The series is unscripted, meaning that the children's actions and conversations are not planned or rehearsed.
The show features a cast of both adult and child characters. Ms. Jennifer Vaz Johnson is the main teacher, and Mrs. Mary Ann Matheson is her assistant. Mr. Buzz Ostrowsky is the principal of the school. Additionally, there are some parents who make appearances on the show, including Lara's mom, Amanda's mom, and Joelle's mom. Santa Claus also appears in one episode, "Hooray for Holidays."
The child cast of "Kindergarten" includes 23 students, each with their unique personality and background. Some of the students include Aaron, Anna, Carly, Conor, and Jillian. Throughout the show, viewers get to see how the children learn, grow, and interact with one another in a real kindergarten classroom. "Kindergarten" offers a unique and authentic look into the lives of young children, making it an interesting and informative series for viewers of all ages.
The world knows and loves Matt Groening for his unprecedented and unparalleled work on "The Simpsons." During the Fox Network's ambitious "Animation Domination" initiative, Groening teamed with David Cohen, creating a second hit animated series, "Futurama." Groening and Cohen described their wonderwork as "retrofuturistic," an amazingly apt oxymoron for a working class sitcom set in the thirty-first century. Apparently, blue collar labor will not evolve over the next thousand years: In "Futurama," a late 20th century pizza delivery guy is accidentally cryogenically frozen for a millennium; when he thaws and returns to consciousness, he finds a job at Planet Express, an inter-planetary delivery company. Not especially concerned with science, the writers focus the stories on the workplace trials and tribulations of the three central characters"”Fry, Leela, and Bender. Their future dramas strangely resemble every working person's today dramas. Although "Futurama" has moved up and down the dial, exiting Fox for Cartoon Network, and bidding farewell to Cartoon Network for a new home on "Comedy Central," it has held onto a fiercely loyal audience, and it especially has garnered unprecedented critical acclaim. In 2010, "Futurama" set a Guiness World Record for "Current Most Critically-Acclaimed Animated Series", adding to its eight Emmys and thirteen Annies.
Drawn in retro-sixties comic book style, rendered irreverent and ironic by exceptionally good writing from "Simpsons" renegade Devin Clark, "Ugly Americans" TV show made its debut on Comedy Central during March, 2010. Matt Oberg lends his vocal stylings to the main character, Mark Lilly, harried social worker at the "Department of Integration," the all-purpose welfare agency for the citizens of a parallel-universe New York liberally populated with demons, zombies, wizards, monsters, and other chimerical creatures. Up-and-coming comedienne Natasha Leggero, one of Chelsea Handler's coterie, gives voice and life to Callie Maggotbone, Mark's immediate supervisor and sometimes lover. Callie claims distinction as the succubus daughter of the Devil and a human mother; not surprisingly, she is prone to extreme mood swings. Newcomer to the big-bad city, Mark, an intrepid optimist and wanna-be do-gooder, remains barbarously untutored in the ways of his city's multi-species immigrants, and his mistakes naturally multiply into comic misadventures. Hardly Saturday-morning kiddie fare, "Ugly Americans" deals as directly and explicitly with characters' bizarre sexual proclivities as with their sociopathy.
RIN: Daughters of Mnemosyne TV Show is a Japanese anime television series produced by Xebec and Genco, featuring grotesque and erotic visuals. The plot of RIN: Daughters of Mnemosyne TV Show is rich of the mix of murder and action, it is set in modern and near-future Tokyo, and revolves around Rin Asogi, an immortal female private investigator. In a series of lurid vignettes, Rin, an immortal private detective, struggles to unravel the secrets of her endless agony at the hands of Apos. He lurks in the shadows, eager to tear into Rin's lush body and devour the memories of her countless lives. Rin's no stranger to the realm of the dead, but her next visit could last forever.
In its first few seasons, "SpongeBob Square Pants" proved the old adage that children's programs are wasted on children, commanding a loyal following among parents and especially among college students hungry for quality entertainment. The dialogue and allusions that flew right over children's heads landed squarely in adults' faces. In fact, "SpongeBob Square Pants" became so popular among America's undergraduates it aired for a while on MTV as well as Nickelodeon. SpongeBob lives in a pineapple under the sea, working diligently and enthusiastically as a fry cook at Bikini Bottom's most successful fast-food emporium. Patrick, a less-than-gifted starfish, is SpongeBob's best friend and favorite co-conspirator"”naturally the show's resident slacker. Squidward, an undersea relic of Spiro Agnew's "effete corps of impudent snobs who characterize themselves as intellectuals," consistently antagonizes, undermines, and cheap-shots SpongeBob and Patrick. Of course, the series' unmistakable anthropomorphism contributes substantially to its success. "SpongeBob Square Pants" remains Nickelodeon's highest rated show, the most widely distributed MTV Network property, and one of television's most successful animated franchises.
A spin-off from Fox's monster hit "Family Guy," "The Cleveland Show" easily could inspire serious questions about whether or not three middle-aged white men ought to attempt writing comedy about African-Americans. Somehow, though, Seth MacFarlane, Mike Henry, and Richard Appel have attracted a devoted multi-racial, multi-cultural audience for Cleveland and his family by making their points gently and with genuine humor. Consistent with his approach to "Family Guy," MacFarlane reserves most of his animus for middle-aged white suburban guys a lot like himself. Cleveland and his family have moved back to his home town, Stoolbend, Virginia, where he lives with Junior, his high school crush, and her two children. The majority of Cleveland's funniest lines derive more from his cluelessness than his color, and the majority of the ethnic humor derives from the creators' brilliant satire of racial attitudes among unenlightened southern white people. Among MacFarlane's only-slightly-exaggerated redneck characters, Lester does the majority of the comic work, languishing on his Confederate flag folding chair and cleaning his beloved guns. In general, the racial humor remains tame if not always politically correct, and "The Cleveland Show" gets the vast majority of its big laughs from allusions to pop culture.
In their more than twenty years on Fox Network, the Simpsons have become not only a staple in the primetime line-up but also American cultural icons. Created by Matt Groening with early help from comedy genius James L. Brooks, "The Simpsons" brilliantly but brutally satirize working-class American life. Homer personifies the character of the average "working stiff," oblivious to the myriad ways his job and family abuse and exploit him. Marge, Homer's wife, captures the plight of the long-suffering housewife, imprisoned by but also devoted to her family. Precocious pre-teen Bart embodies every aggressive, rebellious, marginally criminal urge in adolescent American boys"”James Dean on a skateboard. Lisa, Bart's sister, represents every family's precious little princess; and Maggie is just "the baby." "The Simpsons" TV show owns a privileged place in American television history: In 2009, the simply but cleverly animated series surpassed "Gunsmoke" and "Law and Order," becoming the longest-running primetime series. Along the way to the record, "The Simpsons" became America's longest-running animated program and its longest-running sitcom. Even more impressively, "The Simpsons" earned a star on the Hollywood Walk of Fame, and Time magazine called it the twentieth century's best television series.
Handsomely animated in the style of old-school newspaper comic serials, "Archer" TV series illustrates the life, times, adventures, and quandaries of super-sleuth Lew Archer, would-be international man of mystery. Critics aptly characterize Sterling Archer as "suave, vain, and overly confident," quickly adding that his exceptional expertise as a secret agent contrasts sharply with his bumbling ineptitude in every other area of his life. "Archer" TV show especially satirizes office intrigues and American corporate politics by extension, making global crises and dangerous espionage simply pre-texts for International Secret Intelligence Service agents to make one another look bad. "Archer" creator H. Jon Benjamin, who also does the voice of Sterling Archer, is not particularly kind to his stereotypically American hero: Archer's more-than-vaguely Oedipal relationship with his mother complicates all the plots; and, at work, Archer must team-up, awkwardly, with his former girlfriend Lana, who has moved-on to another relationship with an ISIS employee.