One critic characterized "Breaking Bad's" dark humor as "Thelma and Louise as seen by Dostoyevsky" and that was one of the perkier, more optimistic descriptions. A seven-part AMC series, "Breaking Bad" TV show tells the story of Walt White, high school chemistry teacher turned methamphetamine cooker and dealer. Of course, as Glenn Frye crooned, "The lure of easy money has a very strong appeal," but "Breaking Bad" does not allow for even a split-second of sunshine through the abysmal darkness. In this corner of the universe, crime never-ever pays. Walt, expertly portrayed by Bryan Cranston of "Malcolm in the Middle" fame, is neck-deep in problems, complications, and flat-out ugliness from the minute he lights the Bunsen burner. Although the writers have woven-in some amazingly ironic lines, known in the trade as "comic relief," the characters deliberately deliver their quips in such a super-slow, slack-jawed drawl they seem more tragic than funny. Of course, "Breaking Bad" TV series make some pretense toward allegory of the American middle class struggling through the throes of deep recession, and it scores some hard hits. Most of all, though, "Breaking Bad" shows that even when fine writers, directors, and actors can find humor and pathos in displaced white-collar workers' undignified struggle for dignity, it still looks awfully damned dreary and ugly.

How many television shows can claim the honor of creating a new term in the English language? "Grey's Anatomy" qualified for the Oxford English Dictionary with its phrase "McDreamy," the residents' term for the hot young surgeon with whom they worked and studied. And original coinage is just the tip of the program's linguistic iceberg as it has remained arguably the best written show on television for more than five seasons. Both narrative and dialogue dazzle in every episode; accompanied by the right music, the closing sequences guarantee a good cry. Enrolled in the nation's toughest and most competitive residency, five young women doctors struggle to survive forty-eight hour shifts and the rigors of a program supervised by five famous doctors who are determined to shape them up or break them down. The women focus on, often obsesses with their careers, and romance, in the words of one viewer, "like take-out pizza, is consumed on the run." Just before the show's 2005 debut, Alessandra Stanley described it as "a Girl Power version of "˜ER'," still the best one-phrase summary ever. All those young girls, and only one McDreamy.

In its first review of "Dexter TV show", the New York Times summarized, "[Dexter Morgan] kills people and cuts them up. But they deserve it. Besides, he's neat." When a serial killer leaves a trail of tidy corpses in service of justice, audiences cannot get enough; he liberates everybody's inner vigilante. Dexter, played pitch-perfect and spot-on by television veteran Michael C. Hall (late of "Six Feet Under"), is a smart and smart-mouthed, self-aware crime scene investigator who moonlights as a blood-thirsty avenger. Dexter is your average psychopath-next-door, comparable with Macbeth or Hannibal Lecter, but with charm and good jokes. As critics and viewers have stressed since the show's very first episode, Dexter kills only people who deserve to die"”depraved pedophiles, drunk drivers with neither conscience nor remorse, and other reprehensible characters who slip through the cracks in the justice system. The show's producers John Goldwyn and Sara Colleton assert, "Dexter becomes a metaphor for people closeted by their secrets." They exaggerate their character's allegorical powers"¦but only a little.

Ugly Betty TV Show is about a naive, sweet girl, Betty Suarez who gets a job at a high fashion magazine as the editor's secretary. However, Betty doesn't exactly fit in with all her skinny and beautiful co-workers, but that is what got her the job. So she must work extra hard to win the appreciation of her superiors and work her way up the ladder to success. That is a task that proves to be not too hard for Betty when it comes to her boss Daniel, because of her determination and hard work she soon becomes more of a personal assistant to him than a secretary as well as a friend. Ugly Betty TV Show is a hilarious spin on the fashion world and its stereotypes.

That may well be the title to a dream sequence by some brilliant but unqualified attorney "want to be's" who can only imagine how they could accomplish what Mike Ross has done. He bluffed his way in by convincing Harvey Specter, one of the finest lawyers in Manhattan to hire him in spite of the fact he has no law degree. Although Ross is brilliant and extremely personable he could not afford the schooling and his choices in friends and recreational drugs did not help his situation. However he can pass the bar without attending any law school simply because he has an eidetic memory. Now clean and dedicated to becoming a first rate attorney, Mike Ross (Patrick J. Adams from FlashForward, Raising the Bar) must prove himself to the man who put his trust in and hired him, Harvey Specter (played by Gabriel Macht from Love and Other Drugs, Middle Men). Mike Ross must convince the other attorneys he graduated from the Harvard Law school because that's the only place they hire new recruits from. And he is a fast learner who's wit and conviction works well in the court room.

Oh Hell is a TV series that follows the story of Helene, a 24-year-old woman who is going through a quarter-life crisis. Helene, who is also known as "Hell," is struggling to figure out who she is and what she wants in life.