The sit-com opens up with three men, each in their own home, playing online video games and discussing their life goals. Sandwiched in between a new hit comedy starring Tim Allen "Last Man Standing" and the elimination night for "Dancing with the Stars", how can this new one lose? ABC has long had a strong line up on Tuesday evenings, particularly in the area of the situation comedy genre. Starring Dan Fogler (Mars Needs Moms, Take Me Home Tonight), playing Kenny Hayden who sees his ex-wife out with a much better looking man. Kenny's ex is played by Amanda Detmer (Necessary Roughness, The Vampire Diaries). She got fed up with being married to a child who could not, or would not grow up. Christopher Moynihan (House, M.D., Psyche) is Craig Griffith, the sensitive yet manly type who still carries a flame for his ex from the college years. And Will Keen is played by Mather Zickel from TV shows Dislocated and The Cape. Will's wife Theresa, ably played by Teri Polo (Medium, Monk) is gorgeous and makes Will constantly wonder why she married him. Satisfying comedy that perhaps needs some time to find its purpose.

By some miracle, everybody in America knows all about "30 Rock," and everybody loves Tina Fey, the show's creator and star, but relatively few viewers tune-in every week. During its first season, "30 Rock" toted-up a record twenty-two Emmy nominations, but its ratings ranked 102nd of 142 primetime shows. NBC stayed with the project on the assumption that Fey's popularity and the intense critical buzz eventually would translate to ratings; and the gamble paid off as viewership steadily rose over the comedy's first six seasons. Based on Fey's experiences as head writer for "Saturday Night Live," the show satirizes life behind the scenes of a network comedy, trapping co-star Alec Baldwin in corporate intrigues as the writers and actors endure the trials and tribulations of producing a live weekly broadcast. Strong characters and brilliant badinage distinguish "30 Rock" from the standard sitcom fare, and the thirteen-member ensemble cast puts the plausibility in improbably characters.

If bad guys forced you to choose only two programs for viewing during a long captivity, you wisely and happily might choose USA's new series "Fairly Legal." Engaging, engrossing, elegant, and electric, "Fairly Legal" is one of those shows you wish would go on and on and on. If only USA had made more than eight episodes. Sparkly, sassy, stylish, and seductive, Sarah Shahi plays Kate Reed, a once-upon-a-time lawyer who officially has resigned from the professional ranks to become a full-time mediator"”hence the two elements in the title, "legal" and "fair." Kate's goal: avoid costly and ugly litigation by finding settlements that meet everybody's needs. Kate's favourite phrase: "Win-Win." Of course, the show has sexual t4ension between Kate and her ex-husband, a district attorney; it has family tension between Kate and her newly widowed young step-mother; and it has just enough ongoing mystery and suspense in the sub-plot to sustain it from episode to episode. Having San Francisco as the setting doesn't hurt either. No one at "Law and Order" need feel threatened, though, because "Fairly Legal" is far too flirty and fun to harbour any criminal intent.

"And Just Like That..." is a TV series that follows the lives of three women in their 50s living in New York City. It is a spin-off of the popular show "Sex and the City", which aired from 1998 to 2004. The show focuses on the challenges and changes the characters face as they navigate through midlife.

Starring Edie Falco, Showtime's "Nurse Jackie" stands out as arguably the best medical drama on television, because the premium cable network allows writers and producers plenty of latitude for developing all of Jackie's passions"”the quality of her patients' care, the unbearable arrogance of vaguely sociopathic physicians, and the delicious relief of good orgasms and Oxycontin. "Nurse Jackie," both the character and the show, have some issues: The character suffers excruciating pain from a bad back and therefore has developed an addiction to painkillers. Yes, you have seen this dangerous dilemma recently on both "House" and "Southland," where the admirable characters continue doing their wonderworks despite their addictions. "Nurse Jackie," the show, suffers a subtle but unmistakable identity crisis, suggesting opportunities for some of the most brilliant black humor known to American medical drama; but, like a pensive and pretentious nineteen-year-old, it insists on taking itself much too seriously. One critic aptly observes, "'Nurse Jackie' doesn't look like the average network medical drama, but it does follow the formula of many premium cable shows, taking a knowing and at times dark, sardonic look at the classic themes of love, life and work." The critic, however, forgets to mention that nowhere does "sardonic" appear as a synonym for either "funny" or "engaging."

Lone Star TV Show is about a con artist played by James Volk who wants the best of both worlds and is trying to get just that. Bob as his one family knows him lives in Texas and has a loving wife Cat and works for his tycoon father-in-law's oil company. However, just 4 hours away Robert lives with Lindsey his girlfriend. The one thing that does stay consistent is no matter where Bob/Robert is, he is trying to con someone out of their money, either the town locals from where he stays with Lindsey or staking his claim in Cat's father's company. All of this while trying to stop his true colors from shining through, not your traditional Lone Star, that's for sure.