Tell Me Lies

"Prófugos" is a Chilean television drama series that premiered in 2011. It tells the story of four men who become involved in the drug trade and end up being pursued by the authorities. The series was created by Pablo Larraín, who is known for his critically acclaimed films.

"Wu-Tang: An American Saga" is a television drama series that premiered on Hulu in 2019. The show is based on the true story of the formation of the Wu-Tang Clan, a group of rappers who rose to fame in the 1990s. It explores the lives of the nine members of the group and how they came together to create a new sound in hip-hop.

As with the movie that aired on the Lifetime network in 2010, The Client List is about a single mom who struggles between her parenthood role and the career she has chosen in the massage therapy business. The industry has long existed under a dark cloud and many thought there was prostitution involved. Professional Massage Therapists keep trying to convince the public that theirs is a strictly legal line of work and that they operate with high moral standards and are regulated by state medical rules in most states. Jennifer Love Hewitt does reprise her role from the 2010 made for TV film, The Client List, as Riley Parks the single parent who tries to provide for her children while managing to be a strong business woman. As she balances her two lives Parks struggles to keep food on her family's table and help her business gain legitimacy. Jennifer Love Hewitt (Hot In Cleveland, Party of Five) is joined by Cybill Shepherd (Moonlighting, The Last Picture Show) who plays her mother, Lynette. Rebecca Field (October Road, Monk) is Lacey, longtime girlfriend of Riley. The TV series fits in well with Lifetime Television's style of portraying roles based on strong independent women.

"The Fosters" is an American television series that premiered on June 3, 2013, on the Freeform network. The show follows the story of a multi-ethnic family, consisting of two lesbian moms, their adopted twins, and a newly fostered pair of siblings. The series explores various social issues such as race, sexuality, gender, and foster care.

Working with the science, technology, and geniuses afforded by "The Jeffersonian Institution," the FBI solves mysteries wrapped in enigmas packaged in conundrums. Derived from Canadian anthropologist Kathy Reichs's popular series of novels, and loosely based on Reichs's own life and character, "Bones TV show" effectively makes it cool to be smart. The plots elevate forensic science to the status of dramatic art, answering the question, "What kind of story would you get if the love child of "˜House' and "˜CSI' hooked-up with a romantic comedy?" Viewers come for the crime drama and stay for the romance, because the romance makes "Bones" as delicious as it is dramatic. Dr. Temperance Brennas (Emily Deuschanel) and FBI Agent Seely Booth (David Boreanz), take their professional partnership very-very seriously, especially because it provides the ideal mask for much deeper feelings between them. The writers frequently stretch the romantic and sexual tension well past its tested limits and right to the brink of its breaking point. Naturally, viewers constantly hope Brennan and Booth will consummate their love; just as naturally, they understand it never can happen. No tension, no show. Meanwhile, America sleeps safer at night knowing that Brennan and Booth are on the case.

"Spartacus: Gods of the Arena" - different gladiator, same sex and violence. Starz' deliciously decadent"”salacious, violent, often flat-out brutal"”"Spartacus: Blood and Sand" recently went on extended hiatus, leaving its legions of loyal fans "jonesing" for their weekly doses of decapitation and bare breasts. The Spartacus team satisfied fans' craving with "Spartacus: Gods of the Arena," a six-episode prequel to the continuing saga of Batiatus and Associates. Starting with a flashback montage of "Blood and Sand's" greatest hits, more precisely Batiatus's life flashing before his eyes in the moment before his death, "Spartacus: Gods of the Arena" shows Batiatus's rise to prominence and power with the assistance and support of his all-pro gladiator Gannicus. Because these stories represent "a more ruthless time"¦where honor was just finding its way into the arena," the writers and producers feel free to elaborate and experiment with their already-established characters, and they feel similar artistic license with super-slow-motion gore and fun-fantasy sex. They clearly are perfecting their craft. One particularly insightful viewer concluded his review of "Spartacus: Gods of the Arena" with a sage observation: "I think that's one of the smart decisions putting it on a Friday night since it's an ideal end of the work week thing to watch."