Slackers serving Satan as his bounty hunters? At a bare minimum, "The Reaper" does offer conclusive proof that colluding with the devil is considerably more exciting than a job at the Work Bench, a fictional Seattle home improvement store. Imagine Sam Oliver's surprise when he learns on his twenty-first birthday his parents negotiated a long-ago deal with the captain of the underworld: Save daddy's life, and they will give Satan their first-born child. Of course, mom and dad used every form of contraception imaginable until Satan released their doctor from his gambling debts in exchange for Doc's telling mom and dad they could not conceive. Sam ensues. Satan himself shows-up at the big twenty-first gala to detail "The Reaper's" new job description. Sam, who once complained that college "made him sleepy," naturally balks at the devil's deal; but the devil is at least as persuasive with Sam as he was with Eve. Satan tells Sam, should he decline, his mother forfeits her soul. Sam grudgingly accepts new super-powers and goes to work hunting down wayward sinners who have contrived to escape Hell. Television drama ensues. "The Reaper" earned an extremely devoted"”albeit somewhat cultish"”following. A representative review explained the attraction: "This show is so refreshing - great premise, great characters, and they don't take themselves too seriously. The Devil is a hunk, and just couldn't be played better than Ray Wise."

"Burn Notice" is the drama-comedy TV show featured on USA channel. The title of "Burn Notice" TV show is derived from the term used in U.S. intelligence that indicates unreliability of a certain agent or source of information. "Burn Notice" has its own unique style: the story told by the first person mixed with the "stream of consciousness" behind the scenes on behalf of the former agent Michael Westen, played by Jeffrey Donovan. Having escaped from the mission in Nigeria, ripped by the sudden "Burn Notice", he finds himself in his hometown of Miami, Florida. Next to him, Michael discovers his ex-girlfriend. He is under constant surveillance by the feds, and his personal bank accounts frozen by the government. The only thing he could learn from his chief liaison to the government - some major "boss" wants to keep him (possibly for life) in Miami. If he tries to leave all the police forces of the country his feet will be raised to take him. Westen begins working as a private detective without a license; as a spy-to-hire for those who can pay his bills to finance his own investigation "“ who and why issued the "Burn Notice" against him.

"CSI" TV shows reveals the side of Las Vegas tourists seldom see... Gil Grissom, team leader of the Las Vegas Crime Scene Investigation unit, pioneered the intensity that has become the signature quality in all of Jerry Bruckheimer's heroes; but his flaws were closer to the surface and more genuinely tragic than Horatio Kane's or Mac Taylor's. William Peterson put a handsome face on dorkitude, but he seldom could conceal his passion for insects and his perverse fascination with the world of bondage and discipline. When Grissom bid adios to "CSI," Catherine Willows naturally stepped-up to take his place, dragging her single-mom issues and checkered past along with her. Blasting from relative obscurity to television uber-stardom, Marg Helgenberger has so thoroughly imprinted her own style on her character that fans expect her to sign "Catherine Willows" as her autograph. More old-fashioned gumshoe than techie whiz-kid, Willows nevertheless guides her hyper-dedicated team with skill, style, and love. No more sophisticated than any other television crime drama, "CSI" nevertheless has owned its time slot since its debut, because its characters combine street-savvy toughness with genuine likability. And who can resist all those cool shots of bullets blasting through brain matter? Trivia devotees will note that songstress Taylor Swift made her critically acclaimed acting debut on "CSI," playing the a dark, troubled, and ultimately dead "goth" girl in search of love and understanding"”in other words, the diametric opposite of her authentic self.

That may well be the title to a dream sequence by some brilliant but unqualified attorney "want to be's" who can only imagine how they could accomplish what Mike Ross has done. He bluffed his way in by convincing Harvey Specter, one of the finest lawyers in Manhattan to hire him in spite of the fact he has no law degree. Although Ross is brilliant and extremely personable he could not afford the schooling and his choices in friends and recreational drugs did not help his situation. However he can pass the bar without attending any law school simply because he has an eidetic memory. Now clean and dedicated to becoming a first rate attorney, Mike Ross (Patrick J. Adams from FlashForward, Raising the Bar) must prove himself to the man who put his trust in and hired him, Harvey Specter (played by Gabriel Macht from Love and Other Drugs, Middle Men). Mike Ross must convince the other attorneys he graduated from the Harvard Law school because that's the only place they hire new recruits from. And he is a fast learner who's wit and conviction works well in the court room.

Television currently suffers a serious adolescent crush on New Jersey, happily showcasing its housewives, manicurists, unemployed party animals, and now its history of slick, sophisticated organized crime. "Boardwalk Empire," adapted from the bestseller with the same name, shows Atlantic City's colorful jazz age history, paying fierce attention to realistic details and historical accuracy. "Boardwalk Empire" takes the Sunday night timeslot usually reserved for "True Blood" while the vampires go on hiatus, and with skilled assistance from Martin Scorsese, it so completely rivets its audience that they cannot remember what they used to watch after "60 Minutes." Like a complicated, sophisticated Victorian novel, "Boardwalk Empire" takes two episodes to set the stage and establish its historical context; but once the bootleggers, gangsters, and corrupt politicians get their machinery greased-up and going, eager audiences stay tuned. The New York Times effectively summarizes, "'Boardwalk Empire' is a well conceived, beautifully made series that has every reason to be great. Who doesn't want to watch rum runners and gangsters on HBO?" Mtv and E! will break-up with Jersey, and they will not "still be just friends" when new seasons roll around; but viewers can look forward to HBO's going steady with "Boardwalk Empire" until the vampires come home.

"Spartacus: Gods of the Arena" - different gladiator, same sex and violence. Starz' deliciously decadent"”salacious, violent, often flat-out brutal"”"Spartacus: Blood and Sand" recently went on extended hiatus, leaving its legions of loyal fans "jonesing" for their weekly doses of decapitation and bare breasts. The Spartacus team satisfied fans' craving with "Spartacus: Gods of the Arena," a six-episode prequel to the continuing saga of Batiatus and Associates. Starting with a flashback montage of "Blood and Sand's" greatest hits, more precisely Batiatus's life flashing before his eyes in the moment before his death, "Spartacus: Gods of the Arena" shows Batiatus's rise to prominence and power with the assistance and support of his all-pro gladiator Gannicus. Because these stories represent "a more ruthless time"¦where honor was just finding its way into the arena," the writers and producers feel free to elaborate and experiment with their already-established characters, and they feel similar artistic license with super-slow-motion gore and fun-fantasy sex. They clearly are perfecting their craft. One particularly insightful viewer concluded his review of "Spartacus: Gods of the Arena" with a sage observation: "I think that's one of the smart decisions putting it on a Friday night since it's an ideal end of the work week thing to watch."