Room is a 2015 drama film directed by Lenny Abrahamson and starring Brie Larson and Jacob Tremblay. The film tells the story of a young woman named Joy and her son Jack, who have been held captive in a small shed for several years. The film explores their relationship as they attempt to escape and adjust to life outside of the shed.

Never Let Me Go is a 2010 drama film based on recognized all over the world novel of the same name written by Kazuo Ishiguro. Although the novel features some elements of science fiction, it is not positioned as a sci-fi book. Movie centers on the memories of Kathy, a young woman about 30 years, the film showcases her childhood in an unusual boarding school and subsequent adult life. The action takes place in the UK anti-Utopical end of XX century, in which people are cloned in purpose to create the donor organs for transplantation. Kathy and her friends at boarding school are set up as such donors. Prior to becoming a donor, they are all within a longer or shorter working time "helpers", caring and supporting those who have become donors. As in the Ishiguro's book, the truth does not become immediately clear, but disclosed gradually, through the weird hints.

Successfully debuted at The Dallas International Film Festival, Liberal Arts is an American romantic-drama film directed by talented Josh Radnor, who not only written a screenplay for the movie by performed the leading role of the Jesse, a lonesome mid-aged university admissions officer who visits his old college in order to honor his ex-mentor. At this pivotal moment of his live he meets a girl, a 19 years old Zibby (the role performed by lovely Elizabeth Olsen, whose sole presence in the film makes it worthy to watch). Zibby and Jesse relationships develop in the way typical for 36-years old mature man and romantic 19-tears old girl, who know nothing about what this world is like. The only thing that makes their relations seemingly not icky is the Jesse serious take of this moral dilemma, which sometimes crossing the border between serious and funny. Especially in the scene when he calculated the deeps of his lapse from virtue: "When I was 19, she was 3; when I was 16 she was 0….hmmm…when I'll be 86, she will be 70" the last equation makes him sort of more easy looking on this hefty age difference (but he, and everyone in the move; and even we understand the point well).

It doesn't even matter if you've ever read the novel written by the greatest Russian novelist Leo Tolstoy, or, maybe, you doesn't even heard about Anna Karenina (what is unlikely.) Anyway, this awesome story deserves to be laid on film tape more and more times. And for those, who plans to get an Oscar in this year there are no better way to do it than to make a movie using the unparalleled Tolstoy's masterpiece. The whole plot of the novel has been left intact: the action unfolds in the 19th century Russia, where the social elite have its own rules and traditions, and where adultery is counting as the worst sin ever. In those classy times, the story follows a young woman Anna (Keira Knightley), who is happily married to top-echelon officer Alexei Karenin (Jude Law). She unexpectedly meets the man of her dreams, Count Vronsky (Aaron Johnson) and falls in love with him. Their mutual romantic relationship leads the cinematic adaptation's plot to the predictable dramatic end, where a train plays a crucial and a final role.

Disgrace is the movie based on the novel by John Coetzee, a Nobel Prize winner. It contains neither morals (what morality can be deduced from such a name?), nor appeals for tolerance, and something like a Hidden of Michael Haneke. There are gaps between blacks and whites which can be found in each episode. The movie does neither overwhelm by political correctness, nor features the newfound equal rights. The tragedy, as the philosopher said, not in collision of right and wrong sides. The tragedy is that both sides are right. Africa and Europe, black and white, villages and cities, children, and fathers: the conflict is known to be eternal, the only question is: does it stands at the level of mutual recriminations and petty mischief like a broken windshield, or grow into genocide or civil war.

There are many psychological ailments that humans find themselves having difficulty with. Gambling, alcohol, drugs, and even sex can be problems for those who find them to be too much to overcome when they get out of hand and beyond their control. Shame is about sexual addiction and the problems that ensue when the lack of control makes it difficult to control how and when. Called sexually raw, Shame depicts a character named Brandon as a man who has problems. Seems he masturbates compulsively and stalks victims he chooses in the subway system of New York. This 30 something otherwise normal young man has a social problem that he claims to have no control over but it will ruin him and his life if he can't get help. irector Steve McQueen (no not that McQueen) put together a brilliant story that is far more common than believed. Michael Fassbender (Inglorious Basterds, Murphy's Law) is Brandon, Carey Mulligan (The Amazing Mrs. Pritchard, Dr. Who) is Sissy who is actually Brandon's sister who reappears in his life uninvited, and David is played by James Badge Dale formerly seen on The Black Donnellys and the TV mini series The Pacific.