Being a father means accepting the responsibility involved with parenthood. Men take their job of fatherhood as seriously as women do (when entering motherhood), and they thrive on it. It's what we have been put on this earth for. But while being a great Dad is important, each man must decide how to go about accomplishing that very important virtue. Some do better than others, some fail and even drop out of the challenge. Those who are courageous enough to stick around are rewarded by seeing their child grow up to be a responsible adult, and become a parent themselves. ourageous involves four fathers who happen to be police officers. Each in a different stage of fatherhood, he must decide how best to be a parent and he learns what it means to be a great father. Presented by the Sherwood Baptist Church, and done on a tiny budget (just over one million dollars), this film is spiritual and realistic. Starring Alex Kendrick (associate pastor at Sherwood Baptist), Ken Bevel (Marine Corps officer), Ben Davies, and Kevin Downes.

Successfully debuted at The Dallas International Film Festival, Liberal Arts is an American romantic-drama film directed by talented Josh Radnor, who not only written a screenplay for the movie by performed the leading role of the Jesse, a lonesome mid-aged university admissions officer who visits his old college in order to honor his ex-mentor. At this pivotal moment of his live he meets a girl, a 19 years old Zibby (the role performed by lovely Elizabeth Olsen, whose sole presence in the film makes it worthy to watch). Zibby and Jesse relationships develop in the way typical for 36-years old mature man and romantic 19-tears old girl, who know nothing about what this world is like. The only thing that makes their relations seemingly not icky is the Jesse serious take of this moral dilemma, which sometimes crossing the border between serious and funny. Especially in the scene when he calculated the deeps of his lapse from virtue: "When I was 19, she was 3; when I was 16 she was 0….hmmm…when I'll be 86, she will be 70" the last equation makes him sort of more easy looking on this hefty age difference (but he, and everyone in the move; and even we understand the point well).

Based on factual events this film pits a pair of young enthusiastic attorneys against the established big money of the pharmaceutical industry. When an ER nurse is accidently pricked when handling a contaminated needle, the law firm which handles personal injury claims becomes involved. Mike Weiss, who is played by Chris Evans (Street Kings, Push), is young and dedicated even though he also happens to be a drug addict works for a Houston law firm that's main specialty is handling personal injury claims. His partner Paul Danziger (Mark Kassen of Bernard and Doris, The Sasquatch Gang) who also directs Puncture also works what could be their case of a lifetime. They take on the case involving a hospital ER nurse named Vicky (Vinessa Shaw from Two Lovers, Stag Night) who accidently stuck herself with a syringe. Seems the big drug companies prevent the use of safer syringes to ward off such accidents happening. They seem willing to risk permanent and sometimes fatal results without consideration for others.ach year millions risk infection and contamination by such diseases as Hepatitis C and even HIV when accidental pricks occur. This time around there are two young lawyers who care enough to pursue it to a settlement even though it stretches their law firms business to near collapse. This even takes on international proportions because of the millions who die each year in Africa due to faulty syringes.

Interlocking worlds is the main advantage of The Lovely Bones movie. Peter Jackson has managed to build two universes, two micro-cosmoses. One is the real America of the 70th, a provincial town in which this thriller takes place. The second is a world of fantasies and illusions of Susie, the movie protagonist. It is the space of inexpressible beauty, with the number of perfect landscapes, oases of the dreams. It's so exciting, that will not immediately come to mind at least some analogues, this magical fantasy world in which dwells Susie, do not even comparable with something else. And Jackson so subtly approached the issue that has managed through unprecedented visual beauty and conveys the inner meaning of which he endowed with a beautiful image of the protagonist.

Jane Eyre a classic movie in every sense of the word… Based on the classic book by Charlotte Bronte, Jane Eyre the movie (2011) is a period romance that explores the characters life as defined by stages. Jane is first abused, both physically and emotionally, by cousins and aunts while residing at Gateshead. School days at Lowood find her acquiring friends although she misses out on a lot of her youth. Later Jane becomes a governess at Thornfield Hall where she falls in love with Edward Rochester, her employer.ane Eyre was written as a first person type story so is somewhat an autobiography with darkness and social criticism. It does make a good "read" however, as there is a strong sense of morality in this young woman in spite of all she's been through in her lifetime.

The Rabbit Hole movie's pivotal event, the gut-wrenching and heart-numbing tragedy that sends Becca and Howie Cotbett down the rabbit hole, is over and done before the movie begins: Their four-year-old son has run out into the street, been hit by a teen-age driver, and died. Rabbit Hole movie deals with the more complicated, considerably more disturbing question, "Then what?" Adapted from a Pulitzer Prize winning play that enjoyed a long and distinguished run on Broadway, Rabbit Hole literally "speaks to" grown-up audiences willing to listen to the nuances in the dialogue—the language of psychotherapy laced with bitter sarcasm and fierce rage."Nicole Kidman does not merely star in Rabbit Hole movie; she makes it her personal tour de force, playing Becca with all the brittle delicacy of Wedgewood china and all the fevered intensity of a serial killer. The marquee proclaims Aaron Eckhart also stars, but he really is the fern and baby's breath to Kidman's flourishing rose bouquet. Howie cheats on his wife, and Becca stalks their baby's killer, and somehow they convince themselves and the audience that really they are just a couple of struggling suburbanites "trying to find their way back to a life that still holds the potential for beauty, laughter and happiness." Rabbit Hole movie director John Cameron Mitchell drains away the film's melodrama and pathos by rendering it in "drab, functional, TV-movie naturalism," making it beguiling and terrifying. Through Mitchell's lens, the horrific events and overwhelming emotions seem exceptionally familiar and perfectly ordinary. Rabbit Hole terrifies everyday Cineplex audiences, forcing them to recognize just how easily they might become Becca and Howie.