The King's Man is a 2021 action-adventure film directed by Matthew Vaughn. It is a prequel to the Kingsman film series and tells the story of the origin of the Kingsman organization. Set during World War I, the movie follows a group of soldiers who join forces with the Duke of Oxford to stop a group of villains who are plotting to start a global war.

"Demolition Man" is a 1993 science fiction action film directed by Marco Brambilla, starring Sylvester Stallone, Wesley Snipes, and Sandra Bullock. The movie is set in a futuristic version of Los Angeles in 2032, where crime has been virtually eliminated, and the police force relies on pacifism and rehabilitation instead of violence. However, when a dangerous criminal named Simon Phoenix escapes from his prison and wreaks havoc on the city, the only cop who can stop him is John Spartan, a legendary cop who has been cryogenically frozen for over 30 years.

This "based on a true story" film has those under utilized yet over trained Tuskegee flyboys chomping at the bit (or pilot's stick) to go on a mission and prove themselves air worthy. They have nothing better to do than practice their flying skills with their airplanes identified by their painted Red Tails while white pilots are sent out into the field of battle after a mere three months of training and it shows! Finally the powers that be in the Pentagon decide to direct the elite black group of pilots to do World War II battles with Germany.ot only have the Tuskegee Airmen been left to languor on the sidelines, they have to face racial discrimination at every turn while in the military and at home, so they are more than ready to prove themselves worthy. And they most definitely do!ritten by John Ridley and George Lucas, Red Tails stars Cuba Gooding, Jr. (Jerry Maguire, American Gangster) as Major Emmanuelle Stance, Nate Parker (Pride, Tunnel Rats) is ace pilot Martin "Easy" Julian, and Terrence Howard (Pride, Iron Man) is Col. AJ Bullard. Top acting and plenty of aerial action!

Guy Ritchie has made of Sherlock Holmes's character in style of Tony Stark (Iron Man). The film looks fascinating, especially as for part of mystery stories, capable of grasping the whole 128 minutes, and at the same time funny, not devoid of jokes and humor, defusing a tense situation of the investigation. But in the end not only the integrity covers the entire film, gathering in one large mosaics of events, but also anxiously expectation for the sequel, because like the Joker card in the first Nolan's "Batman", the ending is virtually guaranteed that the movie is just a kind of "Sherlock Holmes: The Beginning" and the masterpiece "The London Knight" awaits us in the near future.

Considered to be a "loose cannon" in his field, agent Snow is convicted of conspiracy to commit the crime of espionage even though he did not do the crime, and is offered the opportunity to be freed. This is a man who knows about breaking the rules and now the President's daughter is imprisoned in space, he is the best chance to find her and free her. Seems the prison, which is located deep in space, has been taken over by prisoners and there is a Lock-Out in progress.iolent inmates seem to have the upper edge but Snow is determined to free the young woman and gain his freedom at the same time. Snow is portrayed by Guy Pearce from Rules of Engagement and The Hurt Locker is one mean "good guy" who knows all about breaking the rules. He goes after Emillie Warnock (Maggie Grace from Malice in Wonderland and TV series Lost) who is the captured daughter of the U.S. President. What happens next is violence and mayhem at its best and film maker Luc Besson seems to have successfully graduated from "epic" films to action packed adventure.

Starting defiantly with an amateur stamp from the scene of creative clutter in the apartment of the protagonist, "Repo Men", however, are firmly stitched comic fighter, and quite wild, to become a cult movie. Miguel Sapochnik, plays the fool with all his might, but lively intelligence is difficult to conceal. Very soon, pulsating on the screen cyberpunk shows us a director, who with the same warmth loves "RoboCop," Tarkovsky and Pak Chan Wook. Climactic confrontation between good and evil is almost literally copied from the famous scene with the hammer of the "Oldboy"; with the only difference Sapochnik has money for various other small tools, but apparently lacks the skill neither to film it with one big plan nor to cut massacre of hundreds of different plans. It's disappointing, but not disastrous: in the end, the "Repo Men" has lots of other goods.