"La Jauria" (The Pack) is a TV show that tells the story of a young girl who disappears after attending a feminist protest. The show is set in Chile and follows a group of female detectives who are trying to find the missing girl. As they investigate, they uncover a web of secrets and corruption that implicates powerful people in the community.
The show explores important themes such as gender-based violence, patriarchy, and social justice. It also highlights the challenges faced by women in male-dominated industries such as law enforcement. The detectives face harassment and discrimination from their male colleagues, but they refuse to back down and are determined to solve the case.
Overall, "La Jauria" is a gripping and thought-provoking show that sheds light on important social issues. It is a must-watch for anyone interested in feminist activism, crime dramas, or Latin American culture.
Law & Order: Los Angeles TV Show is one of the many branches of the Law & Order franchise that give you an in depth look at the work and lives of the LAPD's Robbery Homicide Division. Detectives Rex Winters and TJ Jarusalski lead the search uncovering the answers to LA's biggest crimes with the backup of District Attorney Morales who is force to be reckoned with in the courtroom. Law & Order: Los Angeles TV Show is a crime drama that shows the beginning to end process of locking up the bad guys, from showing up at the scene to the investigation to the courtroom. It is sure to keep you interested!
Rubicon TV Show takes you on a ride where what you see is not how it seems and nothing can be for sure. Based in New York City at a federal intelligence agency just after 9-11, Rubicon TV Show is about an analyst, Will Travers, who is faced with his own tragedy during this already paranoid time. Soon he starts to figure out the people he works with have what could be called a secret alliance. Together this group are doing whatever it takes to change major world events to benefit only them. Can Will stop the conspiracy of the century before it is too late?
Think of "The Mentalist" as USA Network's "Psych" with prettier people, more money, slightly more upscale locations, and shorter sentences. Working as a consultant to the California Bureau of Investigation, Patrick Jane"”expertly played with appropriate style and savoir faire by Simon Baker"”uses his exceptionally well-honed powers of observation to solve big-time homicides. As the "The Mentalist" series unfolds, we learn more about Jane's con-man past: he once made a spectacular living as a television psychic, who used his command of "tells" or nuances of expression, body language, and intonation to put willing patsies in touch with dead relatives and future lovers. Of course, a life-changing tragedy inspired him to use his (almost) super-powers for good. Summing-up his new-found crime-fighter philosophy, Jane flatly declares, "There's no such thing as real psychics. Anyone who claims to have a sixth sense is either deluded or dishonest." Like all of television's elite criminalists, "The Mentalist" shows that refined powers of observation are at least as rare and valuable as ESP. Best of all, "The Mentalist" always looks wonderfully fashionable as he nabs the bad guy.
Like fine red wines, pate de foie gras, and escargot, Criminal Minds probably is an acquired taste: The crime drama psychoanalyzes the psychoanalysts, definitely building tense drama, but ironically downplaying the crimes. The New York Times has described Criminal Minds as "cerebral," a euphemism for "nerds with guns." Brilliant writing and compelling characters, however, make it work. The stories represent an elite team of specialists"”the FBI's "Behavioral Analysis Unit" "” who, in just forty-four minutes, can deconstruct a crime, profile a criminal, and bring everything to a profound resolution complete with quotation from literature. Naturally, the feds encounter resistance from local enforcers eager to protect their turf. Just as naturally, many of the stories spark viewers' recognition, because they are "ripped from the headlines." Two features sustain viewers' interest in this sometimes too-heady-for-primetime series: First, every audience loves a good hunt for a psychotic serial killer; and, second, in Criminal Minds, many of the good guys are almost as twisted as the bad guys.
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