The most fun of The Wolfman is to watch the play of three great actors: Benicio Del Toro, Hugo Weaving Anthony Hopkins, who does not appear on the big screen for the long time. The absence of a distinct conflict in the plot of the film leads to interesting effects in the masters' play: if Del Toro is still trying to reveal the nature of Lawrence somehow, suffering in the role and scope of the scenario, the Hopkins returns Hannibal Lecter to the screen and Weaving gives as the Agent Smith. By the end they both almost cease to hold themselves and The Wolfman turns into a feast of film fans from computer horror game. On-screen agent Smith converges with Hannibal Lecter in the fight of talents and minds. Such a cross-over of The Matrix and The Silence of the Lambs you have never dreamed of!

After it wrapped in November, 2009, Season of the Witch, an old-school horror movie starring Nicholas Cage and Ron Perlman, went into a strange suspended animation. In November, 2010, the studio finally distributed a trailer with very little fanfare, and setting a release date in mid-January, 2011. Cinephiles with exquisite powers of observation detected changes in the credits for key production roles, expressing their concern about the project's integrity. The pre-release buzz registered only lukewarm, and a few long-time fans used the unfortunate phrase "paycheck movie" to describe Cage's efforts."Reminiscent of Beowolf with more horror and gore, the story draws admirably from all the traditions of medieval storytelling, ultimately pitting the two courageous crusaders against a dark force that threatens to rule the world."Returning from the Crusades, a noble night finds his homeland ravaged by the black plague. Church officials blame sorcery for the pestilence, and they have captured the witch they hold responsible. They command the knight to transport the alleged witch to an abbey where the monks specialize in exorcising demons. The knight enlists the help of a priest, a grieving comrade-in-arms, a disgraced vagabond, and an arrogant young would-be night. Together, they battle hostile and horrible wilderness, making their way to the abbey where the witch's terrible secret is revealed and literally all hell breaks loose.

The filming studio of Scream 4 says, "Ten years have passed, and Sidney Prescott, who has put herself back together thanks in part to her writing, is visited by the Ghostface Killer." Until the Scream 4 hits theaters on April 15, 2011, no one reveals anything more than that one cryptic sentence. The trailer does make it clear, however, Wes Craven has no intention of reinventing the formula for fun family fear. Scream movie-series sage Wes Craven says of his genre, "There is something about the Disneyesque [American] dream of the beautifully trimmed front lawn, the white picket fence, mom and dad and their happy children, God-fearing and doing good whenever they can. [Look at] and the flip side of it, the kind of anger and the sense of outrage that comes from discovering that's not the truth of the matter--that gives American horror films kind of an additional rage." The Ghostface Killer always has "crawled like a viper through the suburban streets," and the fourth in the series shows lots more of the same; why mess with success? Neve Campbell, Courteney Cox, and David Arquette prove you're never two old to feel terrified, but a whole new generation of horrified hotties has learned to scream and scream until goodness prevails. Emma Roberts and Hayden Panettiere lead "a new generation of terror."

Frankly speaking, The Crazies is like a "Grindhouse" in action, an old school thriller, but filmed with a serious mien, without exaggerated nostalgia for the good old days, when the cinematograph was able to produce the thrills using the simple means. All this we watched millions of times already, this is the task of directing talent here - to impress the audience at the sight of the same in a one million and first time. And if the original version of "The Crazies" was to heavy on political satire and protest against the Vietnam War, a modern remake is already deprived of these options…

Let's start with the fact that the "Survival of the Dead" was shot by not just a master of horror, but practically the first creator of the mythical creature known as "zombies" in a movie. Undoubtedly the first work of George Romero's masterpiece, and were simply "Survival of the Dead" became the sixth film with the theme of "zombies" in the collection of Romero. The script was itself written by Romero, and frankly, it is bad … movie features as the sequel to "Diary of the Dead", but the lack of "documentary" in the story left no chances to get it. In addition there is no sharp plot twists. And if in the earlier parts "Survival of the Dead" hided some philosophical sense, in that part of everythig lies just on the surface…

Nightmare Alley is a 2021 psychological thriller film directed by Guillermo del Toro and starring Bradley Cooper, Cate Blanchett, and Willem Dafoe. The film is an adaptation of the 1947 novel of the same name by William Lindsay Gresham. It tells the story of a carnival worker named Stanton Carlisle (Cooper), who rises through the ranks of the carnival world by using his skills as a manipulator and con artist. However, his ambition and greed lead him down a dark path, as he becomes embroiled in a web of deceit and corruption.